François-André Vincent | |
|---|---|
 Portrait of François-André Vincent by Adélaïde Labille-Guiard, painted 1783 | |
| Born | 30 December 1746 |
| Died | 4 August 1816 (aged 69) Paris |
| Nationality | French |
| Occupation | Neoclassical painter |
| Spouse | |
François-André Vincent (French pronunciation: [fʁɑ̃swaɑ̃dʁevɛ̃sɑ̃] ; 30 December 1746 – 4 August 1816) was a French neoclassical painter. [1]
Vincent was born in Paris in 1746, [2] the son of the miniaturist François-Elie Vincent. He studied under Joseph-Marie Vien and was a pupil of École Royale des Éleves Protégés. From 1771 to 1775 he studied at the French Academy in Rome. He travelled to Rome after winning the Prix de Rome with Germanicus Calms Sedition in his Camp in 1768, and was when he was installed at the Palais Mancini, where he painted numerous portraits, inspired by Jean-Honoré Fragonard's style, who also was visiting Rome and Naples in the same time.
In 1790, Vincent was appointed master of drawings to Louis XVI of France, and in 1792 he became a professor at the Académie royale de peinture et de sculpture in Paris. In 1800, he married the painter Adélaïde Labille-Guiard who was well known for her mastery in portrait painting, a member of the Royal Academy and painter for the Royal Family.
He was a leader of the neoclassical and historical movement in French art, along with his rival Jacques-Louis David, another pupil of Vien. He was influenced by the art of classical antiquity, by the masters of the Italian High Renaissance, especially Raphael. [2] [3] François-André Vincent was one of the principal innovators of the subjects and themes in French art of Neoclassical style and his works were of a high standard. [2] He was one of the founder members of the Académie des Beaux-Arts – part of the Institut de France and the successor to the Académie royale – in 1795. Towards the end of his life he painted less due to ill health, but he continued to receive official honours.
Nicolas de Largillière was a French painter and draughtsman.
Pierre Mignard or Pierre Mignard I, called "Mignard le Romain" to distinguish him from his brother Nicolas Mignard, was a French painter known for his religious and mythological scenes and portraits. He was a near-contemporary of the Premier Peintre du Roi Charles Le Brun with whom he engaged in a bitter, life-long rivalry.
Louis-Michel van Loo was a French painter.
Adélaïde Labille-Guiard, also known as Adélaïde Labille-Guiard des Vertus, was a French miniaturist and portrait painter. She was an advocate for women to receive the same opportunities as men to become great painters. Labille-Guiard was one of the first women to become a member of the Royal Academy, and was the first female artist to receive permission to set up a studio for her students at the Louvre.
François-Élie Vincent was a French painter of portrait miniatures.
The year 1800 in art is often estimated to be the beginning of the change from the Neoclassicism movement, that was based on Roman art, to the Romantic movement, which encouraged emotional art and ended around 1850 and brought forth a new era of artistic exploration. Artists of that time departed from traditional norms, embracing fresh ideas and diverse subjects. This era blended classical principles with innovative concepts, capturing both contemporary life and historical stories. The art in 1800 set the foundation for later 19th-century movements, inspiring a new era of artistic creativity that continued to shape the course of artistic development for years to follow.
Events in the year 1816 in Art.
Events in the year 1803 in Art.
Charles-Joseph Natoire was a French painter in the Rococo manner, a pupil of François Lemoyne and director of the French Academy in Rome, 1751–1775. Considered during his lifetime the equal of François Boucher, he played a prominent role in the artistic life of France.
Nicolas-André Monsiau was a French history painter and a refined draughtsman who turned to book illustration to supplement his income when the French Revolution disrupted patronage. His Poussiniste drawing style and coloring marked his conservative art in the age of Neoclassicism.
Events from the year 1749 in art.
Simon-Charles Miger was a French engraver, most notable for the plates he produced for La Ménagerie du Muséum national d'histoire naturelle by Lacépède, Saint-Hilaire and Cuvier.
Jean-Laurent Mosnier was a French painter and miniaturist.
Jacques-Henri Sablet was a Swiss-French painter, part of a family of artists of Swiss origin. He was also known as Franz der Römer, Giacomo Sablez, Giacomo Sablé, Jacob Henry Sablet, Sablet le Jeune, Sablet le Romain or le peintre du Soleil.
Jacques-Augustin-Catherine Pajou was a French painter in the Classical style.
Marie-Gabrielle Capet was a French Neoclassical painter. She was born in Lyon on 6 September 1761. Capet came from a modest background and her previous background and artistic training is unknown, but in 1781 she became the pupil of the French painter Adélaïde Labille-Guiard in Paris. She excelled as a portrait painter and her works include oil paintings, watercolours, and miniatures.
Jean-François Sablet was a French painter; part of a family of artists of Swiss origin.
Self-Portrait with Two Pupils, Marie-Gabrielle Capet and Marie Marguerite Carreaux de Rosemond is a 1785 self-portrait painting by Adélaïde Labille-Guiard depicting the artist with two of her pupils, Marie-Gabrielle Capet and Marie-Marguerite Carreaux de Rosemond. It is in the collection of the Metropolitan Museum of Art.
Marie-Geneviève Navarre was a French portrait artist and miniaturist who created artwork in pastels and oils, though she is best known for her pastels.
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