Bells for Stokowski for Orchestra and for Symphonic Band by American composer Michael Daugherty, is a 14-minute, single-movement tribute to one of the most prominent 20th century conductors, Leopold Stokowski. Bells for Stokowski for Orchestra (2001) stands alone as a concert piece, however, it is also the last movement of the three-movement work, Philadelphia Stories. [lower-alpha 1] Philadelphia Stories was commissioned by the Philadelphia Orchestra in celebration of the Orchestra's centennial under the direction of Wolfgang Sawallisch. The premiere was performed by the Philadelphia Orchestra at the Academy of Music in Philadelphia, under the direction of David Zinman, in November 2001.
A consortium, including universities from several states, commissioned the piece. The premiere was performed by the University of Michigan Symphony Band at the Michigan Theater in Ann Arbor, Michigan, under the direction of Michael Haithcock, on October 2, 2002. One year later, it was performed by the Arizona State University Wind Ensemble, conducted by Gary Hill, at the College Band Directors National Association (CBDNA) National Conference in Minneapolis, Minnesota, on March 27, 2003. It was also performed at the Midwest Band and Orchestra Clinic on December 18, 2003 by the Indiana University Wind Ensemble conducted by Ray Cramer.
Leopold Anthony Stokowski was a British conductor. One of the leading conductors of the early and mid-20th century, he is best known for his long association with the Philadelphia Orchestra and his appearance in the Disney film Fantasia with that orchestra. He was especially noted for his free-hand conducting style that spurned the traditional baton and for obtaining a characteristically sumptuous sound from the orchestras he directed.
Michael Kevin Daugherty is an American composer, pianist, and teacher. He is influenced by popular culture, Romanticism, and Postmodernism. Daugherty's notable works include his Superman comic book-inspired Metropolis Symphony for Orchestra (1988–93), Dead Elvis for Solo Bassoon and Chamber Ensemble (1993), Jackie O (1997), Niagara Falls for Symphonic Band (1997), UFO for Solo Percussion and Orchestra (1999) and for Symphonic Band (2000), Bells for Stokowski from Philadelphia Stories for Orchestra (2001) and for Symphonic Band (2002), Fire and Blood for Solo Violin and Orchestra (2003) inspired by Diego Rivera and Frida Kahlo, Time Machine for Three Conductors and Orchestra (2003), Ghost Ranch for Orchestra (2005), Deus ex Machina for Piano and Orchestra (2007), Labyrinth of Love for Soprano and Chamber Winds (2012), American Gothic for Orchestra (2013), and Tales of Hemingway for Cello and Orchestra (2015). Daugherty has been described by The Times (London) as "a master icon maker" with a "maverick imagination, fearless structural sense and meticulous ear."
In a symphony orchestra, free bowing is a performance technique used by a string section to create a fuller sound than can be achieved by synchronized bowing.
Joseph Clyde Schwantner is a Pulitzer Prize-winning American composer, educator and a member of the American Academy of Arts and Letters since 2002. He was awarded the 1970 Charles Ives Prize.
Leopold Stokowski's orchestration of Pictures at an Exhibition by Modest Mussorgsky was completed in 1939 and premiered later that year, on 17 November, by the Philadelphia Orchestra.
Kristin P. Kuster is an American composer of symphonic, vocal and chamber music.
Kevin Matthew Puts is an American composer, best known for winning a Pulitzer Prize in 2012 for his first opera, Silent Night.
José Serebrier is a Uruguayan conductor and composer. He is one of the most recorded conductors of his generation.
UFO for solo percussion and orchestra (1999) and for solo percussion and symphonic band (2000) by American composer Michael Daugherty, is a composition written for percussionist Evelyn Glennie.
Deus ex Machina is a piano concerto by the American composer Michael Daugherty. The 33-minute work was jointly commissioned by the Charlotte, Nashville, New Jersey, Rochester and Syracuse Symphony Orchestras. It won the 2011 Grammy for Best Classical Contemporary Composition for a recording by soloist Terrance Wilson and the Nashville Symphony Orchestra under the baton of Giancarlo Guerrero.
The Chamber Symphony No. 1 in E major, Op. 9 is a composition by Austrian composer Arnold Schoenberg.
H. Robert Reynolds is an American musician, conductor and academic. He is currently the principal conductor of the Wind Ensemble at the Thornton School of Music at the University of Southern California, where he holds the H. Robert Reynolds Professorship in Wind Conducting.
Jerry Junkin is an American conductor of wind bands and educator. Junkin serves on the faculty of the Butler School of Music at the University of Texas at Austin where he holds the Vincent R. and Jane D. DiNino Chair for the Director of Bands. He conducts the University of Texas Wind Ensemble and instructs graduate as well as undergraduate conducting courses. Additionally, Junkin has served as the conductor of the Dallas Wind Symphony since 1993.
Javelin is a composition for orchestra by American composer Michael Torke. It was finished in 1994.
Raise the Roof is a one-movement concerto for timpani and orchestra by the American composer Michael Daugherty. The work was commissioned by the Detroit Symphony Orchestra for the opening of the Max M. Fisher Music Center. It was premiered in Detroit, October 16, 2003, with conductor Neeme Järvi leading the Detroit Symphony Orchestra and timpanist Brian Jones. Daugherty later arranged the piece for concert band in 2007; this arrangement was commissioned by the University of Michigan Symphony Band and was premiered under conductor Michael Haithcock at the National Conference of the College Band Directors National Association on March 30, 2007. Raise the Roof is one of Daugherty's most-programmed pieces and has been frequently performed as a concert opener since its publication.
Kenneth Kiesler is an American symphony orchestra and opera conductor and mentor to conductors. Kiesler is conductor laureate of the Illinois Symphony Orchestra where he was music director from 1980 to 2000 and founder and director of the Conductors Retreat at Medomak. In 2014, Kiesler was nominated for a Grammy Award for his recording of Darius Milhaud’s opera L’Orestie d’Eschyle. He is Director of Orchestras and Professor of Conducting at the University of Michigan.
The Symphony No. 3, Circus Maximus, is a composition for wind ensemble in eight movements by the American composer John Corigliano. The work was commissioned by the University of Texas at Austin Butler School of Music, for the University of Texas Wind Ensemble. It was given its world premiere by the University of Texas Wind Ensemble under their conductor Jerry Junkin at the Bass Concert Hall in the University of Texas Performing Arts Center on February 16, 2005. The symphony is dedicated to Junkin and is the composer's first piece written specifically for concert band.
Divertimento, or Divertimento for Orchestra, is a suite of eight orchestral bagatelles by American composer Leonard Bernstein. Completed in 1980 and written to celebrate the centenary of the Boston Symphony Orchestra, it is well-known for featuring the notes B and C in most of its melodic material.