Use | Civil flag |
---|---|
Proportion | 2:3 |
Adopted | 1989 |
Design | A red field and a yellow Trondheim rose at center. |
Designed by | Arne E. Holm |
The flag of Trondheim is one of the official symbols of the city and municipality of Trondheim in Norway.
Most Norwegian municipalities have a banner of their respective coats of arms as a flag. Trondheim has no modern heraldic coat of arms, but a seal unsuitable as a banner of arms, a yellow "Trondheim rose" on a red field was chosen for the flag of Trondheim. The designer of the flag was professor Arne E. Holm, whose proposal was approved by the municipal council in 1989, and confirmed by royal order the same year.
The four-petal dog rose is the official flower of the city and its stylized form is related to the Tudor rose.
It is found as a symbol in medieval sources among other things representing St. Olav. This flower has been used as a symbol of the city at least since the 16th century. It is earliest preserved in the seal of the church chapter of Trondheim used in the 16th century. In the 17th century, it was used on a green field in the city's citizen guard banner. It has also been used as a symbol of several guilds such as the masons, bakers, goldsmiths and smiths. In the 18th century, the flower replaced the three heads in the seal of Trondheim. The idea of the rose as a symbol of Trondheim may originally have come into being because of a misinterpretation of the last syllable of the city's old name Nidaros.
The flower has been so closely connected to Trondheim that the Norwegian heraldic authority denied other municipalities the use of it in their coats of arms.
The flag of Trondheim has been highlighted as an example of a good city flag design by Roman Mars in his radio show "99% invisible", a radio show focused on design and architecture. [1]
A coat of arms is a heraldic visual design on an escutcheon, surcoat, or tabard. The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto. A coat of arms is traditionally unique to an individual person, family, state, organization, school or corporation. The term itself of 'coat of arms' describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail 'surcoat' garment used in combat or preparation for the latter.
The fleur-de-lis, also spelled fleur-de-lys, is a lily that is used as a decorative design or symbol.
Stjørdal or Skierde (Southern Sami) is a municipality in Trøndelag county, Norway. It is part of the Stjørdalen region. The administrative centre of the municipality is the town of Stjørdal, also called Stjørdalshalsen. Some of the villages in the municipality include Elvran, Flornes, Hegra, Hell, Kvithammer, Prestmoen, Skatval, Skjelstadmarka, Sona, and Værnes.
The national flag of Switzerland displays a white cross in the centre of a square red field. The white cross is known as the Swiss cross or the federal cross. Its arms are equilateral, and their ratio of length to width is 7:6. The size of the cross in relation to the field was set in 2017 as 5:8.
Each of the 26 modern cantons of Switzerland has an official flag and a coat of arms. The history of development of these designs spans the 13th to the 20th centuries.
The star and crescent is an iconographic symbol used in various historical contexts, including as a prominent symbol of the Ottoman Empire, and in contemporary times used as a national symbol for some countries as well as recognized as a symbol of Islam. It was developed in the Greek colony of Byzantium ca. 300 BC, though it became more widely used as the royal emblem of Pontic king Mithradates VI Eupator after he incorporated Byzantium into his kingdom for a short period. During the 5th century, it was present in coins minted by the Persian Sassanian Empire; the symbol was represented in the coins minted across the empire throughout the Middle East for more than 400 years from the 3rd century until the fall of the Sassanians after the Muslim conquest of Persia in the 7th century. The conquering Muslim rulers kept the symbol in their coinage during the early years of the caliphate, as the coins were exact replicas of the Sassanian coins.
The coat of arms of Finland is a crowned lion on a red field, the right foreleg replaced with an armoured human arm brandishing a sword, trampling on a sabre with the hindpaws. The coat of arms was originally created around the year 1580.
The Red Rose of Lancaster was the heraldic badge adopted by the royal House of Lancaster in the 14th century. In modern times it symbolises the county of Lancashire. The exact species or cultivar which it represents is thought to be Rosa gallica officinalis.
The Serbian Cross is a national symbol of Serbia, part of the coat of arms and flag of Serbia, and of the Serbian Orthodox Church. It is based on the tetragrammic cross emblem/flag of the Byzantine Palaiologos dynasty, with the difference that in Serbian use the cross is usually white on a red background, rather than gold on a red background.
The eagle is used in heraldry as a charge, as a supporter, and as a crest. Heraldic eagles can be found throughout world history like in the Achaemenid Empire or in the present Republic of Indonesia. The European post-classical symbolism of the heraldic eagle is connected with the Roman Empire on one hand, and with Saint John the Evangelist on the other.
The coat of arms of Norway is the arms of dominion of king Harald V of Norway, and as such represents both the monarch and the kingdom. It depicts a standing golden lion on a red background, bearing a golden crown and axe with silver blade.
The coat of arms of Denmark has a lesser and a greater version.
In classical heraldry, vert is the tincture equivalent to the colour "green". It is one of the five dark tinctures (colours). The word vert is simply the French for "green". It is used in English in the sense of a heraldic tincture since the early 16th century. In Modern French, vert is not used as a heraldic term. Instead, the French heraldic term for green tincture is sinople. This has been the case since c. the 16th century. In medieval French heraldry, vert also meant "green" while sinople was a shade of red. Vert is portrayed by the conventions of heraldic "hatching" by lines at a 45-degree angle from upper left to lower right, or indicated by the abbreviation vt. when a coat of arms is tricked.
Portuguese heraldry encompasses the modern and historic traditions of heraldry in Portugal and the Portuguese Empire. Portuguese heraldry is part of the larger Iberian tradition of heraldry, one of the major schools of heraldic tradition, and grants coats of arms to individuals, cities, Portuguese colonies, and other institutions. Heraldry has been practiced in Portugal at least since the 11th century, however it only became standardized and popularized in the 16th century, during the reign of King Manuel I of Portugal, who created the first heraldic ordinances in the country. Like in other Iberian heraldic traditions, the use of quartering and augmentations of honor is highly representative of Portuguese heraldry, but unlike in any other Iberian traditions, the use of heraldic crests is highly popular.
Norwegian heraldry has roots in early medieval times, soon after the use of coats of arms first appeared in continental Europe. Some of the medieval coats of arms are rather simple of design, while others have more naturalistic charges. The king-granted coats of arms of later times were usually detailed and complex. Especially in the late 17th century and the 18th century, many ennobled persons and families received coats of arms with shields containing both two and four fields, and some even with an inescutcheon above these.
The coat of arms of Trondheim is based on the medieval seal of the city. The seal is probably from the 13th century, but its earliest preserved form is on a document from 1344. The coat of arms was assumed by the city council in 1897, and has a more intricate design than most other Norwegian coats of arms.
Icelandic heraldry is the study of coats of arms and other insignia used in Iceland. It belongs to the German-Nordic heraldic tradition, as the heraldry of Iceland has been primarily influenced by the heraldic traditions of Norway, Denmark and other Nordic countries. Iceland does not have a strong sense of heraldic tradition, however, because the country lacks a governing body to oversee this. As a result, coats of arms registered as such are virtually nonexistent in modern Iceland. While many municipalities use more or less heraldic logos, there are no heraldic standards to which these must adhere, and they are registered as graphic designs rather than as coats of arms.
A number of cross symbols were developed for the purpose of the emerging system of heraldry, which appeared in Western Europe in about 1200. This tradition is partly in the use of the Christian cross an emblem from the 11th century, and increasingly during the age of the Crusades. Many cross variants were developed in the classical tradition of heraldry during the late medieval and early modern periods. Heraldic crosses are inherited in modern iconographic traditions and are used in numerous national flags.
A national coat of arms is a symbol which denotes an independent state in the form of a heraldic achievement. While a national flag is usually used by the population at large and is flown outside and on ships, a national coat of arms is normally considered a symbol of the government or the head of state personally and tends to be used in print, on armorial ware, and as a wall decoration in official buildings. The royal arms of a monarchy, which may be identical to the national arms, are sometimes described as arms of dominion or arms of sovereignty.
The first instance of a figure of the lion as symbol of the Kingdom of León is found in minted coins of Alfonso VII, called the Emperor (1126-1157). Until then, the cross had a preponderant position on documents and coins of Leonese monarchs since that reign the cross was gradually displaced by the lion. The Spanish historian and heraldist Martín de Riquer explained that the lion was already used as heraldic emblem in 1148. At the end of the reign of Alfonso VII, the figure of this animal began to appear on royal documents as personal device of the monarch and became pervasive during reigns of Ferdinand II (1157-1188) and Alfonso IX (1188-1230).