Michael Kahn is an American film editor known for his frequent collaboration with Steven Spielberg. His first collaboration with Spielberg was for his 1977 film, Close Encounters of the Third Kind. He has edited all of Spielberg's subsequent films except for E.T. the Extra-Terrestrial (1982), which was edited by Carol Littleton. Kahn has received eight Academy Award nominations for Best Film Editing, and has won three times—for Raiders of the Lost Ark (1981), Schindler's List (1993), and Saving Private Ryan (1998), which were all Spielberg-directed films.
Sally JoAnne Menke was an American film editor, who worked in cinema and television. Over the span of her 30-year career in film, she accumulated more than 20 feature film credits.
Founded in 1950, American Cinema Editors (ACE) is an honorary society of film editors who are voted in based on the qualities of professional achievements, their education of others, and their dedication to editing. Members use the post-nominal letters "ACE". The organization's "Eddie Awards" are routinely covered in trade magazines such as The Hollywood Reporter and Variety. The society is not an industry union, such as the I.A.T.S.E., to which an editor might also belong. The current president of ACE is Kevin Tent, who was elected in 2020.
Zach S. Staenberg, A.C.E. is an American film editor and producer, best known for his work on action films and the Matrix Trilogy. Staenberg won an Academy Award and two ACE Eddie Award for the editing of The Matrix (1999) and for HBO's Gotti (1996) for which he was also nominated for an Emmy. The Matrix films were written and directed by the Wachowskis, with whom Staenberg has had an extended collaboration dating from 1996. He also works with directors Andrew Niccol, Robert Harmon, Edgar Wright, and John Woo.
Gerald Bernard "Jerry" Greenberg was an American film editor with more than 40 feature film credits. Greenberg received both the Academy Award for Best Film Editing and the BAFTA Award for Best Editing for the film The French Connection (1971). In the 1980s, he edited five films with director Brian De Palma.
James Elmo Williams was an American film and television editor, producer, director and executive. His work on the film High Noon (1952) received the Academy Award for Best Film Editing. In 2006, Williams published Elmo Williams: A Hollywood Memoir.
Tatiana S. Riegel A.C.E., is an American film editor known for independent films such as Lars and the Real Girl, The Way Way Back and I, Tonya. She received an ACE Eddie award for "Best Edited Miniseries or Motion Picture for Non-Commercial Television".
The American Cinema Editors Award for Best Edited Feature Film – Dramatic is one of the annual awards given by the American Cinema Editors, awarded to what members of the American Cinema Editors Guild deem as the best edited dramatic film for a given year. Before splitting in 2000, this award included both dramatic and comedy/musical films.
The American Cinema Editors Award for Best Edited Feature Film – Comedy is one of the annual awards given by the American Cinema Editors, awarded to what members of the American Cinema Editors Guild deem as the best edited comedic film for a given year. It was split off from American Cinema Editors Award for Best Edited Feature Film – Dramatic in 2000.
The American Cinema Editors Award for Best Edited Animated Feature Film is one of the annual awards given by the American Cinema Editors. This award was first given out in 2010. As of 2024, both The Lego Movie and Spider-Man: Across the Spider-Verse are the only films which have won the award without also winning the Academy Award for Best Animated Feature.
The Saturn Award for Best Editing is one of the annual awards given by the Academy of Science Fiction, Fantasy and Horror Films. The Saturn Awards, which are the oldest film-specialized awards to honor science fiction, fantasy, and horror in film, included the category for the first time at the 5th Saturn Awards.
The 65th American Cinema Editors Eddie Awards was presented on January 30, 2015 at the Beverly Hilton Hotel, honoring the best editors in films and television.
Tom Cross is an American television and film editor. He is known for his collaborations with Damien Chazelle including Whiplash (2014) for which he won the Academy Award for Best Film Editing as well as La La Land (2016), and First Man (2018).
The American Cinema Editors Award for Best Edited Drama Series for Commercial Television is one of the annual awards given by the American Cinema Editors. It has evolved throughout the history of the American Cinema Editors Awards, narrowing it's eligibility field numerous times.
The American Cinema Editors Award for Best Edited Documentary – Feature is one of the annual awards given by the American Cinema Editors, awarded to what members of the American Cinema Editors Guild deem as the best edited feature documentary film for a given year. Until 2013, this category included television documentaries, both single films and episodes of documentary series.
The 70th American Cinema Editors Eddie Awards were presented on January 17, 2020, at The Beverly Hilton, honoring the best editors in film and television of 2019. The nominees were announced on December 11, 2019.
Yang Jin-mo (Korean: 양진모) is a South Korean film editor. He is best known internationally for his work on multiple Academy Award winner Parasite as editor, which earned him critical appraisal and recognition including an American Cinema Editors Award for Best Edited Feature Film – Dramatic at the American Cinema Editors Awards in 2020 and the 2019 Online Film Critics Society Award for Best Editing. This made Parasite the first non-English-language film to win the top prize at the American Cinema Editors' Eddie Awards. He was also nominated for the Academy Award for Best Editing for his work on Parasite.
The American Cinema Editors Award for Best Edited Non-Scripted Series is one of the annual awards given by the American Cinema Editors. The award was first presented at the 2008 ceremony.
The 'American Cinema Editors Award for Best Edited Miniseries or Motion Picture for Television is one of the annual awards given by the American Cinema Editors. It has evolved throughout the history of the American Cinema Editors Awards, narrowing it's eligibility field numerous times.
