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The classical elements typically refer to earth, water, air, fire, and (later) aether which were proposed to explain the nature and complexity of all matter in terms of simpler substances. Ancient cultures in Greece, Angola, Tibet, India, and Mali had similar lists which sometimes referred, in local languages, to "air" as "wind", and to "aether" as "space".
Étienne Bonnot de Condillac was a French philosopher, epistemologist, and Catholic priest, who studied in such areas as psychology and the philosophy of the mind.
Imagery is visual symbolism, or figurative language that evokes a mental image or other kinds of sense impressions, especially in a literary work, but also in other activities such as. Imagery in literature can also be instrumental in conveying tone.
Pratyahara or the 'gathering towards' is the fifth element among the Eight stages of Patanjali's Ashtanga Yoga, as mentioned in his classical work, Yoga Sutras of Patanjali composed in the 2nd century BCE. It is also the first stage of the six-branch yoga (ṣaḍaṅgayoga) of the Buddhist Kālacakra tantra, where it refers to the withdrawal of the five senses from external objects to be replaced by the mentally created senses of an enlightened deity. This phase is roughly analogous to the physical isolation phase of Guhyasamāja tantra.
Five senses refers to the five traditionally recognized methods of perception, or senses: taste, sight, touch, smell, and sound.
On the Soul is a major treatise written by Aristotle c. 350 BC. His discussion centres on the kinds of souls possessed by different kinds of living things, distinguished by their different operations. Thus plants have the capacity for nourishment and reproduction, the minimum that must be possessed by any kind of living organism. Lower animals have, in addition, the powers of sense-perception and self-motion (action). Humans have all these as well as intellect.
In medicine and anatomy, the special senses are the senses that have specialized organs devoted to them:
Sonnet 46 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. Sonnet 46 is continued in Sonnet 47.
The Five Senses is a 1999 Canadian drama film directed, written and produced by Jeremy Podeswa.
The Discarded Image: An Introduction to Medieval and Renaissance Literature is a non-fiction book by C. S. Lewis. It was his last book and deals with medieval cosmology and the Ptolemaic universe. It portrays the medieval conception of a "model" of the world, which Lewis described as "the medieval synthesis itself, the whole organization of their theology, science and history into a single, complex, harmonious mental model of the universe."
Common sense is "knowledge, judgement, and taste which is more or less universal and which is held more or less without reflection or argument". As such, it is often considered to represent the basic level of sound practical judgement or knowledge of basic facts that any adult human being ought to possess. It is "common" in the sense of being shared by nearly all people. The everyday understanding of common sense is ultimately derived from historical philosophical discussions. Relevant terms from other languages used in such discussions include the aforementioned Latin, itself translating Ancient Greek κοινὴ αἴσθησις, and French bon sens. However, these are not straightforward translations in all contexts, and in English different shades of meaning have developed. In philosophical and scientific contexts, since the Age of Enlightenment the term "common sense" has been used for rhetorical effect both approvingly and disapprovingly. On the one hand it has been a standard for good taste, good sense, and source of scientific and logical axioms. On the other hand it has been equated to conventional wisdom, vulgar prejudice, and superstition.
A sense is a biological system used by an organism for sensation, the process of gathering information about the surroundings through the detection of stimuli. Although, in some cultures, five human senses were traditionally identified as such, many more are now recognized. Senses used by non-human organisms are even greater in variety and number. During sensation, sense organs collect various stimuli for transduction, meaning transformation into a form that can be understood by the brain. Sensation and perception are fundamental to nearly every aspect of an organism's cognition, behavior and thought.
Many types of sense loss occur due to a dysfunctional sensation process, whether it be ineffective receptors, nerve damage, or cerebral impairment. Unlike agnosia, these impairments are due to damages prior to the perception process.
Sensory branding is a type of marketing that appeals to all the senses in relation to the brand. It uses the senses to relate with customers on an emotional level. It is believed that the difference between an ordinary product and a captivating product is emotion. When emotion flows in the marketplace, your product shines. When there is no emotion from the product, customers lack the enthusiasm and passion that launches a product to success. Brands can forge emotional associations in the customers' minds by appealing to their senses. A multi-sensory brand experience generates certain beliefs, feelings, thoughts and opinions to create a brandgon image in the consumer's mind.
The wax argument or the sheet of wax example is a thought experiment that René Descartes created in the second of his Meditations on First Philosophy. He devised it to analyze what properties are essential for bodies, show how uncertain our knowledge of the world is compared to our knowledge of our minds, and argue for rationalism.
The Five Senses is a set of allegorical paintings created at Antwerp in 1617-1618 by Jan Brueghel the Elder and Peter Paul Rubens, with Brueghel being responsible for the settings and Rubens for the figures. They are now in the Prado Museum in Madrid. They are all painted in oils on wood panel, approximately 65 by 110 centimetres in dimensions.
The Five Senses are a pair of oil paintings made by Jan Brueghel the Elder and others in 1617-1618, at the same time as he was working with Peter Paul Rubens on a series of five paintings on the same topic. The originals were lost in a fire in 1731; faithful copies dated to c. 1620 were preserved and are in the Prado Museum in Madrid.
Sensory tourism is a form of tourism, that caters for people with vision impairment. Those suffering from vision impairment face many difficulties based around mainstream tourism such as access to information, navigation, safety and the knowledge of others around them. This has caused the visionless members of society to travel much less than those with no vision impairment. Combining the theories behind tourism in terms of its psychology and its relation to the senses, an inclusive experience for the visually disabled was developed. Sensory tourism engages the physical and multi-sensory aspects of tourism, enhancing the tourism experience specifically for those with, but also benefitting those without vision impairment.
Sensory history is an area of academic study which examines the role the five senses have played in the past. It developed partly as a reaction to the lack of serious attention given to sensory experience in traditional history books, which often treat sensory experience as a writing technique rather than a serious avenue of enquiry. Works of sensory history try to convey a deeper understanding of the past through an emphasis on physical experiences.
References
- ↑ Stephen Hawes. The Pastime Of Pleasure. Early English Poetry, Ballads and Popular Literature of the Middle Ages. Vol. XVII. Read Books.
- ↑ Richard Morris (ed.). Cursor Mundi . Read Books. p. 974.
- 1 2 3 4 5 6 Horace Howard Furness (1880). "King Lear". Shakespeare. Vol. 5 (7th ed.). Philadelphia: J.B. Lippincott Co. p. 187. ISBN 9780742652866.
- ↑ "wit". The Merriam-Webster new book of word histories . Merriam-Webster. 1991. pp. 508. ISBN 9780877796039.
- ↑ Clive Staples Lewis (1990). "Sense". Studies in Words (2nd (republished) ed.). Cambridge University Press. p. 147. ISBN 9780521398312.
- ↑ Charles Laurence Barber (1997). "Changes of Meaning". Early modern English. Edinburgh University Press. p. 245. ISBN 9780748608355.
- 1 2 John Raymond Postgate (1995). "Microsenses". The outer reaches of life. Cambridge University Press. p. 165. ISBN 9780521558730.
- ↑ Lewis, C. S. (1964). The Discarded Image: An introduction to Medieval and Renaissance literature . Cambridge, UK: Cambridge University Press. pp. 162, 164.
- ↑ Hankins, John Erskine (1978). Backgrounds of Shakespeare's thought. Archon Books. p. 73. ISBN 9780208017437.
- 1 2 Mares, Francis Hugh (2003). Much ado about nothing by William Shakespeare (2nd ed.). Cambridge, UK: Cambridge University Press. p. 67. ISBN 9780521532501.
- ↑ Kolve, V. A. (1984). Chaucer and the Imagery of Narrative. Paolo Alto, CA: Stanford University Press. pp. 20–22. ISBN 0-8047-1349-9.
- ↑ Augustine (1990). The works of Saint Augustine. New York: Augustinian Heritage Institute. p. 470. ISBN 978-1-56548-175-6.
- ↑ John Payne Collier and Henry R. Cook (1843). "King Lear". The works of William Shakespeare. Vol. VII. London: Whitaker & Co. p. 426.
- ↑ Sarah M. Horrall, ed. (1978). The Southern Version of Cursor Mundi: Lines 1-9228. University of Ottawa Press. p. 350. ISBN 9780776648057.
- 1 2 3 Horace Howard Furness (1899). "Romeo and Juliet". Shakespeare. Vol. 1 (10th ed.). Philadelphia: J.B. Lippincott Co. p. 60. ISBN 9780742652828.
- 1 2 3 4 5 6 Earl R. Anderson (2003). "The Five Senses". Folk-taxonomies in early English. Fairleigh Dickinson Univ Press. ISBN 9780838639160.