The following outline is provided as an overview of and topical guide to theatre:
Vaudeville is a theatrical genre of variety entertainment which began in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, while changing over time.
A circus is a company of performers who put on diverse entertainment shows that may include clowns, acrobats, trained animals, trapeze acts, musicians, dancers, hoopers, tightrope walkers, jugglers, magicians, ventriloquists, and unicyclists as well as other object manipulation and stunt-oriented artists. The term circus also describes the field of performance, training and community which has followed various formats through its 250-year modern history. Although not the inventor of the medium, Newcastle-under-Lyme born Philip Astley is credited as the father of the modern circus.
Stagecraft is a technical aspect of theatrical, film, and video production. It includes constructing and rigging scenery; hanging and focusing of lighting; design and procurement of costumes; make-up; stage management; audio engineering; and procurement of props. Stagecraft is distinct from the wider umbrella term of scenography. Considered a technical rather than an artistic field, it is primarily the practical implementation of a scenic designer's artistic vision.
In American theater, summer stock theater is a theater that presents stage productions only in the summer. The name combines the season with the tradition of staging shows by a resident company, reusing stock scenery and costumes. Summer stock theaters frequently take advantage of seasonal weather by having their productions outdoors, under tents set up temporarily for their use, or in barns.
Scenic design, also known as stage design or set design, is the creation of scenery for theatrical productions including plays and musicals. The term can also be applied to film and television productions, where it may be referred to as production design. Scenic designers create sets and scenery to support the overall artistic goals of the production. Scenic design is an aspect of scenography, which includes theatrical set design as well as light and sound.
A prop, formally known as a (theatrical) property, is an object actors use on stage or screen during a performance or screen production. In practical terms, a prop is considered to be anything movable or portable on a stage or a set, distinct from the actors, scenery, costumes, and electrical equipment.
Nicholas Nickleby, or The Life and Adventures of Nicholas Nickleby, is the third novel by Charles Dickens, originally published as a serial from 1838 to 1839. The character of Nickleby is a young man who must support his mother and sister after his father dies.
Pantomime is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and in other English-speaking countries, especially during the Christmas and New Year season. Modern pantomime includes songs, gags, slapstick comedy and dancing. It generally combines gender-crossing actors and topical humour with a story more or less based on a well-known fairy tale, fable or folk tale. Pantomime is a participatory form of theatre, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers.
A stagehand is a person who works backstage or behind the scenes in theatres, film, television, or location performance. Their work include setting up the scenery, lights, sound, props, rigging, and special effects for a production.
In the theatre of ancient Greece, the skene was the structure at the back of a stage. The word skene means 'tent' or 'hut', and it is thought that the original structure for these purposes was a tent or light building of wood and was a temporary structure. It was initially a very light structure or just cloth hanging from a rope, but over the course of time the skene underwent fundamental changes. First, it became a permanent building, whose roof could sometimes be used to make speeches, and as time passed it was raised up from the level of the orchestra, creating a proskenion, or "space in front of the skene". The facade of the proskenion was behind the orchestra and provided a space for supporting stage scenery.
Nineteenth-century theatre describes a wide range of movements in the theatrical culture of Europe and the United States in the 19th century. In the West, they include Romanticism, melodrama, the well-made plays of Scribe and Sardou, the farces of Feydeau, the problem plays of Naturalism and Realism, Wagner's operatic Gesamtkunstwerk, Gilbert and Sullivan's plays and operas, Wilde's drawing-room comedies, Symbolism, and proto-Expressionism in the late works of August Strindberg and Henrik Ibsen.
A theatrical technician, also known as a theatrical tech, theatre technician, or theatre tech is a person who operates technical equipment and systems in the performing arts and entertainment industry. In contrast to performers, this broad category contains all "unseen" theatrical personnel who practice stagecraft and are responsible for the logistic and production-related aspects of a performance including designers, operators, and supervisors.
A spiegeltent is a large travelling tent, constructed from wood and canvas and decorated with mirrors and stained glass, intended as an entertainment venue.
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres", as derived from the Ancient Greek θέατρον, itself from θεάομαι.
The following outline is provided as an overview of and topical guide to stagecraft:
The New Theatre Royal is a Victorian Grade II* listed theatre in the heart of Portsmouth, England, with a capacity of 648. The theatre building was constructed in 1854 as Landport Hall. It was converted to a theatre two years later. It was rebuilt in 1884 by Charles J. Phipps and again in 1900 by Frank Matcham.
Tent shows have been an important part of American history since the mid-to-late nineteenth century. In 1927, Don Carle Gillette gave "statistical evidence that the tented drama constituted 'a more extensive business than Broadway and all the rest of the legitimate theatre industry put together.'" The shows first began "in regions which couldn’t support full-time playhouses." Men such as Fayette Lodowick, one of the earliest tent show entrepreneurs, would travel around river towns all over the United States making money on traveling tent shows. These shows "were utilized for a variety of amusements including medicine shows, moving picture shows, vaudeville shows, circuses, musicals, concert companies, and any number of one-night stand dramatic troupes."
Birmingham is an important centre for theatre in the United Kingdom. The earliest known performances in the city were medieval pageants and miracle plays. Birmingham's first permanent theatres and theatrical companies were founded in the 1740s, drawing both actors and performance styles from the fashionable theatres of London. During World War II, the Birmingham Blitz forced all performance venues in the city to close; most would stay closed throughout the war. The postwar introduction of television led to further theatre closures.
Jitney Players was the name of a traveling American acting company that was formed in 1923.
