Developer(s) | Peter Hanappe, Conrad Berhörster, Antoine Schmitt, Pedro López-Cabanillas, Josh Green, David Henningsson and others |
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Stable release | |
Repository | |
Written in | C |
Operating system | Unix-like operating system , Linux , FreeBSD , macOS , Microsoft Windows , OS/2 |
Available in | English |
Type | Software synthesizer |
License | GNU Lesser General Public License, version 1.2 or later |
Website | www |
FluidSynth, formerly named iiwusynth, is a free open source software synthesizer which converts MIDI note data into an audio signal using SoundFont technology without need for a SoundFont-compatible soundcard. FluidSynth can act as a virtual MIDI device, able to receive MIDI data from any program and transform it into audio on-the-fly. It can also read in SMF (.mid) files directly. On the output side, it can send audio data directly to an audio device for playback, or to a Raw or Wave file. It can also convert a SMF file directly to an audio file in faster-than-real-time. [2] The combination of these features gives FluidSynth the following major use cases:
The size of loaded SoundFont banks is limited by the amount of RAM available. There is a GUI for FluidSynth called Qsynth, which is also open source. Both are available in most Linux distributions, and can also be compiled for Windows. Windows binary installers are not distributed alone and are bundled with QSynth.
It features microtonal support and was used in the MicrotonalISM project of the Network for Interdisciplinary Studies in Science, Technology, and Music. [3] A Max/MSP plugin is available from IRCAM. [4]
The core synthesizer is written as a C library with a large application programming interface (API). Partial bindings for Python, [5] Ruby, [6] Haskell, [7] and .NET Framework [8] are available. It has also been converted into a LV2 plugin, [9] which has enabled it to run in LV2 plugin-based open-source effects pedals such as Mod Duo and Zynthian [10]
MIDI is a technical standard that describes a communication protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music.
Ardour is a hard disk recorder and digital audio workstation application that runs on Linux, macOS, FreeBSD and Microsoft Windows. Its primary author is Paul Davis, who was also responsible for the JACK Audio Connection Kit. It is intended as a digital audio workstation suitable for professional use.
Open Sound Control (OSC) is a protocol for networking sound synthesizers, computers, and other multimedia devices for purposes such as musical performance or show control. OSC's advantages include interoperability, accuracy, flexibility and enhanced organization and documentation. Its disadvantages include inefficient coding of information, increased load on embedded processors, and lack of standardized messages/interoperability. The first specification was released in March 2002.
Virtual Studio Technology (VST) is an audio plug-in software interface that integrates software synthesizers and effects units into digital audio workstations. VST and similar technologies use digital signal processing to simulate traditional recording studio hardware in software. Thousands of plugins exist, both commercial and freeware, and many audio applications support VST under license from its creator, Steinberg.
A digital audio workstation is an electronic device or application software used for recording, editing and producing audio files. DAWs come in a wide variety of configurations from a single software program on a laptop, to an integrated stand-alone unit, all the way to a highly complex configuration of numerous components controlled by a central computer. Regardless of configuration, modern DAWs have a central interface that allows the user to alter and mix multiple recordings and tracks into a final produced piece.
Rosegarden is a free software digital audio workstation program developed for Linux with ALSA, JACK and Qt4. It acts as an audio and MIDI sequencer, scorewriter and musical composition and editing tool. It is intended to be a free and alternative to such applications as Cubase.
Max, also known as Max/MSP/Jitter, is a visual programming language for music and multimedia developed and maintained by San Francisco-based software company Cycling '74. Over its more than thirty-year history, it has been used by composers, performers, software designers, researchers, and artists to create recordings, performances, and installations.
SoundFont is a brand name that collectively refers to a file format and associated technology that uses sample-based synthesis to play MIDI files. It was first used on the Sound Blaster AWE32 sound card for its General MIDI support.
TiMidity++, originally and still frequently informally called TiMidity, is a software synthesizer that can play MIDI files without a hardware synthesizer. It can either render to the sound card in real time, or it can save the result to a file, such as a PCM .wav file.
Audacious is a free and open-source audio player software with a focus on low resource use, high audio quality, and support for a wide range of audio formats. It is designed primarily for use on POSIX-compatible Unix-like operating systems, with limited support for Microsoft Windows. Audacious was the default audio player in Ubuntu Studio in 2011–12, and was the default music player in Lubuntu until October 2018, when it was replaced with VLC.
A modular software music studio consists of a plugin architecture that allows the audio to be routed from one plugin to another in many ways, similar to how cables carry an audio signal between physical pieces of hardware.
MIDI Tuning Standard (MTS) is a specification of precise musical pitch agreed to by the MIDI Manufacturers Association in the MIDI protocol. MTS allows for both a bulk tuning dump message, giving a tuning for each of 128 notes, and a tuning message for individual notes as they are played.
LMMS is a digital audio workstation application program. It allows music to be produced by arranging samples, synthesizing sounds, entering notes via computer keyboard or mouse or by playing on a MIDI keyboard, and combining the features of trackers and sequencers. It is free and open source software, written in Qt and released under GPL-2.0-or-later.
LV2 is a set of royalty-free open standards for music production plug-ins and matching host applications. It includes support for the synthesis and processing of digital audio and CV, events such as MIDI and OSC, and provides a free alternative to audio plug-in standards such as Virtual Studio Technology (VST) and Audio Units (AU).
JUCE is an open-source cross-platform C++ application framework, used for the development of desktop and mobile applications. JUCE is used in particular for its GUI and plug-ins libraries. It is dual licensed under the GPLv3 and a commercial license.
WildMIDI is a free open-source software synthesizer which converts MIDI note data into an audio signal using GUS sound patches without need for a GUS patch-compatible soundcard. WildMIDI, whose aim is to be as small as possible and easily portable, started in December 2001, can act as a virtual MIDI device, capable of receiving MIDI data from any program and transforming it into audio on-the-fly. It is the standard MIDI renderer for the GStreamer framework.
Yoshimi is an open-source software synthesizer for Linux. It contains three synthesis engines, using additive, subtractive and wavetable synthesis. Any single patch can use one or all. A kit mode allows a patch to have up to 16 of engine sets to support multi-layered sounds/drum kits. A complete setup or instance can contain anywhere from one to sixty-four patches.
a collection of plugins imported into the DISTRHO project for easy packaging.