François Truffaut: Stolen Portraits | |
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Directed by | Michel Pascal Serge Toubiana |
Produced by | Bertrand Van Effenterre |
Release date |
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Running time | 88 minutes |
Country | France |
Language | French |
François Truffaut: Stolen Portraits (French : François Truffaut: Portraits volés) is a 1993 French documentary film directed by Michel Pascal and Serge Toubiana, about the film director François Truffaut. It was screened in the Un Certain Regard section at the 1993 Cannes Film Festival. [1]
Stanley Kauffmann at The New Republic wrote 'In human and in film-historical terms, this Toubiana-Pascal documentary is a treasure. It ought to be shown wherever there's a Truffaut audience, and it ought to be made available on tape.' [2] Todd McCarthy of the Variety Magazine said that:
Film critics Serge Toubiana and Michel Pascal have made a revealing but far from definitive docu study of the life and career of the late French director Francois Truffaut. Interviews with an impressive lineup of friends, associates and family members peel away layers of the onion to unveil aspects of the subject's personality that were largely undiscussed during his lifetime. [3]
François Roland Truffaut was a French filmmaker, actor, and critic, widely regarded as one of the founders of the cinematic French New Wave. With a career of more than 25 years, he is an icon of the French film industry.
Claude Henri Jean Chabrol was a French film director and a member of the French New Wave group of filmmakers who first came to prominence at the end of the 1950s. Like his colleagues and contemporaries Jean-Luc Godard, François Truffaut, Éric Rohmer and Jacques Rivette, Chabrol was a critic for the influential film magazine Cahiers du cinéma before beginning his career as a film maker.
The 400 Blows is a 1959 French coming-of-age drama film, and the directorial debut of François Truffaut, who also co-wrote the film. Shot in the anamorphic format DyaliScope, the film stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier. One of the defining films of the French New Wave, it displays many of the characteristic traits of the movement. Written by Truffaut and Marcel Moussy, the film is about Antoine Doinel, a misunderstood adolescent in Paris who struggles with his parents and teachers due to his rebellious behavior. Filmed on location in Paris and Honfleur, it is the first in a series of five films in which Léaud plays the semi-autobiographical character.
Claude Marcelle Jorré, better known as Claude Jade, was a French actress. She starred as Christine in François Truffaut's three films Stolen Kisses (1968), Bed and Board (1970) and Love on the Run (1979). Jade acted in theatre, film and television. Her film work outside France included the Soviet Union, the United States, Italy, Belgium, Germany and Japan. She was most famous on television as the heroine of the mysterious adventure series The Island of Thirty Coffins.
Jean-Pierre Léaud, ComM is a French actor best known for being an important figure of the French New Wave and his portrayal of Antoine Doinel in a series of films by François Truffaut, beginning with The 400 Blows (1959). He has worked with Jean-Luc Godard, Agnès Varda, and Jacques Rivette, as well as other notable directors such as Jean Cocteau, Pier Paolo Pasolini, Bernardo Bertolucci, Catherine Breillat, Jerzy Skolimowski, and Aki Kaurismäki.
Henri Langlois was a French film archivist and cinephile. A pioneer of film preservation, Langlois was an influential figure in the history of cinema. His film screenings in Paris in the 1950s are often credited with providing the ideas that led to the development of the auteur theory.
Jacques Rivette was a French film director and film critic most commonly associated with the French New Wave and the film magazine Cahiers du Cinéma. He made twenty-nine films, including L'Amour fou (1969), Out 1 (1971), Celine and Julie Go Boating (1974), and La Belle Noiseuse (1991). His work is noted for its improvisation, loose narratives, and lengthy running times.
Serge Daney was a French movie critic. He was a major figure of Cahiers du cinéma which he co-edited in the late 1970s. He also wrote extensively about films, television, and society in the newspaper Libération and founded the quarterly review Trafic shortly before his death. Highly regarded in French and European film criticism circles, his work remained little known to English-speaking audiences until recent translations. A first book-long interview, Postcards from the Cinema, was published in 2007 and a collection of his writings prior to 1982, The Cinema House and the World, was published in 2022.
The Cinémathèque française, founded in 1936, is a French non-profit film organization that holds one of the largest archives of film documents and film-related objects in the world. Based in Paris's 12th arrondissement, the archive offers daily screenings of films from around the world.
Le Beau Serge is a 1958 French film directed by Claude Chabrol. It has been cited as the first product of the Nouvelle Vague, or French New Wave, film movement. The film is often compared with Chabrol's subsequent film Les Cousins, which also stars Gérard Blain and Jean-Claude Brialy.
The Green Room is a 1978 French historical drama film directed by François Truffaut, based on the 1895 short story "The Altar of the Dead" by Henry James, in which a man becomes obsessed with the dead people in his life and builds a memorial to them. It is also based on two other works by James: the 1903 novella The Beast in the Jungle and the 1896 short story "The Way It Came". It was Truffaut's seventeenth feature film as a director and the third and last of his own films in which he acted in a leading role. It stars Truffaut, Nathalie Baye, Jean Dasté and Patrick Maléon.
The Wild Child is a 1970 French film by director François Truffaut. Featuring Jean-Pierre Cargol, François Truffaut, Françoise Seigner and Jean Dasté, it tells the story of a child who spends the first eleven or twelve years of his life with little or no human contact. It is based on the true events regarding the child Victor of Aveyron, reported by Dr. Jean Marc Gaspard Itard. The film sold nearly 1.5 million tickets in France.
The Last Metro is a 1980 period drama film, co-written and directed by François Truffaut, that stars Catherine Deneuve and Gérard Depardieu.
The 21st Cannes Film Festival was to have been held from 10 to 24 May 1968, before being curtailled due to the turmoil of May 1968 in France.
Claude de Givray is a French film director and screenwriter. In 1960 he was co-director with François Truffaut for Tire-au flanc. He directed the 1965 film Un mari à un prix fixe, which starred Anna Karina. He was François Truffaut's co-writer to his films Stolen Kisses and Bed and Board. Between the two films he wrote and directed the mini-series Mauregard starring Claude Jade, the heroine of the two Truffaut-Films. His last movie as Director was Dernier banco in 1984, starring Jean-Pierre Cassel and Michel Duchaussoy. In 1988 Claude Miller made the film The Little Thief based on a book by de Claude de Givray and Truffaut.
Actors is a 2000 French comedy film directed by Bertrand Blier.
Hitchcock/Truffaut is a 2015 documentary film directed by Kent Jones.
Denys Clerval was a French cinematographer.
Ignace Morgenstern was a Hungarian-born French film producer. He was the owner of Cocinor, one of the largest French film distributors of the 1950s.