Fire Maidens from Outer Space | |
---|---|
Directed by | Cy Roth [1] |
Screenplay by | Cy Roth |
Story by | Cy Roth |
Produced by | Cy Roth |
Starring |
|
Cinematography | Ian D. Struthers |
Edited by | Lito Carruthers |
Music by | Trevor Duncan |
Production company | Criterion Films |
Distributed by | Eros Films |
Release date |
|
Running time | 80 minutes |
Country | United Kingdom [1] |
Language | English |
Fire Maidens from Outer Space (or Fire Maidens of Outer Space in US), is a 1956 British independent black-and-white science fiction feature film. It was written, produced and directed by American filmmaker Cy Roth as a collaboration between Cy Roth Productions and Great Britain's Criterion Films, and distributed in the UK by Eros Films and in the USA by Topaz Film Co.. The film stars Anthony Dexter, Susan Shaw, Paul Carpenter and Jacqueline Curtis. There were 13 additional "fire maidens". The music score features cues excerpted from the opera Prince Igor by Alexander Borodin.
The discovery of an Earth-like atmosphere on the 13th moon of Jupiter leads to the sending of a crew of five male astronauts, armed with handguns, to investigate. On the moon, they rescue Hestia, a beautiful girl, who is being attacked by a monster. They subsequently discover New Atlantis, a dying civilization, a remnant of the original Atlantis who escaped when that continent sank. There are only seventeen people left, all women save for a single elderly man, Prasus, whom the girls revere as "father". Prasus hopes the spacemen will stay and help him destroy the monster, which is a slender, male hominid creature, around six feet tall with dark, pitted skin, impervious to bullets, and described as a "man with the head of a beast".
Luther Blair learns from Hestia, however, that Prasus rules New Atlantis as a tyrant and wants to keep the earthmen there to mate with the girls. Duessa, one of the women, overhears Blair and Hestia conspiring to escape and encourages the other fire maidens to bind her and sacrifice her. The monster, which lurks outside the city's walls, breaks into the city and kills Prasus along with Duessa. It is killed by the earthmen, and the remaining women decide to let them return to Earth. Hestia returns with them, and the astronauts promise to send spaceships back with husbands for the rest.
The Monthly Film Bulletin review credits Lito Carruthers as editor, and Scott MacGregor as assistant director. [1] [2] However, MacGregor is credited onscreen as production and art supervisor, John Pellatt receives screen credit as assistant director, and Lito Carruthers is credited as Lighting Cameraman (Director of Photography). The actor playing the creature wears dark, tight-fitting clothing without clearly visible zippers, but with cork-blackened hands and feet and a grotesque dark head mask which appears[ citation needed ] to have been modeled on Rondo Hatton. Carruthers' contribution to the film has not been confirmed. [2]
This section needs expansion. You can help by adding to it. (October 2024) |
In a contemporary review of Fire Maidens from Outer Space (1956), [2] The Monthly Film Bulletin stated: "Even the most dedicated connoisseurs of the artless are likely to find this British attempt at science-fiction something of a strain on their patience." [1]
From retrospective reviews, Halliwell's Film and Video Guide describes the film as "a strong contender for the title of the worst movie ever made, with diaphanously clad English gals striking embarrassed poses against cardboard sets". [3]
In Phil Hardy's book Science Fiction (1984), a review described the film as "a bottom-of-the barrel piece of British Science Fiction", and that "the film's one claim to fame is its extensive use of classical music (mostly Borodin) as background music, a trick that Stanley Kubrick deployed with far more aplomb in 2001: A Space Odyssey ". [4]
The DVD Talk website stated Fire Maidens from Outer Space "may be among the worst-ever professionally produced science fiction films" [5]
In November 1992, Fire Maidens of Outer Space was featured as an episode of the movie-mocking television show Mystery Science Theater 3000 .
This Island Earth is a 1955 American science fiction film produced by William Alland, directed by Joseph M. Newman and Jack Arnold, and starring Jeff Morrow, Faith Domergue and Rex Reason. It is based on the 1952 novel of the same name by Raymond F. Jones. The film, distributed by Universal-International, was released in 1955 on a double feature with Abbott and Costello Meet the Mummy.
It! The Terror from Beyond Space is an independently made 1958 American science fiction horror film, produced by Robert Kent, directed by Edward L. Cahn, that stars Marshall Thompson, Shawn Smith, and Kim Spalding. The film was distributed by United Artists as a double feature with Curse of the Faceless Man.
Beginning of the End is a 1957 American science fiction film produced and directed by Bert I. Gordon. It stars Peter Graves, Peggie Castle, and Morris Ankrum. An agricultural scientist, played by Graves, successfully grows gigantic vegetables using radiation. Unfortunately, the vegetables are eaten by locusts, which quickly grow to a gigantic size and attack the nearby city of Chicago. Beginning of the End is generally known for its "atrocious" special effects, "and yet," writes reviewer Bill Warren, "there is something almost compellingly watchable about this goofy little movie".
The Creeping Terror is a 1964 horror–science fiction film directed and produced by, and starring, Vic Savage. The plot is centered upon an extraterrestrial, slug-like creature that attacks and eats people whole in a small American town.
Earth vs. the Flying Saucers is a 1956 American science fiction film from Columbia Pictures. It was produced by Charles H. Schneer, directed by Fred F. Sears, and stars Hugh Marlowe and Joan Taylor. The stop-motion animation special effects were created by Ray Harryhausen. The storyline was suggested by the bestselling 1953 non-fiction book Flying Saucers from Outer Space by Maj. Donald Keyhoe. The film was released as a double feature with The Werewolf.
It Came from Hollywood is a 1982 American comedy documentary film compiling clips from various B movies. Written by Dana Olsen and directed by Malcolm Leo and Andrew Solt, the film features wraparound segments and narration by several famous comedians, including Dan Aykroyd, John Candy, Gilda Radner, and Cheech and Chong. Sections of It Came from Hollywood focus on gorilla pictures, anti-marijuana films and the works of Ed Wood. The closing signature song was the doo wop hit "What's Your Name" by Don and Juan.
I Married a Monster from Outer Space is a 1958 American horror science fiction film from Paramount Pictures, produced and directed by Gene Fowler Jr., that stars Tom Tryon and Gloria Talbott. Paramount released the film as a double feature with The Blob.
The Green Slime is a 1968 tokusatsu science fiction film directed by Kinji Fukasaku and produced by Walter Manley and Ivan Reiner. It was written by William Finger, Tom Rowe and Charles Sinclair from a story by Reiner. The film was shot in Japan with a Japanese director and film crew, but with the non-Japanese cast of Robert Horton, Richard Jaeckel and Luciana Paluzzi.
Many works of fiction have featured UFOs. In most cases, as the fictional story progresses, the Earth is being invaded by hostile alien forces from outer space, usually from Mars, as depicted in early science fiction, or the people are being destroyed by alien forces, as depicted in the film Independence Day. Some fictional UFO encounters may be based on real UFO reports, such as Night Skies. Night Skies is based on the 1997 Phoenix UFO Incident.
The Blood Beast Terror is a 1968 British horror film directed by Vernon Sewell and starring Peter Cushing, Robert Flemyng and Wanda Ventham. It was written by Peter Bryan. It was released in the UK by Tigon in February 1968, and in the United States by Pacemaker Pictures on a double-bill with Slaughter of the Vampires (1962).
Frankenstein and the Monster From Hell is a 1974 British horror film, directed by Terence Fisher and produced by Hammer Film Productions. It stars Peter Cushing, Shane Briant and David Prowse. Filmed at Elstree Studios in 1972 but not released until 1974, it was the final chapter in the Hammer Frankenstein saga of films as well as director Fisher's last film.
Caltiki – The Immortal Monster is a 1959 black-and-white science fiction-horror film with similarities to The Blob that was released in the previous year. The film's storyline concerns a team of archaeologists investigating Mayan ruins, who come across a creature that is a shapeless, amorphous blob. They manage to defeat it using fire, while keeping a sample of the creature. Meanwhile, a comet, which previously passed near the Earth around the time of the collapse of the Mayan civilization, is due to return, raising the possibility of a connection between the creature and the comet.
Teenage Caveman is a 1958 American independent black-and-white science fiction adventure film produced and directed by Roger Corman, and starring Robert Vaughn and Darah Marshall. The film was released by American International Pictures in July 1958 as a double feature with How to Make a Monster.
First Man into Space is a 1959 independently made British-American black-and-white science fiction-horror film directed by Robert Day and starring Marshall Thompson, Marla Landi, Bill Edwards, and Robert Ayres. It was produced by John Croydon, Charles F. Vetter, and Richard Gordon for Amalgamated Films and was distributed by Metro-Goldwyn-Mayer.
The Brain from Planet Arous is a 1957 independently made American black-and-white science fiction film, produced by Jacques R. Marquette, directed by Nathan H. Juran, that stars John Agar, Joyce Meadows, and Robert Fuller. It was written by Ray Buffum. Distributed briefly by Howco International in late 1957, the film appeared in 1958 on a double feature with Teenage Monster.
The Giant Behemoth is a 1959 British-American monster film directed by Eugène Lourié, with special effects by Willis H. O'Brien, Pete Peterson, Irving Block, Jack Rabin, and Louis de Witt. The film stars Gene Evans and André Morell. The screenplay was written by blacklisted author Daniel Lewis James with director Lourié.
Flight to Mars is a 1951 American Cinecolor science fiction film drama, produced by Walter Mirisch for Monogram Pictures, directed by Lesley Selander, that stars Marguerite Chapman, Cameron Mitchell, and Arthur Franz.
Phantom from Space is a 1953 independently made American black-and-white science fiction film produced and directed by W. Lee Wilder and starring Ted Cooper, Noreen Nash, Dick Sands, and Burt Wenland. The screenplay was by William Raynor and Myles Wilder. Working with most of the same crew, this was one of several early 1950s films made by Wilder and son Myles on a financing-for-distribution basis with United Artists and, on occasion, RKO Radio Pictures.
Night Caller from Outer Space is a British 1965 science fiction film directed by John Gilling and starring John Saxon, Maurice Denham and Patricia Haines. It was written by Jim O'Connolly based on Frank Crisp's 1961 novel The Night Callers. A colourised version of the film was released in 2011.
Lito R. A. Carruthers was a Greek-British film editor.