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Leon Battista Alberti was an Italian Renaissance humanist author, artist, architect, poet, priest, linguist, philosopher, and cryptographer; he epitomised the nature of those identified now as polymaths. He is considered the founder of Western cryptography, a claim he shares with Johannes Trithemius.
Vitruvius was a Roman architect and engineer during the 1st century BC, known for his multi-volume work titled De architectura. As the only treatise on architecture to survive from antiquity, it has been regarded since the Renaissance as the first book on architectural theory, as well as a major source on the canon of classical architecture. It is not clear to what extent his contemporaries regarded his book as original or important.
Structural engineering is a sub-discipline of civil engineering in which structural engineers are trained to design the 'bones and joints' that create the form and shape of human-made structures. Structural engineers also must understand and calculate the stability, strength, rigidity and earthquake-susceptibility of built structures for buildings and nonbuilding structures. The structural designs are integrated with those of other designers such as architects and building services engineer and often supervise the construction of projects by contractors on site. They can also be involved in the design of machinery, medical equipment, and vehicles where structural integrity affects functioning and safety. See glossary of structural engineering.
Mathematics and architecture are related, since, as with other arts, architects use mathematics for several reasons. Apart from the mathematics needed when engineering buildings, architects use geometry: to define the spatial form of a building; from the Pythagoreans of the sixth century BC onwards, to create forms considered harmonious, and thus to lay out buildings and their surroundings according to mathematical, aesthetic and sometimes religious principles; to decorate buildings with mathematical objects such as tessellations; and to meet environmental goals, such as to minimise wind speeds around the bases of tall buildings.
The Vitruvian Man is a drawing by the Italian Renaissance artist and scientist Leonardo da Vinci, dated to c. 1490. Inspired by the writings of the ancient Roman architect Vitruvius, the drawing depicts a nude man in two superimposed positions with his arms and legs apart and inscribed in both a circle and square. It was described by the art historian Carmen C. Bambach as "justly ranked among the all-time iconic images of Western civilization". Although not the only known drawing of a man inspired by the writings of Vitruvius, the work is a unique synthesis of artistic and scientific ideals and often considered an archetypal representation of the High Renaissance.
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Proportion is a central principle of architectural theory and an important connection between mathematics and art. It is the visual effect of the relationship of the various objects and spaces that make up a structure to one another and to the whole. These relationships are often governed by multiples of a standard unit of length known as a "module".
De architectura is a treatise on architecture written by the Roman architect and military engineer Marcus Vitruvius Pollio and dedicated to his patron, the emperor Caesar Augustus, as a guide for building projects. As the only treatise on architecture to survive from antiquity, it has been regarded since the Renaissance as the first known book on architectural theory, as well as a major source on the canon of classical architecture.
Architectural theory is the act of thinking, discussing, and writing about architecture. Architectural theory is taught in all architecture schools and is practiced by the world's leading architects. Some forms that architecture theory takes are the lecture or dialogue, the treatise or book, and the paper project or competition entry. Architectural theory is often didactic, and theorists tend to stay close to or work from within schools. It has existed in some form since antiquity, and as publishing became more common, architectural theory gained an increased richness. Books, magazines, and journals published an unprecedented number of works by architects and critics in the 20th century. As a result, styles and movements formed and dissolved much more quickly than the relatively enduring modes in earlier history. It is to be expected that the use of the internet will further the discourse on architecture in the 21st century.
De re aedificatoria is a classic architectural treatise written by Leon Battista Alberti between 1443 and 1452. Although largely dependent on Vitruvius's De architectura, it was the first theoretical book on the subject written in the Italian Renaissance, and in 1485 it became the first printed book on architecture. It was followed in 1486 with the first printed edition of Vitruvius.
Architecture – the process and the product of designing and constructing buildings. Architectural works with a certain indefinable combination of design quality and external circumstances may become cultural symbols and / or be considered works of art.
The Design Quality Indicator (DQI) is a toolkit to measure, evaluate and improve the design quality of buildings.
Architectural design values make up an important part of what influences architects and designers when they make their design decisions. However, architects and designers are not always influenced by the same values and intentions. Value and intentions differ between different architectural movements. It also differs between different schools of architecture and schools of design as well as among individual architects and designers.
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes from Latin architectura; from Ancient Greek ἀρχιτέκτων (arkhitéktōn) 'architect'; from ἀρχι- (arkhi-) 'chief' and τέκτων (téktōn) 'creator'. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilisations are often identified with their surviving architectural achievements.
Architectural technology, or building technology, is the application of technology to the design of buildings. It is a component of architecture and building engineering and is sometimes viewed as a distinct discipline or sub-category. New materials and technologies generated new design challenges and construction methods throughout the evolution of building, especially since the advent of industrialisation in the 19th century. Architectural technology is related to the different elements of a building and their interactions; it is closely aligned with advances in building science.
An architectural style is a classification of buildings based on a set of characteristics and features, including overall appearance, arrangement of the components, method of construction, building materials used, form, size, structural design, and regional character.
Morphology in architecture is the study of the evolution of form within the built environment. Often used in reference to a particular vernacular language of building, this concept describes changes in the formal syntax of buildings and cities as their relationship to people evolves and changes. Often morphology describes processes, such as in the evolution of a design concept from first conception to production, but can also be understood as the categorical study in the change of buildings and their use from a historical perspective. Similar to genres of music, morphology concertizes 'movements' and arrives at definitions of architectural 'styles' or typologies. Paradoxically morphology can also be understood to be the qualities of a built space which are style-less or irreducible in quality.
Complementary architecture is a movement in contemporary architecture promoting architectural practice rooted in comprehensive understanding of context, aiming to contribute to the environment in such a way as to continue and improve or emphasise its preexisting qualities. Indispensable features of complementary architecture include sustainability, altruism, contextualism, endemism and continuity of specific regional design language.
In architecture, form refers to a combination of external appearance, internal structure, and the unity of the design as a whole, an order created by the architect using space and mass.
References
- ↑ Gelernter 1995, p. 63.
- ↑ Black 1853, p. 490, Note 1.
- 1 2 3 4 5 6 7 8 9 10 Roger Scruton, Peter Collins, “Commodity, firmness, and delight”: the ultimate synthesis at the Encyclopædia Britannica
- ↑ Banham 1965, p. 70.