Tous les matins du monde | |
---|---|
Directed by | Alain Corneau |
Written by | Pascal Quignard Alain Corneau |
Produced by | Jean-Louis Livi |
Starring | |
Cinematography | Yves Angelo |
Edited by | Marie-Josephe Yoyotte |
Music by | Jordi Savall Sainte-Colombe Marin Marais |
Distributed by | BAC Films |
Release date |
|
Running time | 115 minutes |
Country | France |
Language | French |
Box office | $4 million (US/UK) |
Tous les matins du monde (English: "All The Mornings of The World") [1] is a 1991 French film based on the book of the same name by Pascal Quignard. [2] Set during the reign of Louis XIV, the film shows the musician Marin Marais looking back on his young life when he was briefly a pupil of Monsieur de Sainte-Colombe, [2] and features much music of the period, especially that for the viola da gamba. [3] The title of the film comes from words of the narrator in Quignard's novel.
In the same year as the book's release, author Quignard, together with director Alain Corneau, adapted the novel for the film that starred Jean-Pierre Marielle, Gérard Depardieu, Anne Brochet and Guillaume Depardieu.
The film's central character, Marin Marais, was a French composer during the late-17th and early-18th centuries who wrote for the viol (viola da gamba), of which he was a master. The story revolves around his life as a musician and his relationship with his mentor Monsieur de Sainte-Colombe and Sainte-Colombe's daughters. The ageing Marais, played by Gérard Depardieu, narrates the story, while Depardieu's son Guillaume Depardieu plays the young Marais. The haunting sound of his instrument, the viol, here played by Jordi Savall, is heard throughout the film and plays a major role in setting the mood. The story is based on historical characters. Although fictional, it generally respects the what little is known about the lives of the characters and the worlds in which they lived. [4] The film was shot mainly at the Château Bodeau in Rougnat. [5] The film credits the scenes set in the salon of Louis XV as having been filmed in the Golden Gallery (Galerie dorée) of the Banque de France in Paris.
Described as a "crossover movie" with the music integrated into the story-line, Derek Malcolm saw Marielle's performance as "matching the music note for note". [3]
Aging court composer Marin Marais (Gérard Depardieu) recalls his former master and unequalled viol player, the Jansenist, Monsieur de Sainte-Colombe. After the death of his wife, Sainte-Colombe buries himself in his music, bringing up his two daughters on his own, teaching them to be musicians, and playing in a consort with them for local noble audiences. His reputation reaches the court of Louis XIV and the king sends an envoy, Caignet, to request him to play at court. Sainte-Colombe curtly dismisses the envoy, as well as the Abbé Mathieu. Offended, the King ensures that very few attend concerts by Sainte-Colombe and his daughters. Sainte-Colombe shuts himself away in a cabin in his garden in order to perfect the art of viol playing, and to indulge in visions of his dead wife.
Some years later, 17-year-old Marin Marais visits Sainte-Colombe, seeking to learn from the master. After a short time, Sainte-Colombe sees no musical merit in the young man and sends him away, refusing to teach him. Madeleine, the elder daughter, is saddened as she has fallen in love with Marais. She teaches him what her father has taught her and allows him to listen in secret to her father playing. During this time, Marais is hired to be a court musician.
Marais and Madeleine begin a relationship. Marais leaves Madeleine; she is pregnant and gives birth to a still-born child. Marais marries another woman, Madeleine's younger sister marries and has five children, life goes on. Later, Madeleine falls gravely ill. Sainte-Colombe calls Marais to his house where the dying Madeleine asks to hear her former lover play a piece he wrote for her: La rêveuse or The Dreaming Girl. After Marais leaves, Madeleine hangs herself with the ribbons of a pair of shoes, a rejected gift Marais had given her.
Years later, the aged Marais returns to learn from his master; Sainte-Colombe recognises finally Marais's musicianship.
As listed in the film's credits, the music heard includes the following:
Apart from Savall, the musicians are Montserrat Figueras and Mari-Cristina Kiehr (sopranos), Christophe Coin and Jérôme Hantaï (viola da gamba), Rolf Lislevand (theorbo) and Pierre Hantaï (harpsichord and organ).
The film grossed $3,089,497 in the United States and Canada. [6] In the United Kingdom it grossed £793,748 ($1.2 million). [7]
Pascal Quignard is a French writer born in Verneuil-sur-Avre, Eure. In 2002 his novel Les Ombres errantes won the Prix Goncourt, France's top literary prize. Terrasse à Rome, received the French Academy prize in 2000. In 1980 Carus had been awarded the Prix des Critiques. He also won the 2023 Prix Formentor.
Marin Marais was a French composer and viol player. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with master of the bass viol Monsieur de Sainte-Colombe for six months. In 1676 he was hired as a musician to the royal court of Versailles and was successful there, being appointed in 1679 as ordinaire de la chambre du roy pour la viole, a title he kept until 1725.
Jordi Savall i Bernadet is a Spanish conductor, composer and viol player. He has been one of the major figures in the field of Western early music since the 1970s, largely responsible for popularizing the viol family of instruments in contemporary performance and recording. As a historian of early music his repertoire features everything from medieval, Renaissance and Baroque through to the Classical and Romantic periods. He has incorporated non-western musical traditions in his work; including African vernacular music for a documentary on slavery.
Sainte-Colombe may refer to the following places in France:
Guillaume Jean Maxime Antoine Depardieu was a French actor, winner of a César Award, and the second oldest child of Gérard Depardieu.
Jean (?) de Sainte-Colombe (c. 1640 – c. 1700) was a French composer and violist. He was a celebrated master of the viola da gamba and was credited (by Jean Rousseau in his Traité de la viole (1687)) with adding the seventh string, tuned to the note AA (A1 in scientific pitch notation), on the bass viol.
Sonnerie de Sainte-Geneviève du Mont de Paris, "The Bells of St. Genevieve" in English, is a work by Marin Marais written in 1723 for viol, violin and harpsichord with basso continuo. It can be considered a passacaglia or a chaconne, with a repeating D, F, E bass line. It is perhaps Marais' most famous composition that explores the various techniques of the viol, an instrument he studied as a student of Monsieur de Sainte-Colombe.
Alain Corneau was a French film director and writer.
Jean-Pierre Marielle was a French actor. He appeared in more than a hundred films in which he played very diverse roles, from a banal citizen, to a World War II hero, to a compromised spy, to a has-been actor, to his portrayal of Jacques Saunière in The Da Vinci Code. He was well known for his distinctive cavernous voice, which is often imitated by French humorists who considered him to be archetypical of the French gentleman.
Pierre Hantaï is a French harpsichordist and conductor.
The Ensemble À Deux Violes Esgales, stylized on their website as A 2 Violes Esgales, was formed in 1984 by the gambists Sylvia Abramowicz and Jonathan Dunford. The group has recorded a dozen albums mostly for Accord, Universal Music France. Based in Paris they tour the world with varied programs from recitals to a larger group with singers.
The 15th César Awards ceremony, presented by the Académie des Arts et Techniques du Cinéma, honoured the best French films of 1989 and took place on 4 March 1990 at the Théâtre des Champs-Élysées in Paris. The ceremony was chaired by Kirk Douglas and hosted by Ève Ruggiéri. Too Beautiful for You won the award for Best Film.
The 17th César Awards ceremony, presented by the Académie des Arts et Techniques du Cinéma, honoured the best French films of 1991 and took place on 22 February 1992 at the Palais des Congrès in Paris. The ceremony was chaired by Michèle Morgan and hosted by Frédéric Mitterrand. Tous les matins du monde won the award for Best Film.
All the World's Mornings is a 1991 novel by Pascal Quignard. It is a story of the apprenticeship of Marin Marais in the house of the austere, reclusive and mysterious violist, Monsieur de Sainte-Colombe, obsessed with his late wife, and of his romantic entanglements with his master's two daughters, Madeleine and Toinette. The story is taken from an anecdote in the work of Evrard Titon du Tillet. Among the historical facts that the book outlines are Sainte-Colombe's addition of the viola da gamba's seventh and lowest string.
Anne Brochet is a French actress.
Rolf Lislevand, is a Norwegian performer of Early music specialising on lute, vihuela, baroque guitar and theorbo.
Mauricio Buraglia is a Colombian composer, recording-artist, musician-lutenist and theorbist of Italian descent, active in Paris, France.
Jonathan Dunford is an American violist specialising in the baroque repertoire.
Jérôme Hantaï is a viola da gamba player and fortepianist.
Caroline Silhol is a French actress and writer. She is a three-time Molière Award-nominee for her theatre performances.
To me, no liberties were taken with the truth because the truth is so slim: Quignard's inventions are, however, coherent both internally and with the larger historical context.