First Love | |
---|---|
Directed by | Maximilian Schell |
Written by | Screenplay: Maximilian Schell Novella: Ivan Turgenev |
Produced by | Barry Levinson Maximilian Schell |
Starring | Maximilian Schell Dominique Sanda John Moulder-Brown |
Cinematography | Sven Nykvist |
Edited by | Dagmar Hirtz |
Music by | Mark London |
Release date |
|
Countries | Switzerland West Germany Hungary |
Languages | English German |
First Love (German : Erste Liebe) is a 1970 film, written, directed, produced and starred in by Austrian director Maximilian Schell. It is an adaptation of Ivan Turgenev's 1860 novella of the same name, starring Schell, Dominique Sanda, and John Moulder-Brown.
First Love was nominated for the Best Foreign Language Film at the 43rd Academy Awards as a Swiss entry.
In 19th-century Russia, Princess Zasekina and her daughter Zinaida move in next door to Alexander, a 16-year-old boy. Alexander falls deeply in love with Zinaida, who attracts the attention of several men, including Count Malevsky, Doctor Luzhin, and the poet Maidanov. Despite Zinaida's initial aloofness, she appears to reciprocate Alexander's affection inconsistently, sometimes pushing him away and other times showing him affection.
Alexander's mother disapproves of his infatuation with the daughter of a financially troubled family, but his father seems indifferent or even supportive. Alexander becomes increasingly obsessed with Zinaida, going so far as to spy on her at night. He discovers his father's secret affair with Zinaida, which deeply wounds him.
Zinaida manipulates Alexander's emotions, playing with his affections and treating him alternately as a child and a lover. Despite his mother's suspicions and eventual discovery of his father's involvement with Zinaida, Alexander remains fixated on her.
Years later, Alexander discovers that Zinaida married Doctor Luzhin after becoming pregnant from an affair. Despite his father's warning about women, Alexander's infatuation with Zinaida persists. However, his hopes for a future with her are shattered when he learns that she died in childbirth.
Roger Greenspun of The New York Times wrote of the film that "despite its pretentiousness, its prettiness, its 1,000 excesses—and to a degree perhaps because of them—it succeeds as vision even while it looks as if it were being suffocated by style." [2] Roger Ebert of the Chicago Sun-Times gave the film two stars out of four and wrote, "The problem in 'First Love' (apart from the fact that the conclusion in no way emerges organically from the material) is that the whole movie is so smug in its sense of tragedy. In his directing debut, Maximilian Schell has taken a Turgenev story and stretched it out with silence, vast characterless landscapes, plenty of birds, some solitude and a visual style that doesn't help much." [3] Gene Siskel of the Chicago Tribune gave the film an identical two-star grade and declared, "Schell neglects to pare Turgenev's story to the essential element of a young boy's love for a visiting neighbor, and attempts to include some of the Russian author's social comment on the superficiality of the ruling class. The result is a screenplay with vaulting ambition that is neither sensual nor witty." [4] Variety called it "a sincere, affectionate and exquisitely pretty picture of youthful love—or infatuation—against the leisurely but already threatened backdrop of a world and society that was, but that symbolically also mirrors the present day." [5] Charles Champlin of the Los Angeles Times stated, "At moments 'First Love' is overly elliptical and confusing, though the main advance of the narrative never falters. What is especially noteworthy is the film's power of suggestion and restraint in conveying an atmosphere highly charged with decadent sex." [6] Gary Arnold of The Washington Post wrote, "Cinematographer Sven Nykvist puts on a swell show, performing one stunning feat of luminosity after another, but director Maximilian Schell is compulsively unilluminating about matters of theme and character and historical period and continuity." [7]
Roger Joseph Ebert was an American film critic, film historian, journalist, essayist, screenwriter and author. He was the film critic for the Chicago Sun-Times from 1967 until his death in 2013. Ebert was known for his intimate, Midwestern writing style and critical views informed by values of populism and humanism. Writing in a prose style intended to be entertaining and direct, he made sophisticated cinematic and analytical ideas more accessible to non-specialist audiences. Ebert endorsed foreign and independent films he believed would be appreciated by mainstream viewers, championing filmmakers like Werner Herzog, Errol Morris and Spike Lee, as well as Martin Scorsese, whose first published review he wrote. In 1975, Ebert became the first film critic to win the Pulitzer Prize for Criticism. Neil Steinberg of the Chicago Sun-Times said Ebert "was without question the nation's most prominent and influential film critic," and Kenneth Turan of the Los Angeles Times called him "the best-known film critic in America." Per The New York Times, "The force and grace of his opinions propelled film criticism into the mainstream of American culture. Not only did he advise moviegoers about what to see, but also how to think about what they saw."
Love Story is a 1970 American romantic drama film written by Erich Segal, who was also the author of the best-selling 1970 eponymous novel. It was produced by Howard G. Minsky, and directed by Arthur Hiller, starring Ali MacGraw, Ryan O'Neal, John Marley, Ray Milland and Tommy Lee Jones in his film debut.
Maximilian Schell was a Swiss actor. He won the Academy Award for Best Actor for the 1961 American film Judgment at Nuremberg, his second acting role in Hollywood. Born in Austria, his parents were involved in the arts and he grew up surrounded by performance and literature. While he was still a child, his family fled to Switzerland in 1938 when Austria was annexed by Nazi Germany, and they settled in Zürich. After World War II ended, Schell took up acting and directing full-time. He appeared in numerous German films, often anti-war, before moving to Hollywood.
Ryan's Daughter is a 1970 British epic romantic drama film directed by David Lean, written by Robert Bolt and starring Robert Mitchum and Sarah Miles. The film, set between August 1917 and January 1918, tells the story of a married Irish woman who has an affair with a British officer during World War I, despite moral and political opposition from her nationalist neighbours. The supporting cast features John Mills, Christopher Jones, Trevor Howard and Leo McKern. The film is a re-telling of the plot of Gustave Flaubert's 1857 novel Madame Bovary.
Klute is a 1971 American neo-noir psychological thriller film directed and produced by Alan J. Pakula, and starring Jane Fonda, Donald Sutherland, Charles Cioffi, Nathan George, Dorothy Tristan, Roy Scheider, and Rita Gam. Its plot follows a high-priced New York City call girl who assists a detective from Pennsylvania in solving the missing person case of a john who may be stalking her. It is the first installment of what has informally come to be known as Pakula's "paranoia trilogy", followed by The Parallax View (1974) and All the President's Men (1976), all films dealing with themes of paranoia, conspiracies, and surveillance.
Arthur Hiller, was a Canadian television and film director with over 33 films to his credit during a 50-year career. He began his career directing television in Canada and later in the U.S. By the late 1950s, he was directing films, most often comedies, but also dramas and romantic subjects, such as in Love Story (1970), which was nominated for seven Oscars.
Eugene Kal Siskel was an American film critic and journalist for the Chicago Tribune who co-hosted a movie review television series alongside colleague Roger Ebert.
Day for Night is a 1973 romantic comedy-drama film co-written and directed by François Truffaut. The metafictional and self-reflexive film chronicles the troubled production of a melodrama, and the various personal and professional challenges of the cast and crew. It stars Jacqueline Bisset, Valentina Cortese, Jean-Pierre Aumont, Dani, Alexandra Stewart, Jean-Pierre Léaud and Truffaut himself.
Carnal Knowledge is a 1971 American comedy-drama film directed by Mike Nichols and written by Jules Feiffer. It stars Jack Nicholson, Candice Bergen, Art Garfunkel, and Ann-Margret, with Rita Moreno and Cynthia O'Neal.
Gene Siskel and Roger Ebert, collectively known as Siskel & Ebert, were American film critics known for their partnership on television lasting from 1975 to Siskel's death in 1999.
Scrooge is a 1970 musical film adaptation of Charles Dickens' A Christmas Carol (1843). It was directed by Ronald Neame, and starred Albert Finney as Ebenezer Scrooge. The film's score was composed by Leslie Bricusse and arranged and conducted by Ian Fraser.
First Love is a novella by Ivan Turgenev, first published in 1860. It is one of his most popular pieces of short fiction. It tells the love story between a 21-year-old girl and a 16-year-old boy.
The King of Marvin Gardens is a 1972 American drama film. It stars Jack Nicholson, Bruce Dern, Ellen Burstyn and Scatman Crothers. It is one of several collaborations between Nicholson and director Bob Rafelson. The majority of the film is set in a wintry Atlantic City, New Jersey, with cinematography by László Kovács.
The Panic in Needle Park is a 1971 American drama film directed by Jerry Schatzberg and starring Al Pacino and Kitty Winn. The screenplay is written by Joan Didion and John Gregory Dunne, adapted from the 1966 novel by James Mills.
The Ballad of Cable Hogue is a 1970 American Technicolor Western comedy film directed by Sam Peckinpah and starring Jason Robards, Stella Stevens and David Warner. Set in the Arizona desert during a period when the frontier was closing, the film follows three years in the life of a failed prospector. While unmistakably a Western, the movie is unconventional for the genre and for the director. It contains only a few brief scenes of violence and gunplay, relying more on a subtly crafted story that could better be characterized as comedic in nature.
$, also known as Dollar$, Dollars or $ (Dollars), and in the UK as The Heist, is a 1971 American heist comedy film starring Warren Beatty and Goldie Hawn, written and directed by Richard Brooks and produced by M.J. Frankovich. The supporting cast includes Gert Fröbe, Robert Webber and Scott Brady. The film is about a bank security consultant (Beatty) who develops a scheme with a prostitute, Dawn Divine (Hawn), to steal several criminals' money from a bank vault.
Deep End is a 1970 psychological comedy drama film directed by Jerzy Skolimowski and starring Jane Asher, John Moulder Brown and Diana Dors. It was written by Skolimowski, Jerzy Gruza and Boleslaw Sulik. The film was an international co-production between West Germany and the United Kingdom. Set in London, the film centers on a 15-year-old boy who develops an infatuation with his older, beautiful co-worker at a suburban bath house and swimming pool.
Where's Poppa? is a 1970 American black comedy film based on the 1970 novel by Robert Klane and starring George Segal, Ruth Gordon, Ron Leibman, and Trish Van Devere. The plot revolves around the troubled relationship between a lawyer (Segal) and his senile mother (Gordon), who keeps interfering with his love life. The film was directed by Carl Reiner, whose son Rob Reiner had a role in an early performance. Others in the cast include Paul Sorvino, Rae Allen, Vincent Gardenia and Garrett Morris. The film was re-released in 1975, under the title Going Ape, and maintains a cult following.
Pope Joan is a 1972 British historical drama film based on the story of Pope Joan. Even though modern consensus generally considers Pope Joan to be legendary, in the film her existence is treated as fact.
St. Ives is a 1976 American crime thriller film directed by J. Lee Thompson and starring Charles Bronson, John Houseman, Jacqueline Bisset, and Maximilian Schell.