Fire and Blood for solo violin and orchestra by composer Michael Daugherty is a 25-minute concerto inspired by Diego Rivera's Detroit Industry Murals and Frida Kahlo's paintings done in Detroit. It was commissioned by the Detroit Symphony Orchestra during Michael Daugherty's time as composer in residence (1999-2003). [1] [2]
Solo violin; 2 flutes, 2 oboes, 2 clarinets in Bb, 2 bassoons; 2 or 4 horns, 2 trumpets in C; 5 timpani, 2 percussion (I=marimba/glockenspiel/suspended cymbal/piccolo triangle/medium maracas/guiro/small brake drum/large whip; II=marimba/2 crotales/small tam-tam/triangle/large maracas/medium and large brake drums/ratchet); harp; strings [3]
The world premiere performance took place May 3, 2003, at Symphony Hall, Detroit, Michigan; with Ida Kavafian on violin, accompanied by Detroit Symphony Orchestra, under the baton of Neeme Järvi.
Naxos: Fire and Blood / MotorCity Triptych / Raise the Roof (Kavafian, B. Jones, Detroit Symphony, N. Jarvi) [4]
Michael Kevin Daugherty is an American composer, pianist, and teacher. He is influenced by popular culture, Romanticism, and Postmodernism. Daugherty's notable works include his Superman comic book-inspired Metropolis Symphony for Orchestra (1988–93), Dead Elvis for Solo Bassoon and Chamber Ensemble (1993), Jackie O (1997), Niagara Falls for Symphonic Band (1997), UFO for Solo Percussion and Orchestra (1999) and for Symphonic Band (2000), Bells for Stokowski from Philadelphia Stories for Orchestra (2001) and for Symphonic Band (2002), Fire and Blood for Solo Violin and Orchestra (2003) inspired by Diego Rivera and Frida Kahlo, Time Machine for Three Conductors and Orchestra (2003), Ghost Ranch for Orchestra (2005), Deus ex Machina for Piano and Orchestra (2007), Labyrinth of Love for Soprano and Chamber Winds (2012), American Gothic for Orchestra (2013), and Tales of Hemingway for Cello and Orchestra (2015). Daugherty has been described by The Times (London) as "a master icon maker" with a "maverick imagination, fearless structural sense and meticulous ear."
Roman Festivals, P 157 is a tone poem in four movements for orchestra completed in 1928 by the Italian composer Ottorino Respighi. It is the last of his three tone poems about Rome, following Fountains of Rome (1916) and Pines of Rome (1924), which he referred to as a triptych. Each movement depicts a scene of celebration in ancient and contemporary Rome, specifically gladiators battling to the death, the Christian Jubilee, a harvest and hunt festival, and a festival in the Piazza Navona. Musically, the piece is the longest and most demanding of Respighi's Roman trilogy.
Bells for Stokowski for Orchestra and for Symphonic Band by American composer Michael Daugherty, is a 14-minute, single-movement tribute to one of the most prominent 20th century conductors, Leopold Stokowski. Bells for Stokowski for Orchestra (2001) stands alone as a concert piece, however, it is also the last movement of the three-movement work, Philadelphia Stories. Philadelphia Stories was commissioned by the Philadelphia Orchestra in celebration of the Orchestra's centennial under the direction of Wolfgang Sawallisch. The premiere was performed by the Philadelphia Orchestra at the Academy of Music in Philadelphia, under the direction of David Zinman, in November 2001.
Witold Lutosławski wrote his Symphony No. 3 in 1973–1983. The Chicago Symphony Orchestra, conducted by Georg Solti, gave the world premiere on 29 September 1983.
Stuart Saunders Smith is an American composer and percussionist. After having studied composition and music theory at three music institutions, Smith is currently based in Vermont, United States, with his wife Sylvia. He has produced almost 200 compositions, half of which were written for percussion instruments with a focus on the vibraphone.
David C. Sampson is an American contemporary classical composer.
The Symphony No. 4, Op. 71 by Malcolm Arnold was finished on 13 July 1960. It is in four movements:
The Sacrifice is an opera in three acts composed by James MacMillan with a libretto by the poet Michael Symmons Roberts based on the Branwen story of the Welsh mythology collection, the Mabinogion. The world premiere took place on 22 September 2007 at the Donald Gordon Theatre of the Wales Millennium Centre, Cardiff. The production was staged by Welsh National Opera, directed by Katie Mitchell and conducted by the composer.
Grażyna Pstrokońska-Nawratil is a Polish composer and music educator.
The Concerto Fantasy for Two Timpanists and Orchestra is a double timpani concerto written by Philip Glass in 2000. It is paired with the Cello Concerto on Vol. I of Glass' Concerto Project, a set of eight concerti by the composer. A typical performance of the work lasts 25–28 minutes. It was written for Jonathan Haas and later recorded by Evelyn Glennie, and was premiered by Haas and Svet Stoyanov with the American Symphony Orchestra in Avery Fisher Hall, Lincoln Center, conducted by Leon Botstein. The work was commissioned jointly by the American Symphony Orchestra, the Peabody Symphony, the Milwaukee Symphony, the St. Louis Symphony and the Phoenix Symphony. In 2004, a transcription for wind ensemble was written by Mark Lortz, which debuted at Peabody Institute in 2005.
John Corigliano's Symphony No. 1 for Orchestra was written between 1988 and 1989 during the composer's tenure as the first Composer-In-Residence for the Chicago Symphony Orchestra. The symphony's first performance was by the Chicago Symphony conducted by Daniel Barenboim on March 15, 1990.
The Third Essay for Orchestra, Op. 47, is a short orchestral work composed by Samuel Barber in 1978. The score is dedicated to Audrey Sheldon.
Route 66 is a single-movement composition for orchestra by the American composer Michael Daugherty. The piece was commissioned by the Kalamazoo Symphony Orchestra and premiered on April 25, 1998 at the Irving S. Gilmore International Keyboard Festival in East Lansing, Michigan under conductor Yoshimi Takeda.
Ghost Ranch is a three-movement orchestral composition by the American composer Michael Daugherty. Inspired by the life and work of artist Georgia O'Keeffe, the title is derived from the name of O'Keeffe's New Mexico summer home, Ghost Ranch. The piece was commissioned by BBC Radio 3, completed in 2005, and premiered February 8, 2006 in Poole, United Kingdom, with the Bournemouth Symphony Orchestra led by conductor Marin Alsop.
Graham Whettam was an English post-romantic composer.
Sunset Strip is an orchestral composition in three movements by the American composer Michael Daugherty. The piece was composed in 1999 and premiered January 7, 2000 at the Ordway Center for the Performing Arts in Saint Paul, Minnesota, with conductor Hugh Wolff leading the Saint Paul Chamber Orchestra.
Raise the Roof is a one-movement concerto for timpani and orchestra by the American composer Michael Daugherty. The work was commissioned by the Detroit Symphony Orchestra for the opening of the Max M. Fisher Music Center. It was premiered in Detroit, October 16, 2003, with conductor Neeme Järvi leading the Detroit Symphony Orchestra and timpanist Brian Jones. Daugherty later arranged the piece for concert band in 2007; this arrangement was commissioned by the University of Michigan Symphony Band and was premiered under conductor Michael Haithcock at the National Conference of the College Band Directors National Association on March 30, 2007. Raise the Roof is one of Daugherty's most-programmed pieces and has been frequently performed as a concert opener since its publication.
Arvo Pärt composed his Third Symphony in 1971. It is scored for symphony orchestra and was dedicated to Neeme Järvi.
The Triple Concerto No. 2, Op. 139, is a concerto for three instruments – violin, harp and double bass – and orchestra by Dmitri Smirnov, composed in 2003. It was premiered in the centenary concert of the London Symphony Orchestra on 26 May 2004, with principal players from the orchestra as soloists.
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