The Salamander | |
---|---|
Directed by | Alain Tanner |
Written by | John Berger Alain Tanner |
Produced by | Alain Tanner |
Starring | Bulle Ogier |
Cinematography | Sandro Bernardoni Renato Berta |
Edited by | Marc Blavet Brigitte Sousselier |
Music by | Patrick Moraz |
Release date |
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Running time | 124 minutes |
Country | Switzerland |
Language | French |
The Salamander (French : La Salamandre) is a 1971 Swiss drama film directed by Alain Tanner. [1] [2] The film was selected as the Swiss entry for the Best Foreign Language Film at the 45th Academy Awards, but was not accepted as a nominee. [3]
A young woman is accused of having shot her uncle, but she claims he accidentally shot himself while cleaning his gun. Two friends are commissioned to write a film script based on this incident. Each of them chooses an approach in accordance with his profession. The journalist interviews the young woman, yet her statements seem to be contradictory. The novelist invents fictitious explanations which seem plausible, but, when he gets to know the woman, she's very different from what he has imagined. In the end, both refrain from working on this film project.
Young Törless is a 1966 German drama film directed by Volker Schlöndorff, adapted from the 1906 novel The Confusions of Young Törless by Robert Musil. It deals with the violent and sadistic tendencies of a group of boys at an Austrian military academy at the beginning of the 20th century.
Alain Tanner was a Swiss film director.
Camille Claudel is a 1988 French biographical drama film about the life of 19th-century sculptor Camille Claudel. The film was based on the book by Reine-Marie Paris, granddaughter of Camille's brother, the poet and diplomat Paul Claudel. It was directed by Bruno Nuytten, co-produced by Isabelle Adjani, and starred her and Gérard Depardieu. The film had a total of 2,717,136 admissions in France. Adjani was nominated for the Academy Award for Best Actress for her role, the second in her career.
Roma is a 1972 semi-autobiographical comedy-drama film depicting director Federico Fellini's move from his native Rimini to Rome as a youth. The film was directed by Fellini from a screenplay by himself and Bernardino Zapponi. It is a homage to the city, shown in a series of loosely connected episodes set during both Rome's past and present. The plot is minimal, and the only "character" to develop significantly is Rome herself. Peter Gonzales plays the young Fellini, and the film features mainly newcomers in the cast.
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Every Man for Himself is a 1980 drama film directed, co-written and co-produced by Jean-Luc Godard that is set in and was filmed in Switzerland. It stars Jacques Dutronc, Isabelle Huppert, and Nathalie Baye, with a score by Gabriel Yared. Nathalie Baye won the César Award for Best Supporting Actress. It also was submitted as the Swiss entry for the Best Foreign Language Film at the 53rd Academy Awards, but was not accepted as a nominee.
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Entre Nous is a 1983 French biographical drama film directed by Diane Kurys, who shares the writing credits with Olivier Cohen. Set in the France of the mid 20th century, the film stars Isabelle Huppert, Miou-Miou, Guy Marchand, Jean-Pierre Bacri, Christine Pascal, Denis Lavant and Dominique Lavanant. Coup de Foudre means "love at first sight".
Set Me Free is a 1999 Canadian coming-of-age drama film by Léa Pool and starring Karine Vanasse. It tells the story of Hanna, a girl struggling with her sexuality and the depression of both her parents as she goes through puberty in Quebec in 1963. The film heavily references the French new-wave film Vivre sa vie by Jean-Luc Godard.
My Dearest Senorita is a 1972 Spanish film directed by Jaime de Armiñán. A romantic drama on the subject of sex change and intersexualism, it was the first Spanish film that talked about sexual orientation, which was a taboo subject in Spain during Franco's regime. The film was nominated for the Academy Award for Best Foreign Language Film at the 45th Academy Awards. José Luis López Vázquez won the Silver Hugo Award for Best Actor at the Chicago International Film Festival in 1972.
I Love You Rosa is a 1972 Israeli film written and directed by Moshé Mizrahi. It was nominated for the Academy Award for Best Foreign Language Film. It was also entered into the 1972 Cannes Film Festival.
Yasemin is a 1988 German-language film directed by Hark Bohm. The international co-production of Turkey and West Germany was chosen as West Germany's official submission to the 61st Academy Awards for Best Foreign Language Film, but didn't obtain a nomination. It was also entered into the 38th Berlin International Film Festival.
The Promise is a 1995 German-language film directed by Margarethe von Trotta. It was an international co-production between Germany, France and Switzerland. Two young lovers in Berlin are separated when the Berlin wall goes up, and their stories intertwine during the three decades to German reunification. This film was chosen as Germany's official submission to the 67th Academy Awards for Best Foreign Language Film, but did not receive a nomination.
The Distant Land is a 1987 Austrian-German drama film that was adapted from the play by Arthur Schnitzler and directed by Luc Bondy. It was screened in the Un Certain Regard section at the 1987 Cannes Film Festival. The film was selected as the Austrian entry for the Best Foreign Language Film at the 61st Academy Awards, but was not accepted as a nominee.
Echoes of the Rainbow is a 2010 Hong Kong drama film directed by Alex Law and starring Simon Yam and Sandra Ng. It won the Crystal Bear for the Best Film in the Children’s Jury "Generation Kplus" category at the 2010 Berlin Film Festival.
The Master and Margaret is a 1972 Italian-Yugoslav film directed by Aleksandar Petrović, loosely based on Mikhail Bulgakov's 1940 novel of the same name, although it mainly focuses on the parts of the novel set in 1920s Moscow.
In the White City is a 1983 Swiss drama film directed by Alain Tanner. Focussing on a mariner's disillusion with life at sea, it addresses the problems with dropping out of society, one of the central topics in Tanner's films.
The Middle of the World is a 1974 Swiss-French romance film directed by Alain Tanner. The film was selected as the Swiss entry for the Best Foreign Language Film at the 47th Academy Awards, but was not accepted as a nominee. It was screened at the 2011 International Filmfestival Mannheim-Heidelberg.