The Archive of Folk Culture was established in 1928 as the first national collection of American folk music in the United States of America. It was initially part of the Music Division of the Library of Congress and now resides in the American Folklife Center.
The American Folklife Center at the Library of Congress in Washington, D.C. was created by Congress in 1976 "to preserve and present American Folklife". The center includes the Archive of Folk Culture, established at the library in 1928 as a repository for American folk music. The center and its collections have grown to encompass all aspects of folklore and folklife worldwide.
John Cohen was an American musician, photographer and film maker who performed and documented the traditional music of the rural South and played a major role in the American folk music revival. In the 1950s and 60s, Cohen was a founding member of the New Lost City Ramblers, a New York–based string band. Cohen made several expeditions to Peru to film and record the traditional culture of the Q'ero, an indigenous people. Cohen was also a professor of visual arts at SUNY Purchase College for 25 years.
Public folklore is the term for the work done by folklorists in public settings in the United States and Canada outside of universities and colleges, such as arts councils, museums, folklife festivals, radio stations, etc., as opposed to academic folklore, which is done within universities and colleges. The term is short for "public sector folklore" and was first used by members of the American Folklore Society in the early 1970s.
Margaret Anne "Peggy" Bulger is a folklorist and served as the director of the American Folklife Center at the Library of Congress from 1999 to 2011, when she moved to Florida to continue work on personal projects.
Judy Peiser is the American co-founder and executive director of the Center for Southern Folklore in Memphis, Tennessee, United States. She graduated with a bachelor of arts degree from the University of Illinois and a master's degree from the University of Memphis.
George Colar, actually Cola but he used Colar, better known as Kid Sheik or Kid Sheik Cola, was a New Orleans jazz trumpeter and band leader who was born in New Orleans September 15, 1908, and passed in Detroit November 7, 1996. He is most associated with Dixieland jazz and was a long-term performer with the Preservation Hall Jazz Band. His nickname "Kid Sheik" came from his chic style of clothing as he wore sheik suites as a young man.
William Reynolds Ferris Jr. is an American author and scholar and former chairman of the National Endowment for the Humanities. With Judy Peiser he co-founded the Center for Southern Folklore in Memphis, Tennessee; he was the founding director of the Center for the Study of Southern Culture at the University of Mississippi, and is co-editor of The Encyclopedia of Southern Culture.
Archie Green was an American folklorist specializing in laborlore and American folk music. Devoted to understanding vernacular culture, he gathered and commented upon the speech, stories, songs, emblems, rituals, art, artifacts, memorials, and landmarks which constitute laborlore. He is credited with winning Congressional support for passage of the American Folklife Preservation Act of 1976, which established the American Folklife Center in the Library of Congress.
Stephen Wade is an American folk musician, writer, and researcher.
Richard Kurin, an American cultural anthropologist, museum official and author, is the Acting Provost and Under Secretary for Museums and Research at the Smithsonian Institution. He is a key member of the senior team managing the world's largest museum and research complex with 6,500 employees and a $1.4 billion annual budget, caring for more than 139 million specimens, artifacts and artworks, working in 145 countries around the globe, hosting some 30 million visitors a year, and reaching hundreds of millions online and through the Smithsonian's educational programs and media outreach. Kurin is particularly responsible for all of the national museums, scholarly and scientific research centers, and programs spanning science, history, art and culture.
The Center for the Study of Southern Culture (CSSC), located in Barnard Observatory on the University of Mississippi campus in Oxford, Mississippi, is an academic organization dedicated to the investigation, documentation, interpretation and teaching of the Southern United States, including its culture. The CSSC includes the Southern Documentary Project division and the Southern Foodways Alliance institute, and a partner publication, Living Blues magazine. Over the years it has hosted countless programs, including the Oxford Conference for the Book, the Music of the South Concert Series and Symposium, the Gilder-Jordan Lecture in Southern Cultural History, the Blues Today Symposium, and the Southern Documentary Festival. The center supports an undergraduate and graduate Southern Studies academic department, granting Bachelor of Arts, Master of Arts, and Master of Fine Arts degrees. Former directors of the Center include William Ferris, Charles Reagan Wilson, and Ted Ownby. Kathryn McKee is the current director, and James G. Thomas, Jr. and Afton Thomas are the associate directors. CSSC published the award-winning Encyclopedia of Southern Culture and The New Encyclopedia of Southern Culture. In 2014, the CSSC launched the online journal Study the South.
Tom Davenport is an independent filmmaker and film distributor who has worked for decades documenting American life and exploring folklore. Currently based in Delaplane, Virginia, he is the founder and project director for Folkstreams, a website that houses independent documentary films about American folk roots and cultures.
John Melville Bishop is a contemporary, U.S., documentary filmmaker known for the breadth of his collaborations, primarily in the fields of anthropology and folklore. He has worked with Alan Lomax, John Marshall, and extensively with the Smithsonian Institution and the American Folklife Center at the Library of Congress. In 2005, he received a Lifetime Achievement Award from the Society for Visual Anthropology.
The Southern Folklife Collection is an archival resource at the University of North Carolina at Chapel Hill, dedicated to collecting, preserving and disseminating traditional and vernacular music, art, and culture related to the American South. The Southern Folklife Collection is located in UNC's Louis Round Wilson Special Collections Library.
The Shakers is a 1974 documentary film directed by Tom Davenport and produced by Davenport and Frank DeCola. It studies the last dozen remaining Shakers in their communities, focusing on their daily lives, music, and spirituality, as well as containing Shaker history and interviews with Shakers. It received positive reviews from critics, and won a Blue Ribbon at the 1975 American Film Festival.
Anthony Joseph De Nonno is an Italian-American filmmaker, photographer, puppeteer, historian, and speaker in humanities.
Beth Harrington is an Emmy-winning, Grammy-nominated filmmaker based in Vancouver, Washington, specializing in documentary features. Her documentaries often explore American history, music and culture, including the Carter Family and Johnny Cash, and the history of women in rockabilly. In addition to her film work as a producer, director and writer, Harrington is also a singer and guitarist, and was a member of Jonathan Richman and the Modern Lovers from 1980 to 1983.
George T. Nierenberg is a New York-based documentary filmmaker and creator of GTN Creative.
The Philadelphia Folklore Project (PFP) is a non-profit organization advocating for and providing documentation, presentation, education, and collaborative research to folk and traditional arts across the Philadelphia region in service of social change. Founded in 1987 by folklorist Debora Kodish, PFP offers workshops and assistance to local artists and communities through organizing concerts, events, and exhibitions. Their driving philosophy is that "diversity and equity are central elements of thriving communities." One of a handful of independent folk and traditional arts nonprofits nationwide, the organization is widely regarded as a powerful instrument for socially conscious and anti-racist activism and serves as a model for sustaining living cultural heritage in the fields of applied folklore, ethnomusicology, and anthropology. It seeks to foster growth in communities through access to grant funding and artistic venues, but also material and social infrastructure in defense against gentrification and through cultivating positive inter-communal relationships.
