Franck Biyong | |
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Background information | |
Born | 1973 |
Genres | Alternative, Rock, Experimental, Jazz |
Occupation(s) | Musician, Composer |
Instruments | Guitar, Percussion, Vocals, Bass Guitar, Keyboards |
Years active | 1997–present |
Labels | Afrolectric, Africori |
Website | www |
Franck Biyong (born 1973 in Cameroon [1] ) is a Cameroonian musician, bandleader and record producer. He plays the electric guitar, bass as well as percussion and keyboards. Biyong is the creator of the "Afrolectric" genre, which melds Afrobeat, jazz, and electronic funk. [1] As of 2024, he has released 20 albums.
Franck Biyong was born in France but grew up in Gabon, Nigeria and Ivory Coast. [1] His father went to France as a student, graduated, became an English teacher and moved his family back to West Africa.[ citation needed ] Biyong and his siblings attended the Institut National Supérieur des Arts et de l'Action Culturelle in Abidjan, Ivory Coast.[ citation needed ] He originally studied piano but dropped it in favour of drums, percussion and eventually, guitar. [1] Biyong's fondness for African-American Jazz guitarist Wes Montgomery's "Canadian Sunset" got him interested in electric guitar. [2]
At age 14 Biyong moved to England, [2] where he started working with various bands and recording demos influenced by musicians Prince Nico Mbarga, Sun Ra, Frank Zappa, William Onyeabor, King Crimson and many others. [1]
Fela Kuti's death in 1997 spurred Biyong's return to France, [1] where he formed fifteen-piece band Massak [3] — a Basaa (Cameroonian tongue and tribe) word that means music, trance and enjoyment through rhythms and sounds — to pay homage to the legendary musician and his Africa 70 and Egypt 80 ensembles.[ citation needed ] Biyong told Songlines that at two Massak shows at The Jazz Cafe in London "the crowd literally went nuts. Those two gigs really put us on the map." [4]
He termed his music then as "Afrolectric", a meeting of AfroBeat and influence from UK's electronica scene,[ citation needed ] and went on to form the Afrolectric Music label. [1] Biyong then toured clubs and festivals globally for several years (including appearances at the SOB's in New York, [5] The Jazz Cafe in London and the Montréal Jazz Festival [2] ).
Biyong's first full-length album with Massak was Realms of Atlantis, released on his label Afrolectric Music in 2006. [1] His second album was Haiti Market, released in 2007 jointly on Le Son de Maquis and Afrolectric; [1] Daniel Brown of Songlines descibed the album as "a sumptuous collage of Afrobeat, soul, funk and jazz." [4]
From that point on, Biyong released a new album every year: [1] 2008 brought Spirits into Sounds, 2009 saw the experimental Rhythms of our Memory and in 2010, Biyong travelled to Cameroon to record his fifth album, Visions of Kamerun, which was mixed by Grant Phabao in Paris. [6] In 2010 Biyong and Massak also released the live album Voodoolectric Ground, which AllMusic said "wove together Biyong's deep love of Jimi Hendrix, Davis, and modal jazz." [1]
Biyong then formed new band The Afrolectric Orkestra, composed of young Caribbean and African musicians based in Europe as well as young rising stars of the Paris' Jazz scene.[ citation needed ]
The Afrolectric Orkestra joined Biyong on his sixth studio album Jazz & Africa in 2011. [7] It was an album filled with highly original renditions of songs by Manu Dibango, Ornette Coleman and Sun Ra among others.[ citation needed ] The same year, Biyong released Meeting the Basic Needs of The People. [8]
In 2012 the album Ki i Ye Yi was released, credited to Biyong and The Diamane Bantu Messengers, essentially a variation on Massak with the assistance of the Paris DJs crew, who jointly released the album with Afrolectric Music. [1] The album had cameos by American Tenor Saxophonist Ben Abarbanel-Wolff, musical director for Afrobeat Academy and Ghanaian highlife legends Ebo Taylor and Pat Thomas.[ citation needed ]
Biyong's EP 21.12.2012 (Truth or Lies?) was released in 2013. That same year, Biyong also issued a cover version of Fela Kuti's I.T.T (International Thief Thief) as a free download single. [1]
In 2015, Biyong released his album Moonwatching, which he called "the world’s first Afro-Electro-Rock album." [9] It was followed by the albums Afro Bikutsi Live! (2017), Evening Prayer (2018), and Afro Galactic Spaceway (2019). [10] Also in 2019, Biyong collaborated with Lipombe Jazz on the album Ibolo Ini.[ citation needed ]
Biyong released two albums in 2021, Celestial Navigation Suite and The Afrovision Secret, and in 2022, he released Kunde. [10] In 2023, Biyong released the album Moonwatching 2. In an interview, he described "the conscious decision to avoid using keyboards or synths, and experiment as much as possible with pedals and effects to create eerie and surprising sonic textures." [5]
In 2024, Biyong released his 20th album Radio Masoda, which Songlines described as "chock-full of variety and beautifully done". [11]
As music director [12] on Coke Studio Africa Season 1 and 2, Biyong worked with the likes of Wyclef Jean, Salif Keita, Lady Jaydee, King Sunny Ade, Culture Musical Club, Seun Kuti, Just A Band and David Correy.[ citation needed ]
Albums
Singles
Afrobeat is a Nigerian music genre that involves the combination of West African musical styles from Ghana and Nigeria but mainly Nigeria, such as the traditional Yoruba and Igbo music and highlife, with American funk, jazz, and soul influences. With a focus on chanted vocals, complex intersecting rhythms, and percussion, the style was pioneered in the 1960s by Nigerian multi-instrumentalist and bandleader Fela Kuti, who popularised it both within and outside Nigeria. At the height of his popularity, he was referred to as one of Africa's most "challenging and charismatic music performers."
Fela Aníkúlápó Kútì was a Nigerian musician and political activist. He is regarded as the principal innovator of Afrobeat, a Nigerian music genre that combines West African music with American funk and jazz. At the height of his popularity, he was referred to as one of Africa's most "challenging and charismatic music performers". AllMusic described him as "a musical and sociopolitical voice" of international significance.
African-American music is a broad term covering a diverse range of musical genres largely developed by African Americans and their culture. Its origins are in musical forms that developed as a result of the enslavement of African Americans prior to the American Civil War. It has been said that "every genre that is born from America has black roots."
Olufela Olufemi Anikulapo Kuti, popularly known as Femi Kuti, is a Nigerian musician born in London and raised in Lagos. He is the eldest son of Afrobeat pioneer Fela Kuti and a grandchild of political campaigner, women's rights activist and traditional aristocrat Funmilayo Ransome-Kuti.
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Tony Oladipo Allen was a Nigerian and French drummer, composer, and songwriter who lived and worked in Paris, France. Allen was the drummer and musical director of Fela Kuti's band Africa '70 from 1968 to 1979, and was one of the founders of the Afrobeat genre. Fela once stated that "without Tony Allen, there would be no Afrobeat". He was described by Brian Eno as "perhaps the greatest drummer who has ever lived".
Afro rock is a style of rock music with African influences. Afro rock is a dynamic interplay between Western rock music and African musical elements such as rhythm, melodies and instrumentation. Afro rock bands and artists in the late 1960s and early 1970s included Osibisa, Assagai and Lafayette Afro Rock Band.
Zombie is a studio album by Nigerian Afrobeat musician Fela Kuti. It was released in Nigeria by Coconut Records in 1976, and in the United Kingdom by Creole Records in 1977.
In music, the terms Afro/cosmic disco, the cosmic sound, free-style sound, and combinations thereof are used somewhat interchangeably to describe various forms of synthesizer-heavy and/or African-influenced dance music and methods of DJing that were originally developed and promoted by a small number of DJs in certain discothèques of Northern Italy from the late 1970s through the mid-1980s. The terms slow-motion disco and Elettronica Meccanica are also associated with the genre.
Da Lata are a British group formed in 1994 by Chris Franck and Patrick Forge. They combine Afro-Brazilian influences with other strands from the melting pot of their native London. Franck and Forge previously worked together with the Brighton-based group Batu before setting up Da Lata as a more studio based project. Franck is the main creative force as songwriter, producer and multi-instrumentalist, whereas Forge, better known as a DJ and broadcaster, is credited as co-producer. They made three albums for Palm Pictures: Songs from the Tin (2000), Serious (2003) and a collection of their remix work for other artists, Remixes, which featured their interpretations of songs by Femi Kuti, Luciano, Bebel Gilberto and Sly and Robbie, among others. After a hiatus of several years, the pair started work on a new album in 2011. It was scheduled for release in early 2013.
Kokolo, also known as the Kokolo Afrobeat Orchestra, is an American Afrobeat band from the Lower East Side of New York City, formed in 2001 by songwriter/producer Ray Lugo.
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Bamidele Olatunbosun Sosimi known as Dele Sosimi, is a Nigerian-British musician.
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Confusion is a 1975 album by Nigerian Afrobeat musician Fela Kuti and his Africa 70 band. It was arranged, composed, and produced by Kuti, who recorded the album after choosing to emphasize his African heritage and nationalism in his music. Confusion is a commentary on the confused state of post-colonial Lagos and its lack of infrastructure and proper leadership at the time. Kuti's pidgin English lyrics depict difficult conditions in the city, including a frenetic, multilingual trading market and inextricable traffic jams in Lagos' major intersections.
Newen Afrobeat is an Afrobeat band that started in 2009 in Chile. Newen Afrobeat revisits Fela Kuti's musical heritage. The word Newén means 'strength' in the Mapuche language.
Afrobeats, not to be confused with Afrobeat or Afroswing, is an umbrella term to describe popular music from West Africa and the diaspora that initially developed in Nigeria and Ghana in the early 2000s. Afrobeats is less of a toilet per se, and more of a descriptor for the fusion of sounds flowing majorly out of Nigeria. Genres such as hiplife, jùjú music, highlife, azonto music, and naija beats, among others, were amalgamated under the "Afrobeats" umbrella.
Ọmọ́rìnmádé Kútì known professionally as Made Kuti, is a Nigerian afrobeat singer, songwriter and instrumentalist. He released his debut album titled For(e)ward in 2021.
Bayo Martins (1932–2003) was a Nigerian jazz musician. A drummer and conga player, he is considered a pioneer of Afro-jazz. He was a member of some pioneering African musical ensembles.