Ena (Sue Ramirez), a sanitary‑napkin endorser, mocks a trans woman in a public restroom and is cursed by a trans fairy (KaladKaren) to lose her vagina. To reverse the curse before an enchanted flower loses its final petal, she must find genuine love. During her journey, she confronts her transphobia and preconceived notions about gender and identity.
The film marks Fatrick Tabada’s feature-length directorial debut, transitioning from screenwriter to director to preserve the "unapologetically queer" tone of his screenplay. Filming took place in late 2024 in Metro Manila, with Tabada drawing inspiration from personal experiences and the discrimination faced by trans women.[5] An intimacy coordinator was used, marking a more respectful approach to filming intimate scenes.[6]
Release
The film was released nationwide in the Philippines on June 18, 2025.[7] It was the closing film at the 2025 New York Asian Film Festival, premiering internationally on July 27, 2025.[8]
Reception
Critics praised its bold blend of slapstick, magical realism, and social commentary:
Rolling Stone Philippines called it a "lesson on transphobia" and lauded its irreverence and timing during Pride Month.[9]Tatler Asia noted its "sharp, candy‑coated commentary" about identity and self‑worth, stating “Flower Girl is a rare rom‑com with teeth”.[10]
Januar Junior Aguja of The Philippine Star gave the film 4 stars out of 5 and said; highlighted Tabada’s courageous direction, Sue Ramirez’s comedic bravery, and the film’s respectful handling of intimate scenes.[11]
The Manila Times reported that the premiere earned genuine applause for its fearless storytelling and emotional resonance.[12]
Themes
Explores gender identity, transphobia, body politics, and self‑acceptance through a playful yet provocative lens. The film uses comedy to challenge social norms and invites audiences including homophobic or transphobic viewers to question their biases.[13][14]
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