Four discourses

Last updated
Diagram depicting all four discourses as a single system. Four Discourses.jpg
Diagram depicting all four discourses as a single system.
Four Discourses depicted side by side. Lacanian Discourses.jpg
Four Discourses depicted side by side.

Four discourses is a concept developed by French psychoanalyst Jacques Lacan. He argued that there were four fundamental types of discourse. He defined four discourses, which he called Master, University, Hysteric and Analyst, and suggested that these relate dynamically to one another. [1]

Contents

Lacan's theory of the four discourses was initially developed in 1969, perhaps in response to the events of social unrest during May 1968 in France, but also through his discovery of what he believed were deficiencies in the orthodox reading of the Oedipus complex. The four discourses theory is presented in his seminar L'envers de la psychanalyse and in Radiophonie, where he starts using "discourse" as a social bond founded in intersubjectivity. [lower-alpha 1] He uses the term discourse to stress the transindividual nature of language: speech always implies another subject.

Necessity of formalising psychoanalysis

Prior to the development of the four discourses, the primary guideline for clinical psychoanalysis was Freud's Oedipus complex. In Lacan's Seminar of 1969–70, Lacan argues that the terrifying Oedipal father that Freud invoked was already castrated at the point of intervention. [2] The castration was symbolic rather than physical. In an effort to stem analysts' tendency to project their own imaginary readings and neurotic fantasies onto psychoanalysis, Lacan worked to formalise psychoanalytic theory with mathematical functions with renewed focus on the semiology of Ferdinand de Saussure. This would ensure only a minimum of teaching is lost when communicated and also provide the conceptual architecture to limit the associations of the analyst.

Structure

Discourse, in the first place, refers to a point where speech and language intersect. The four discourses represent the four possible formulations of the symbolic network which social bonds can take and can be expressed as the permutations of a four-term configuration showing the relative positions—the agent, the other, the product and the truth—of four terms, the subject, the master signifier, knowledge and objet petit a.

Positions

Agent (upper left), the speaker of the discourse.

Other (upper right), what the discourse is addressed to.

Product (lower right), what the discourse has created.

Truth (lower left), what the discourse attempted to express.

Variables

S1: the dominant, ordering and sense giving signifier of a discourse as it is received by the group, community or culture. S1 refers to "the marked circle of the field of the Other," it is the Master-Signifier. S1 comes into play in a signifying battery conforming the network of knowledge.

S2: what is ordered by or set in motion by S1. It is knowledge, the existing body of knowledge, the knowledge of the time. S2 is the "battery of signifiers, already there" at the place where "one wants to determine the status of a discourse as status of statement," that is knowledge (savoir).

$: The subject, or person, for Lacan is always barred in the sense that it is incomplete, divided. Just as we can never know the world around us except in the partial refractions of language and the domination of identification, so, too, we can never know ourselves. $ is the subject, marked by the unbroken line (trait unaire) which represents it and is different from the living individual who is not the locus of this subject.

a: the objet petit a or surplus-jouissance. In Lacan's psychoanalytic theory, objet petit a stands for the unattainable object of desire. It is sometimes called the object cause of desire. Lacan always insisted that the term should remain untranslated, "thus acquiring the status of an algebraic sign". It is the object-waste or the loss of the object that occurred when the original division of the subject took place—the object that is the cause of desire: the plus-de-jouir.

Four Discourses

Discourse of the Master

We see a barred subject ($) positioned as master signifier's truth, who's itself positioned as discourse's agent for all other signifiers (S2), that illustrates the structure of the dialectic of the master and the slave. The master, (S1) is the agent that puts the other, (S2) to work: the product is a surplus, objet a, that master struggles to appropriate alone. In a modern society, an example of this discourse can be found within so-called “family-like” work environments that tend to hide direct subordination under the mask of “favorable” submission to master's truth that generates value. The Master's reach for the truth in principle is fulfillment of his/her castratedness through subject's work. Based on Hegel's master–slave dialectic.

Discourse of the University

Knowledge in position of an agent is handed down by the institute which legitimises the master signifier (S1) taking the place of discourse's truth. Impossibility to satisfy one's need with a knowledge (which is a structural thing) produces a barred subject ($) as discourses sustain, and the cycle repeats itself through the primary subject being slavish to the institution values to fulfill the castratedness. The discourse's truth "knowledge " is being positioned aside of this loop and never the direct object of the subject, and the institute controls the subjects's objet a and defines the subject's master signifier's. Pathological symptom of an agent in this discourse is seeking fulfillment of their castratedness through enjoying the castratedness of their subject.

Discourse of the Analyst

The position of an agent — the analyst — is occupied by objet a of the analysand. Analyst's silence leads to reverse hysterization, as such the analyst becomes a mirror of question himself to the analysand, thus embodies barred subject's desire that lets his symptom speak itself through speech and thus be interpreted by the analyst. The master signifier of the analysand emerges as a product of this role. Hidden knowledge, positioned as discourse's truth (S2) stands for both analyst interpretation technique and knowledge acquired from the subject.

Discourse of the Hysteric

Despite its pathological aura, hysteric's discourse exhibits the most common mode of speech, blurring the line between clinical image and the otherness of social settings. Object a truth is defined by interrogative nature of subject's address ('Who am I?') as well as tryst for satisfaction of knowledge. This mutually drives the barred subject and turns on the agent's master signifiers. It leads the agent to produce a new knowledge (discourse's product) in a futile attempt to provide a barred subject with an answer to fulfill subject's castratedness (Lacan in Discourse of the Analyst breaks the pathological cycle of it by purposefully leaving the question unanswered, reversing the discourse and putting an analyst in a place of hysteric's desire). However, object a of the subject is search for the agent's object a, thus without being a subject like in the 'Discourse of the University' the Hysteric ends up gathering knowledge instead of their object a truth.

Relevance for cultural studies

Slavoj Žižek uses the theory to explain various cultural artefacts, including Don Giovanni and Parsifal . [3]

DiscourseDon GiovanniParsifalCharacteristics
MasterDon OttavioAmfortasinauthentic, inconsistent
UniversityLeporelloKlingsorinauthentic, consistent
HystericDonna ElviraKundryauthentic, inconsistent
AnalystDonna AnnaParsifalauthentic, consistent

See also

Notes

  1. The original presentation of Lacan's theory is in his Seminar XVII (English translation; New York: Norton, 2007

Related Research Articles

<span class="mw-page-title-main">Jacques Lacan</span> French psychoanalyst and writer (1901–1981)

Jacques Marie Émile Lacan was a French psychoanalyst and psychiatrist. Described as "the most controversial psycho-analyst since Freud", Lacan gave yearly seminars in Paris, from 1953 to 1981, and published papers that were later collected in the book Écrits. His work made a significant impact on continental philosophy and cultural theory in areas such as post-structuralism, critical theory, feminist theory and film theory, as well as on the practice of psychoanalysis itself.

<span class="mw-page-title-main">Slavoj Žižek</span> Slovenian philosopher (born 1949)

Slavoj Žižek is a Slovenian philosopher, cultural theorist and public intellectual. He is international director of the Birkbeck Institute for the Humanities at the University of London, visiting professor at New York University and a senior researcher at the University of Ljubljana's Department of Philosophy. He primarily works on continental philosophy and political theory, as well as film criticism and theology.

The matheme is a concept introduced in the work of the 20th century French psychoanalyst Jacques Lacan. The term matheme "occurred for the first time in the lecture Lacan delivered on November 4th, 1971 [...] Between 1972 and 1973 he gave several definitions of it, passing from the use of the singular to the use of the plural and back again".

In continental philosophy and psychoanalysis, jouissance is the transgression of a subject's regulation of pleasure. It is linked to the division and splitting of the subject involved, which spontaneously compels the subject to transgress the prohibitions imposed on enjoyment and to go beyond the pleasure principle. Beyond this limit, pleasure then becomes pain, before this initial "painful principle" develops into what Jacques Lacan called jouissance; it is suffering, epitomized in Lacan's remark about "the recoil imposed on everyone, in so far as it involves terrible promises, by the approach of jouissance as such". He also linked jouissance to the castration complex, and especially to the aggression of the death drives.

In the psychoanalytic theory of Jacques Lacan, objet petit a stands for the unattainable object of desire, the "a" being the small other ("autre"), a projection or reflection of the ego made to symbolise otherness, like a specular image, as opposed to the big Other which represents otherness itself. It is sometimes called the object cause of desire, as it is the force that induces desire towards any particular object. Lacan always insisted that the term should remain untranslated, "thus acquiring the status of an algebraic sign" (Écrits).

In psychoanalytic theory, aphanisis is the disappearance of sexual desire. The etymology of the term refers to it as the absence of brilliance in the astronomical sense such as the fading or the disappearance of a star. The term was later applied to the disappearance of the subject.

In continental philosophy, the Real refers to the remainder of reality that cannot be expressed, and which surpasses reasoning. In Lacanianism, it is an "impossible" category because of its opposition to expression and inconceivability.

[T]he real in itself is meaningless: it has no truth for human existence. In Lacan's terms, it is speech that "introduces the dimension of truth into the real."

The Symbolic is the order in the unconscious that gives rise to subjectivity and bridges intersubjectivity between two subjects; an example is Jacques Lacan's idea of desire as the desire of the Other, maintained by the Symbolic's subjectification of the Other into speech. In the later psychoanalytic theory of Lacan, it is linked by the sinthome to the Imaginary and the Real.

In Lacanianism, demand is the way in which instinctive needs are alienated through language and signification. The concept of demand was developed by Lacan—outside of Freudian theory—in conjunction with need and desire in order to account for the role of speech in human aspirations, and forms part of the Lacanian opposition to the approach to language acquisition favored by ego psychology.

Freudo-Marxism is a loose designation for philosophical perspectives informed by both the Marxist philosophy of Karl Marx and the psychoanalytic theory of Sigmund Freud. It has a rich history within continental philosophy, beginning in the 1920s and 1930s and running since through critical theory, Lacanian psychoanalysis, and post-structuralism.

Sinthome is a concept introduced by Jacques Lacan in his seminar Le sinthome (1975–76). It redefines the psychoanalytic symptom in terms of the role of the subject outside of analysis, where enjoyment is made possible through creative identification with the symptom.

<i>The Four Fundamental Concepts of Psychoanalysis</i> 1973 seminar by Jacques Lacan

The Four Fundamental Concepts of Psychoanalysis is the 1978 English-language translation of a seminar held by Jacques Lacan. The original was published in Paris by Le Seuil in 1973. The Seminar was held at the École Normale Supérieure in Paris between January and June 1964 and is the eleventh in the series of The Seminar of Jacques Lacan. The text was published by Jacques-Alain Miller.

"The Instance of the Letter in the Unconscious, or Reason Since Freud" is an essay by the psychoanalyst Jacques Lacan, originally delivered as a talk on May 9, 1957 and later published in Lacan's 1966 book Écrits.

<i>The Fright of Real Tears</i>

The Fright of Real Tears: Krzysztof Kieślowski Between Theory and Post-Theory is a 2001 book by the Slovenian philosopher Slavoj Žižek which uses free associative film interpretation to tangentially examine the films of Polish director Krzysztof Kieślowski while avoiding the debate between cognitive film theory and psychoanalytic film theory. It was published by the British Film Institute in 2001.

In Jacques Lacan's psychoanalytic philosophy, lack is a concept that is always related to desire. In his seminar Le transfert (1960–61) he states that lack is what causes desire to arise.

In philosophy, desire has been identified as a recurring philosophical problem. It has been variously interpreted as what compels someone towards the highest state of human nature or consciousness, as well as being posited as either something to be eliminated or a powerful source of potential.

The name of the father is a concept that Jacques Lacan developed from his seminar The Psychoses (1955–1956) to cover the role of the father in the Symbolic Order.

Lacanianism or Lacanian psychoanalysis is a theoretical system that explains the mind, behaviour, and culture through a structuralist and post-structuralist extension of classical psychoanalysis, initiated by the work of Jacques Lacan from the 1950s to the 1980s. Lacanian perspectives contend that the world of language, the Symbolic, structures the human mind, and stress the importance of desire, which is conceived of as endless and impossible to satisfy. Contemporary Lacanianism is characterised by a broad range of thought and extensive debate between Lacanians.

<span class="mw-page-title-main">Signified and signifier</span> Concepts in linguistics

In semiotics, signified and signifier stand for the two main components of a sign, where signified pertains to the "plane of content", while signifier is the "plane of expression". The idea was first proposed in the work of Swiss linguist Ferdinand de Saussure, one of the two founders of semiotics.

Bruce Fink is an American Lacanian psychoanalyst and a major translator of Jacques Lacan. He is the author of numerous books on Lacan and Lacanian psychoanalysis, prominent among which are Lacan to the Letter: Reading Écrits Closely, The Lacanian Subject: Between Language and Jouissance (1995), Lacan on Love: An Exploration of Lacan's Seminar VIII and A Clinical Introduction to Lacanian Psychoanalysis: Theory and Technique.

References

  1. Neill, Calum (2013-06-01). "Breaking the text: An introduction to Lacanian discourse analysis" (PDF). Theory & Psychology. 23 (3): 334–350. doi:10.1177/0959354312473520. ISSN   0959-3543. S2CID   146661853.
  2. "stanford encyclopedia of philosophy" . Retrieved 24 August 2018.
  3. Slavoj Zizek, Tarrying with the Negative: Kant, Hegel and the Critique of Ideology (Duke University Press, 1993). See chapter 5 and see especially note 24 on page 274. There are similar examples in some of his numerous other books.

General sources