Frances Walker | |
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Born | |
Education | Edinburgh College of Art |
Known for | Printmaking |
Frances Walker CBE RSA RSW (born 19 August 1930) is a Scottish painter, printmaker and retired lecturer. [1] [2] [3]
Born in Kirkcaldy, she has lived in Aberdeen for more than 60 years. [4] After teaching art in the Hebrides, [5] Walker accepted a lecturer position in Drawing and Painting at Gray's School of Art, Aberdeen, [6] where she also contributed to the foundation of Peacock Visual Arts print studio. [7] [2]
Walker's work takes inspiration from nature of the Western Isles and Antarctica, [5] [8] where she visited upon receiving the James McBey Travel Award from Aberdeen Art Gallery in 2007. [1] Her technique includes screenprinting, lithography, monoprinting, etching, and collagraphy. [2]
The Scottish Colourists were a group of four painters, three from Edinburgh, whose Post-Impressionist work, though not universally recognised initially, came to have a formative influence on contemporary Scottish art and culture. The four artists, Francis Cadell, John Duncan Fergusson, Leslie Hunter and Samuel Peploe, were prolific painters spanning the turn of the twentieth century until the beginnings of World War II. While now banded as one group with a collective achievement and a common sense of British identity, it is a misnomer to believe their artwork or their painterly careers were heterogeneous.
Anna "Nan" Shepherd was a Scottish Modernist writer and poet, best known for her seminal mountain memoir, The Living Mountain, based on experiences of hill walking in the Cairngorms. This is noted as an influence by nature writers who include Robert Macfarlane and Richard Mabey. She also wrote poetry and three novels set in small fictional communities in Northern Scotland. The landscape and weather of this area played a major role in her novels and provided a focus for her poetry. Shepherd served as a lecturer in English at the Aberdeen College of Education for most of her working life.
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Gray's School of Art is the Robert Gordon University's art school, located in Aberdeen, Scotland. It is one of the oldest established fine art institutions in Scotland and one of Scotland's five art schools today, and ranked among the Top 20 Schools of Art and Design in the United Kingdom. The School is housed in a modernist building at the university's Garthdee campus in Aberdeen. As well as degree-level training in fine art, applied art and design, Gray's School of Art offers short courses and evening classes to the general public in a wide variety of mediums. Many of these are designed for those with no previous formal training, and can also be used to develop a portfolio prior to applying for degree-level study. The School also mounts exhibitions, including the annual Degree Show which showcases the work of students on its programmes.
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Dame Ethel Walker was a Scottish painter of portraits, flower-pieces, sea-pieces and decorative compositions. From 1936, Walker was a member of The London Group. Her work displays the influence of Impressionism, Puvis de Chavannes, Gauguin and Asian art. Walker achieved considerable success throughout her career, becoming the first female member elected to the New English Art Club in 1900. Walker's works were exhibited widely during her lifetime, at the Royal Academy, the Royal Society of Arts and at the Lefevre Gallery. She represented Britain at the Venice Biennale four times, in 1922, 1924, 1928 and 1930. Although Walker proclaimed that 'there is no such thing as a woman artist. There are only two kinds of artist — bad and good', she was elected Honorary President of the Women's International Art Club in 1932. Soon after her death, she was the subject of a major retrospective at the Tate in 1951 alongside Gwen John and Frances Hodgkins. Walker is now acknowledged as a lesbian artist, a fact which critics have noted is boldly apparent in her preference for women sitters and female nudes. It has been suggested that Walker was one of the earliest lesbian artists to explore her sexuality openly in her works. While Walker was contemporarily regarded as one of the foremost British women artists, her influence diminished after her death, perhaps due in part to her celebration of female sexuality. Made a Dame Commander of the Order of the British Empire in 1943, Walker was one of only four women to receive the honour as of 2010.
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Beth Fisher (b.1944) is an artist, printmaker and member of the Royal Scottish Academy and the Society of Scottish Artists. She was born in Portland, Maine and studied at the University of Wisconsin and at the Ruskin School of Drawing and Fine Art, Oxford. She moved to the United Kingdom from the United States in the 1960s to study in Oxford for a year, and married her husband Nick Fisher in 1967. After completing postgraduate studies in the United States, they both returned to the United Kingdom in 1970, moving to Glasgow in 1971 and Aberdeen in 1976. Fisher has worked at both Glasgow Print Studio and Peacock Visual Arts in Aberdeen, and helped to establish both workshops. She was a founder member of Glasgow Print Studio in 1972, and was responsible for co-running the workshop for the first few years, with Sheena McGregor. She was elected an Associate member of the Royal Scottish Academy in 1989, in the membership category for printmakers, shortly after the academy introduced the category.