This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations .(November 2014) |
Forest and Dove | |
---|---|
Artist | Max Ernst |
Year | 1927 |
Medium | Oil on canvas |
Dimensions | 100 cm× 82 cm(39.4 in× 32.3 in) |
Location | Tate Gallery, London |
Forest and Dove (1927) is a painting by the German surrealist Max Ernst. It depicts a nocturnal scene of a forest of bizarre, abstract trees. In the thick of the forest is a childlike depiction of a dove.
Both the forest and dove themes have appeared several times in Ernst's works. According to an analysis by the Tate Gallery in London the forest image represents the forest near Ernst's childhood home which inspired a sense of ‘enchantment and terror’ in the artist. The same analysis also states that the dove represents Ernst himself.
The painting has a heavily textured and three-dimensional appearance. This is owed to a technique called grattage. Grattage was invented by Ernst and the Spanish surrealist Joan Miró. This technique involves scraping the paint across the canvas so that the paint takes on the imprints of objects placed beneath the canvas.
The history of painting reaches back in time to artifacts and artwork created by pre-historic artists, and spans all cultures. It represents a continuous, though periodically disrupted, tradition from Antiquity. Across cultures, continents, and millennia, the history of painting consists of an ongoing river of creativity that continues into the 21st century. Until the early 20th century it relied primarily on representational, religious and classical motifs, after which time more purely abstract and conceptual approaches gained favor.
Paul Jackson Pollock was an American painter. A major figure in the abstract expressionist movement, Pollock was widely noticed for his "drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles. It was called all-over painting and action painting, since he covered the entire canvas and used the force of his whole body to paint, often in a frenetic dancing style. This extreme form of abstraction divided the critics: some praised the immediacy of the creation, while others derided the random effects. In 2016, Pollock's painting titled Number 17A was reported to have fetched US$200 million in a private purchase.
Max Ernst was a German painter, sculptor, printmaker, graphic artist, and poet. A prolific artist, Ernst was a primary pioneer of the Dada movement and Surrealism in Europe. He had no formal artistic training, but his experimental attitude toward the making of art resulted in his invention of frottage—a technique that uses pencil rubbings of textured objects and relief surfaces to create images—and grattage, an analogous technique in which paint is scraped across canvas to reveal the imprints of the objects placed beneath. Ernst is noted for his unconventional drawing methods as well as for creating novels and pamphlets using the method of collages. He served as a soldier for four years during World War I, and this experience left him shocked, traumatised and critical of the modern world. During World War II he was designated an "undesirable foreigner" while living in France.
Surrealism in art, poetry, and literature uses numerous techniques and games to provide inspiration. Many of these are said to free imagination by producing a creative process free of conscious control. The importance of the unconscious as a source of inspiration is central to the nature of surrealism.
Óscar M. Domínguez was a Spanish surrealist painter.
Sir Roland Algernon Penrose was an English artist, historian and poet. He was a major promoter and collector of modern art and an associate of the surrealists in the United Kingdom. During the Second World War he put his artistic skills to practical use as a teacher of camouflage.
The Elephant Celebes is a 1921 painting by the German Dadaist and surrealist Max Ernst. It is among the most famous of Ernst's early surrealist works and "undoubtedly the first masterpiece of Surrealist painting in the de Chirico tradition." It combines the vivid dreamlike atmosphere of Surrealism with the collage aspects of Dada.
The Wood (1927) is a painting by the German surrealist Max Ernst.
The history of Western painting represents a continuous, though disrupted, tradition from antiquity until the present time. Until the mid-19th century it was primarily concerned with representational and Classical modes of production, after which time more modern, abstract and conceptual forms gained favor.
Beata Beatrix is a painting completed in several versions by Pre-Raphaelite artist Dante Gabriel Rossetti. The painting depicts Beatrice Portinari from Dante Alighieri's 1294 poem La Vita Nuova at the moment of her death. The first version is oil on canvas completed in 1870.
20th-century Western painting begins with the heritage of late-19th-century painters Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat, Henri de Toulouse-Lautrec, and others who were essential for the development of modern art. At the beginning of the 20th century, Henri Matisse and several other young artists including the pre-cubist Georges Braque, André Derain, Raoul Dufy and Maurice de Vlaminck, revolutionized the Paris art world with "wild", multi-colored, expressive landscapes and figure paintings that the critics called Fauvism. Matisse's second version of The Dance signified a key point in his career and in the development of modern painting. It reflected Matisse's incipient fascination with primitive art: the intense warm color of the figures against the cool blue-green background and the rhythmical succession of the dancing nudes convey the feelings of emotional liberation and hedonism.
Drip painting is a form of abstract art in which paint is dripped or poured on to the canvas. This style of action painting was experimented with in the first half of the twentieth century by such artists as Francis Picabia, André Masson and Max Ernst, who employed drip painting in his works The Bewildered Planet, and Young Man Intrigued by the Flight of a Non-Euclidean Fly (1942). Ernst used the novel means of painting Lissajous figures by swinging a punctured bucket of paint over a horizontal canvas.
The Ecumenical Council is a surrealist painting by Spanish artist Salvador Dalí completed in 1960. It is one of his masterpieces, taking two years to complete and very large at 299.7 by 254 centimetres. The painting is a complex assemblage of art historical references and religious scenes emphasizing Catholic symbolism.
Child with a Dove, also described as Child Holding a Dove, Child with a Pigeon, Girl with a Dove and Girl with a Pigeon, is an oil-on-canvas painting by the Spanish artist Pablo Picasso, which he created in 1901 at the start of his Blue Period. The painting is a depiction of a young girl in a white dress holding a white dove, and represents an important transitional moment in the artist’s career. It was on public display at the National Gallery in London, England for nearly four decades before its private sale in 2012, when it achieved a price of £50 million.
Our English Coasts, also known as Strayed Sheep, is an oil-on-canvas painting by William Holman Hunt, completed in 1852. It has been held by the Tate Gallery since 1946, acquired through The Art Fund.
Judit Reigl was a Hungarian painter who lived in France.
Giovanni Pelliccioli is an Italian surrealist painter. He was born in 1947 at San Pellegrino, Terme, Italy. When he was eight he discovered art and started drawing. At 18 he began art studies at Carrara Academy of Bergame. At this time he painted realist and impressionist style paintings, but when he discovered surrealism he knew it would permit him to give the best of his artistic expression.
Pierre Roy was a French surrealist painter. He is known for his realistically painted compositions of ordinary objects in unexpected arrangements.
The Barbarians is a 1937 painting by German surrealist painter Max Ernst.
Grattage is a technique in surrealist painting which consists of "scratching" fresh paint with a sharp blade.