Gentleman's Agreement is a 1947 American drama film based on Laura Z. Hobson's best-selling 1947 novel of the same title. The film is about a journalist who pretends to be Jewish to research an exposé on the widespread antisemitism in New York City and the affluent communities of New Canaan and Darien, Connecticut. It was nominated for eight Academy Awards and won three: Best Picture, Best Supporting Actress, and Best Director.
The Apartment is a 1960 American romantic comedy-drama film directed and produced by Billy Wilder from a screenplay he co-wrote with I. A. L. Diamond. It stars Jack Lemmon, Shirley MacLaine, Fred MacMurray, Ray Walston, Jack Kruschen, David Lewis, Willard Waterman, David White, Hope Holiday, and Edie Adams.
Bonnie and Clyde is a 1967 American biographical neo-noir crime film directed by Arthur Penn and starring Warren Beatty and Faye Dunaway as the title characters Clyde Barrow and Bonnie Parker. The film also features Michael J. Pollard, Gene Hackman, and Estelle Parsons. The screenplay is by David Newman and Robert Benton. Robert Towne and Beatty provided uncredited contributions to the script; Beatty produced the film. The music is by Charles Strouse.
The Lady Eve is a 1941 American screwball comedy film written and directed by Preston Sturges and starring Barbara Stanwyck and Henry Fonda. The film is based on a story by Monckton Hoffe about a mismatched couple who meet on board an ocean liner. Regarded amongst the greatest films of all time, The Lady Eve was selected for preservation in the United States National Film Registry in 1994 by the Library of Congress as being "culturally, historically or aesthetically significant".
Robert Rossen was an American screenwriter, film director, and producer whose film career spanned almost three decades.
Body and Soul is a 1947 American film noir sports drama directed by Robert Rossen and starring John Garfield, Lilli Palmer, Hazel Brooks, Anne Revere, and William Conrad. The screenplay by Abraham Polonsky is partly based on the 1939 film Golden Boy. With cinematography by James Wong Howe, the film is considered by some to be one of the best films about boxing. It is also a cautionary tale about the lure of money—and how it can derail even a strong common man in his pursuit of success. The film uses the song Body and Soul for the main musical theme and underscoring throughout.
The Big Heat is a 1953 American film noir crime film directed by Fritz Lang starring Glenn Ford, Gloria Grahame, and Jocelyn Brando about a cop who takes on the crime syndicate that controls his city.
Abraham Lincoln Polonsky was an American film director, screenwriter, essayist and novelist. He was nominated for an Academy Award for Best Original Screenplay for Body and Soul but in the early 1950s was blacklisted by Hollywood movie studios after refusing to testify at congressional hearings of the House Un-American Activities Committee in the midst of the McCarthy era.
Nobody Lives Forever is a 1946 American crime film noir directed by Jean Negulesco and based on the novel I Wasn't Born Yesterday by W. R. Burnett. It stars John Garfield and Geraldine Fitzgerald and features Walter Brennan, Faye Emerson, George Coulouris and George Tobias.
Billy Wilder (1906–2002) was an Austrian filmmaker. Wilder initially pursued a career in journalism after being inspired by an American newsreel. He worked for the Austrian magazine Die Bühne and the newspaper Die Stunde in Vienna, and later for the German newspapers Berliner Nachtausgabe, and Berliner Börsen-Courier in Berlin. His first screenplay was for the German silent thriller The Daredevil Reporter (1929). Wilder fled to Paris in 1933 after the rise of the Nazi Party, where he co-directed and co-wrote the screenplay of French drama Mauvaise Graine (1934). In the same year, Wilder left France on board the RMS Aquitania to work in Hollywood despite having little knowledge of English.
The Breaking Point is a 1950 American film noir crime drama directed by Michael Curtiz and the second film adaptation of the 1937 Ernest Hemingway novel To Have and Have Not, the first one having featured Humphrey Bogart and Lauren Bacall. It stars John Garfield in his penultimate film role and Patricia Neal.
Clarence Greene was an American screenwriter and film producer who is noted for the "offbeat creativity and originality of his screenplays and for films noir and television episodes produced in the 1950s.
The Miracle Worker is a 1962 American biographical film about Anne Sullivan, blind tutor to Helen Keller, directed by Arthur Penn. The screenplay by William Gibson is based on his 1959 play of the same title, which originated as a 1957 broadcast of the television anthology series Playhouse 90. Gibson's secondary source material was The Story of My Life, the 1903 autobiography of Helen Keller.
White Heat is a 1949 American film noir starring James Cagney, Virginia Mayo and Edmond O'Brien, and directed by Raoul Walsh.
Out of the Fog is a 1941 American film noir crime drama directed by Anatole Litvak and starring John Garfield, Ida Lupino and Thomas Mitchell. The film was based on the play The Gentle People by Irwin Shaw. It was made and released by Warner Brothers.
Little Caesar is a 1931 American pre-Code crime film distributed by Warner Brothers, directed by Mervyn LeRoy, and starring Edward G. Robinson, Douglas Fairbanks Jr. and Glenda Farrell. The film tells the story of a hoodlum who ascends the ranks of organized crime until he reaches its upper echelons.
Take Me Out to the Ball Game is a 1949 American Technicolor musical film produced in the Arthur Freed unit of MGM. It stars Frank Sinatra, Esther Williams, Gene Kelly, Betty Garrett, Edward Arnold and Jules Munshin, and was directed by Busby Berkeley. The title and nominal theme is taken from the unofficial anthem of American baseball, "Take Me Out to the Ball Game." The film was released in the United Kingdom as Everybody's Cheering.
So Evil My Love is a 1948 British and American Gothic psychological thriller film directed by Lewis Allen and starring Ray Milland, Ann Todd and Geraldine Fitzgerald.
711 Ocean Drive is a 1950 American crime film noir directed by Joseph M. Newman and starring Edmond O'Brien, Joanne Dru and Otto Kruger.
The Naked Street is a 1955 American crime film noir directed by Maxwell Shane. The drama features Farley Granger, Anthony Quinn and Anne Bancroft in a story about an enforcer who tries to control his sister's life by falsely clearing her boyfriend of murder.
