Jean-JoséRicher"},"writer":{"wt":"François Truffaut
[[Suzanne Schiffman]]
Jean-Claude Grumberg"},"starring":{"wt":"[[Catherine Deneuve]]
[[Gérard Depardieu]]
[[Jean Poiret]]"},"music":{"wt":"[[Georges Delerue]]"},"cinematography":{"wt":"[[Néstor Almendros]]"},"editing":{"wt":"Martine Barraqué"},"studio":{"wt":"Les Films du Carrosse
Andrea Films
SEDIF
SFP
[[TF1 Films Production]]"},"distributor":{"wt":"[[Gaumont Film Company|Gaumont Distribution]]"},"released":{"wt":"{{film date|1980|9|17|df=yes}}"},"runtime":{"wt":"131 minutes"},"country":{"wt":"France"},"language":{"wt":"French"},"gross":{"wt":"$23.3 million{{cite web|url=http://www.boxofficemojo.com/movies/?id=lastmetro.htm|title=The Last Metro (1981) - Box Office Mojo|access-date=28 October 2016}}
3,393,694 admissions (France)[http://translate.googleusercontent.com/translate_c?depth=1&hl=en&prev=search&rurl=translate.google.com.au&sl=fr&u=http://www.boxofficestory.com/box-office-francois-truffaut-c25718972&usg=ALkJrhiA0vtcY2z6GoKzSP57g_NZe1-m-Q Box Office information for Francois Truffaut films] at Box Office Story"}},"i":0}}]}" id="mwBg">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}
The Last Metro | |
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![]() Film poster | |
Directed by | François Truffaut |
Written by | François Truffaut Suzanne Schiffman Jean-Claude Grumberg |
Produced by | François Truffaut Jean-José Richer |
Starring | Catherine Deneuve Gérard Depardieu Jean Poiret |
Cinematography | Néstor Almendros |
Edited by | Martine Barraqué |
Music by | Georges Delerue |
Production companies | |
Distributed by | Gaumont Distribution |
Release date |
|
Running time | 131 minutes |
Country | France |
Language | French |
Box office | $23.3 million [1] [2] 3,393,694 admissions (France) [3] |
The Last Metro (French : Le Dernier Métro) is a 1980 period drama film, co-written and directed by François Truffaut, that stars Catherine Deneuve and Gérard Depardieu. [4]
Set in Nazi-occupied Paris in 1942, the film follows the fortunes of a small theatre in the Montmartre quarter which keeps up passive resistance by maintaining its cultural integrity, despite censorship, antisemitism and material shortages. [5] The title evokes two salient facts of city life under the Germans: fuel shortages led people to spend their evenings in theatres and other places of entertainment, but the curfew meant they had to catch the last Métro train home.
Upon its release in theatres on 17 September 1980, The Last Metro became one of Truffaut's more commercially successful films. In France it had 3,384,045 admissions and in the United States it grossed $3 million. [1] At the 6th César Awards, The Last Metro received 12 nominations and won 10 of them, including Best Film. The film also received Best Foreign Film nominations at the Academy Awards and the Golden Globes.
On his way to begin rehearsals at the Théâtre Montmartre, where he has secured the male lead role for an upcoming production, young Bernard Granger finds himself repeatedly rebuffed by a woman he attempts to flirt with on the street. Upon arriving at the theater, he discovers that the woman is actually the production designer, Arlette, who happens to be a lesbian. Bernard is then introduced to Marion, the owner of the theatre and its leading lady. Marion's Jewish husband, Lucas, serves as the theater's director, believed to have fled Paris; however, he is clandestinely hiding in the theater's cellar. Marion secretly releases him each evening, providing meals and materials for future productions. Their evenings are spent in the empty theater, where they engage in passionate discussions about the current production and make plans for Lucas to escape the country. However, Marion soon becomes infatuated with the oblivious Bernard, whom Lucas only knows from a headshot and snippets of conversation overheard through a rigged heating vent.
Unbeknownst to anyone at the theater, Bernard is a member of the Resistance group responsible for delivering the bomb that killed a German admiral.
The opening night of the production sees a full house, but a scathing review in a newspaper the following morning condemns the show as being "Jewish." The anti-Semitic writer behind the review aims to oust Marion and take control of her theater. While the cast and crew celebrate their initial success at a nightclub, the same writer, at another gathering, falsely accuses Bernard of insulting Marion, leading to a physical altercation in the street. On another occasion, two Gestapo agents, disguised as air raid wardens, conduct a search of the theater, prompting Marion to turn to Bernard in desperation for help in concealing Lucas and his belongings.
Following the arrest of Bernard's Resistance contact during a Gestapo raid, Bernard resolves to devote his life to the Resistance cause and abandon acting. As he prepares to leave his dressing room for the last time, Marion enters to bid him farewell, and the two share a passionate encounter on the floor.
After the war ends, Bernard returns to the theater to star in a new play written by Lucas during his time in hiding. On opening night, Marion, who plays the female lead, expresses her desire to share her life with Bernard, but he confesses that he never truly loved her. As the curtain falls, Bernard, Marion, and Lucas stand hand-in-hand to receive the applause of the audience.
Truffaut had wanted to create a film set during the French occupation period for a long time, as his uncle and grandfather were both part of the French Resistance, and were once caught while passing messages. This event was eventually recreated in The Last Metro. [7] Truffaut was inspired by the actor Jean Marais’s autobiography, basing the film on this and other documents by theatre people from during the occupation. [8]
This film was one installment - dealing with theatre - of a trilogy on the entertainment world envisaged by Truffaut. [9] The installment that dealt with the film world was 1973's La Nuit américaine (Day for Night), [9] which had won the Academy Award for Best Foreign Language Film. Truffaut completed the screenplay for the third installment, L'Agence magique, which would have dealt with the world of music hall. [9] In the late 1970s, he was close to beginning filming, but the failure of his film The Green Room forced him to look to a more commercial project, and he filmed Love on the Run instead.
Truffaut began casting in September 1979, and wrote the role of Marion especially with Catherine Deneuve in mind, for her energy. [10] Gérard Depardieu initially did not want to be involved in the film, as he did not like Truffaut’s directing style, but he was subsequently convinced that he should take part. [11]
Most of the filming took place in an abandoned chocolate factory on Rue du Landy in Clichy, which was converted into a studio. During shooting Deneuve suffered an ankle sprain from a fall, resulting in having to shoot scenes at short notice. Scriptwriter Suzanne Schiffman was also hospitalised with a serious intestinal obstruction. [12] The film shoot lasted fifty-nine days and ended on 21 April 1980. [13]
A recurring theme in Truffaut’s films has been linking film-making and film-watching. [14] The Last Metro is self-conscious in this respect. In the opening the film mixes documentary footage with period re-creations alongside shots of contemporary film posters. [15]
Truffaut commented: “this film is not concerned merely with anti-semitism but intolerance in general” and a tolerance is shown through the characters of Jean Poiret playing a homosexual director and Andrea Ferreol playing a lesbian designer. [16]
As in Truffaut's earlier films Jules et Jim and Two English Girls , there is a love triangle between the three principal characters: Marion Steiner (Deneuve), her husband Lucas (Heinz Bennent) and Bernard Granger (Depardieu), an actor in the theatre's latest production. [4]
The film recorded admissions in France of 3,384,045. [17]
The Last Metro has an approval rating of 88% on review aggregator website Rotten Tomatoes, based on 24 reviews, and an average rating of 7.4/10. [18]
François Roland Truffaut was a French filmmaker, actor and critic, widely regarded as one of the founders of the French New Wave. With a career of more than 25 years, he is an icon of the French film industry. As a young man, he came under the tutelage of film critic Andre Bazin, who hired him to write for his Cahiers du Cinéma. It was there that he became an exponent of the auteur theory, which said the director is the true author of the film. The 400 Blows (1959), starring Jean-Pierre Léaud as Truffaut's alter-ego Antoine Doinel, was a defining film of the New Wave. Truffaut supplied the story for another milestone of the movement, Breathless (1960), directed by his Cahiers colleague Jean-Luc Godard.
The cinema of France comprises the film industry and its film productions, whether made within the nation of France or by French film production companies abroad. It is the oldest and largest precursor of national cinemas in Europe, with primary influence also on the creation of national cinemas in Asia.
Gérard Xavier Marcel Depardieu is a French actor, known to be one of the most prolific in film history. Icon of French cinema, a world star in the same way as Alain Delon or Brigitte Bardot, he has completed over 250 films since 1967, almost exclusively as a lead. Depardieu has worked with over 150 film directors whose most notable collaborations include Jean-Luc Godard, François Truffaut, Maurice Pialat, Alain Resnais, Claude Chabrol, Ridley Scott, and Bernardo Bertolucci. He is the second highest-grossing actor in the history of French cinema behind Louis de Funès. As of January 2022, his body of work also includes countless television productions, 18 stage plays, 16 records and 9 books. He is known for having portrayed numerous leading historical and fictitious figures of the Western world including Georges Danton, Joseph Stalin, Honoré de Balzac, Alexandre Dumas, Auguste Rodin, Cyrano de Bergerac, Jean Valjean, Edmond Dantès, Christopher Columbus, Obélix, and Dominique Strauss-Kahn.
Catherine Fabienne Dorléac, known professionally as Catherine Deneuve, is a French actress. She is considered one of the greatest European actresses on film. In 2020, The New York Times ranked her as one of the greatest actors of the 21st century.
The 400 Blows is a 1959 French coming-of-age drama film, and the directorial debut of François Truffaut, who also co-wrote the film. Shot in the anamorphic format DyaliScope, the film stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier. One of the defining films of the French New Wave, it displays many of the characteristic traits of the movement. Written by Truffaut and Marcel Moussy, the film is about Antoine Doinel, a semi-autobiographical character and a misunderstood adolescent in Paris who struggles with his parents and teachers due to his rebellious behavior. It was filmed on location in Paris and Honfleur.
The Story of Adèle H. is a 1975 French historical drama film directed by François Truffaut, and starring Isabelle Adjani, Bruce Robinson, and Sylvia Marriott. Written by Truffaut, Jean Gruault, and Suzanne Schiffman, the film is about Adèle Hugo, the daughter of writer Victor Hugo, whose obsessive unrequited love for a military officer leads to her downfall. The story is based on Adèle Hugo's diaries. Filming took place on location in Guernsey and Senegal.
Jean-Pierre Léaud, ComM is a French actor best known for being an important figure of the French New Wave and his portrayal of Antoine Doinel in a series of films by François Truffaut, beginning with The 400 Blows (1959). He has worked with Jean-Luc Godard, Agnès Varda, and Jacques Rivette, as well as other notable directors such as Jean Cocteau, Pier Paolo Pasolini, Bernardo Bertolucci, Catherine Breillat, Jerzy Skolimowski, and Aki Kaurismäki.
Henri Langlois was a French film archivist and cinephile. A pioneer of film preservation, Langlois was an influential figure in the history of cinema. His film screenings in Paris in the 1950s are often credited with providing the ideas that led to the development of the auteur theory.
Jacques Rivette was a French film director and film critic most commonly associated with the French New Wave and the film magazine Cahiers du Cinéma. He made twenty-nine films, including L'Amour fou (1969), Out 1 (1971), Celine and Julie Go Boating (1974), and La Belle Noiseuse (1991). His work is noted for its improvisation, loose narratives, and lengthy running times.
Small Change is a 1976 French film directed by François Truffaut about childhood innocence and child abuse. In English-speaking countries outside North America, the film is known as Pocket Money. The film had a total of 1,810,280 admissions in France, making it one of Truffaut's most successful films. Only his films The 400 Blows and The Last Metro were more popular in France.
Mississippi Mermaid is a 1969 romantic crime drama film written and directed by François Truffaut and starring Jean-Paul Belmondo and Catherine Deneuve. Adapted from the 1947 novel Waltz into Darkness by William Irish, the film follows a tobacco planter on the island of Réunion who becomes engaged through correspondence to a woman he does not know. When she arrives, it is not the same woman in the photo, but he marries her anyway.
Shoot the Piano Player is a 1960 French New Wave crime drama film directed by François Truffaut that stars Charles Aznavour as the titular pianist with Marie Dubois, Nicole Berger, and Michèle Mercier as the three women in his life. It is based on the novel Down There by David Goodis.
Fahrenheit 451 is a 1966 British dystopian drama film directed by François Truffaut and starring Julie Christie, Oskar Werner, and Cyril Cusack. Based on the 1953 novel of the same name by Ray Bradbury, the film takes place in a controlled society in an oppressive future, in which the government sends out firemen to destroy all literature to prevent revolution and thinking. This was Truffaut's first colour film and his only non French-language film. At the 27th Venice International Film Festival, Fahrenheit 451 was nominated for the Golden Lion.
The Green Room is a 1978 French historical drama film directed by François Truffaut, based on the 1895 short story "The Altar of the Dead" by Henry James, in which a man becomes obsessed with the dead people in his life and builds a memorial to them. It is also based on two other works by James: the 1903 novella The Beast in the Jungle and the 1896 short story "The Way It Came". It was Truffaut's seventeenth feature film as a director and the third and last of his own films in which he acted in a leading role. It stars Truffaut, Nathalie Baye, Jean Dasté and Patrick Maléon.
François Truffaut: Stolen Portraits is a 1993 French documentary film directed by Michel Pascal and Serge Toubiana, about the film director François Truffaut. It was screened in the Un Certain Regard section at the 1993 Cannes Film Festival.
A list of books and essays written by and about François Truffaut:
Leather-Nose is a 1936 novel by the French writer Jean de La Varende, about Achille Perrier de La Genevraye, an officer during the Napoleonic Wars and the author's grand uncle. An English translation by R. Wills Thomas was published in 1938.
Paul V. Beckley was an American film critic, best known for his work with the New York Herald Tribune from 1941 to 1965. Before joining the Tribune in New York City he worked as a reporter for the Kansas City Journal. In 1965 it was reported that he had joined the Radio-Television Daily, and he became a senior writer for the 6 o'clock CBS news. He is buried at Pinelawn Memorial Park.
Ignace Morgenstern was a Hungarian-born French film producer. He was the owner of Cocinor, one of the largest French film distributors of the 1950s.