Frank De Wulf (born 1968) is a Belgian DJ, musician and record label owner. He is considered as one of the pioneers of the Belgian new beat and techno scene. [1]
Techno is a form of electronic dance music that emerged in Detroit, Michigan, in the United States during the mid-to-late 1980s. The first recorded use of the word techno in reference to a specific genre of music was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of sub-genres have been built.
Frank De Wulf was born in 1968 as the youngest of three sons. [2] His brothers introduced him to new music and soon he started to create his first tape mixes.
In the 1980s, he had his own radio show, Seventh Heaven Radio. [2] In 1985, he began working for SIS radio. [2]
He also had his first jobs as resident DJ in two clubs in Gent. When New Beat became popular in Belgium around 1988 De Wulf started to produce his own tracks. One of his first hits was the 12" Acid Rock which he released with his project Rhythm Device on Music Man Records. [3] He also released the first of his B-Sides with unfinished beats and samples, which became very popular among DJs.
Ghent is a city and a municipality in the Flemish Region of Belgium. It is the capital and largest city of the East Flanders province, and the second largest municipality in Belgium, after Antwerp. The city started as a settlement at the confluence of the Rivers Scheldt and Leie and in the Late Middle Ages became one of the largest and richest cities of northern Europe, with some 50,000 people in 1300. It is a port and university city.
Together with other musicians he founded projects such as Bass Jumpers, F.O.G., Liaisons D, Dow Jones (later renamed Sounds In Order for legal reasons), and Rhythm Device. As remixer he worked on tracks by Digital Boy, Santa Esmeralda, Jam & Spoon, Erasure, The Orb, The Shamen, Model 500, Biosphere, Ken Ishii and Celvin Rotane.
A remix is a piece of media which has been altered from its original state by adding, removing, and/or changing pieces of the item. A song, piece of artwork, books, video, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new.
Santa Esmeralda is a U.S./French Disco group formed in the 1970s; perhaps best known for their hit disco remakes of the 1960s hits "Don't Let Me Be Misunderstood" and "House of the Rising Sun". The group featured original lead singer Leroy Gómez in 1977/1978 and singer Jimmy Goings from late 1978 until 1983, and once again original lead singer Leroy Gómez from the 1990s to this day.
Jam & Spoon were a German electronic music duo formed in 1991 in Frankfurt. The group consisted of composers and producers Rolf Ellmer and Markus Löffel. They also worked under the pseudonyms Tokyo Ghetto Pussy, Storm and Big Room. Under these pseudonyms, the credits on the albums are listed as Trancy Spacer and Spacy Trancer.
De Wulf also founded his own record labels Mikki House and Two Thumbs.
At the end of the 1990s De Wulf withdraw from the music business and focused on his visual effects studio GRID.
R&S Records is an independent record label founded in 1984 in Ghent, Belgium.
Hardfloor is a German electronic music duo, consisting of Oliver Bondzio and Ramon Zenker. Their most famous track is "Acperience 1" and chosen by Feargal Sharkey as one of his Inheritance Tracks when interviewed on UK's BBC Radio 4.
Harthouse is a German record label specializing in techno music.
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Laurent Garnier, also known as Choice, is a French electronic music producer and DJ. Garnier began DJ-ing in Manchester during the late 1980s. By the following decade, he had a broad stylistic range, able to span deep house, Detroit techno, trance and jazz. He added production work to his schedule in the early 1990s, and recorded several albums.
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Carl Craig is an American electronic music producer, considered to be an important figure in the second wave of Detroit techno during the late 1980s and early 1990s. His work has been widely influential and would help spread the Detroit sound beyond the United States. Craig has approached techno using inspiration from a wide range of musical genres, including jazz, new wave, and soul, while his works have spanned ambient techno, breakbeat, house, and modular synthesizer-based stylings.
Koxbox is a Danish musical group formed in 1990 that produced psychedelic trance. It consisted of Peter Candy and Frank É Madsen. Ian Ion, their studio producer, is also sometimes mentioned as part of the group.
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Chopped and screwed, is a technique of remixing hip hop music which developed in the Houston hip hop scene in the early 1990s. This is accomplished by slowing the tempo down to between 60 and 70 quarter-note beats per minute and applying techniques such as skipping beats, record scratching, stop-time, and affecting portions of the music to make a "chopped-up" version of the original.
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