Fred Ritchin is dean emeritus of the International Center of Photography (ICP) School. [1] Ritchin was also the founding director of the Documentary Photography and Photojournalism Program at the School of ICP and was appointed dean in 2014. Prior to joining ICP, Ritchin was professor of photography and imaging at New York University's Tisch School of the Arts, [2] and co-director of the NYU/Magnum Foundation Photography and Human Rights educational program. He has worked as the picture editor of The New York Times Magazine (1978–1982) and of Horizon magazine, executive editor of Camera Arts magazine (1982–1983), Ritchin has written and lectured internationally about the challenges and possibilities implicit in the digital revolution.
In 1994 and 1995, he conducted a research project for The New York Times on how to transform the print newspaper into a multimedia publication. Ritchin co-founded PixelPress in 1999, serving as director of an organization that has created multimedia documentary and photojournalism projects online, and collaborated with humanitarian organizations such as UNICEF, WHO, UNFPA, Crimes of War, and the Rwanda Project.
Ritchin is a prolific author and curator, focusing on digital media and the rapid changes occurring in photography. He wrote the first book on the impact of digital imaging on photography, In Our Own Image: The Coming Revolution in Photography (Aperture, 1990, 1999, 2010), which was followed by two more books on the future of imaging in the digital era, After Photography (W. W. Norton, 2008), and Bending the Frame: Photojournalism, Documentary, and the Citizen (Aperture, 2013). Ritchin has contributed articles and essays to numerous books and publications such as Aperture , Camera Arts, Mother Jones , The New York Times, Time LightBox, and the Village Voice . His curatorial projects include Contemporary Latin American Photographers at the Burden Gallery, What Matters Now: Proposals for a New Front Page at Aperture Gallery, An Uncertain Grace: The Photographs of Sebastião Salgado at the San Francisco Museum of Modern Art, and Bodies in Question at the New York Photo Festival.
Ritchin is also the founding director of PixelPress, an organization that has published multimedia projects experimenting with virtual and non-linear photojournalistic and documentary work. PixelPress has collaborated with many humanitarian organizations on issues such as a global attempt to end polio, progress towards achieving the Millennium Development Goals, the promulgation and explanation of the crimes of war, and the photographic vision of children in a Rwandan orphanage. PixelPress also featured an online publication combining documentary and new media strategies, including a collaboration with photographer Gilles Peress for The New York Times' first multimedia piece, entitled Bosnia: Uncertain Paths to Peace, [3] which was nominated for a Pulitzer Prize in public service in 1997. [4]
Sebastião Ribeiro Salgado Júnior is a Brazilian social documentary photographer and photojournalist.
Photojournalism is journalism that uses images to tell a news story. It usually only refers to still images, but can also refer to video used in broadcast journalism. Photojournalism is distinguished from other close branches of photography by having a rigid ethical framework which demands an honest but impartial approach that tells a story in strictly journalistic terms. Photojournalists contribute to the news media, and help communities connect with one other. They must be well-informed and knowledgeable, and are able to deliver news in a creative manner that is both informative and entertaining.
William Eugene Smith was an American photojournalist. He has been described as "perhaps the single most important American photographer in the development of the editorial photo essay." His major photo essays include World War II photographs, the visual stories of an American country doctor and a nurse midwife, the clinic of Albert Schweitzer in French Equatorial Africa, the city of Pittsburgh, and the pollution which damaged the health of the residents of Minamata in Japan. His 1948 series, Country Doctor, photographed for Life, is now recognized as "the first extended editorial photo story".
Susan Meiselas is an American documentary photographer. She has been associated with Magnum Photos since 1976 and been a full member since 1980. Currently she is the President of the Magnum Foundation. She is best known for her 1970s photographs of war-torn Nicaragua and American carnival strippers.
The International Center of Photography (ICP), at 79 Essex Street on the Lower East Side of Manhattan, New York City, consists of a museum for photography and visual culture and a school offering an array of educational courses and programming. ICP's photographic collection, reading room, and archives are at Mana Contemporary in Jersey City, New Jersey. The organization was founded by Cornell Capa in 1974.
Gilles Peress is a French photographer and a member of Magnum Photos.
Cornell Capa was a Hungarian American photographer, member of Magnum Photos, photo curator, and the younger brother of photo-journalist and war photographer Robert Capa. Graduating from Imre Madách Gymnasium in Budapest, he initially intended to study medicine, but instead joined his brother in Paris to pursue photography. Cornell was an ambitious photo enthusiast who founded the International Center of Photography in New York in 1974 with help from Micha Bar-Am after a stint of working for both Life magazine and Magnum Photos.
Wilfrid Estève is a French photojournalist and portraitist. Since 1995, his work has appeared in publications including ELLE, Libération, Le Monde, Geo France, Marie-Claire, National Geographic France, Paris Match and VSD, and was awarded a "special mention" award in the 2005 Prix Nadar competition, along with other co-authors, for his work 'Photojournalism at the crossroads'.
Ellis (Eli) Reed is an American photographer and photojournalist. Reed was the first full-time black photographer employed by Magnum Agency and the author of several books, including Black In America. Several of the photographs from that project have been recognized in juried shows and exhibitions.
John Godfrey Morris was an American picture editor, author and journalist, and an important figure in the history of photojournalism.
Renée C. Byer (1958) was born in Yonkers, New York.
Matt Black is an American documentary photographer whose work has focused on issues of poverty, migration, and the environment. He is a full member of Magnum Photos. Black's first book, American Geography, was published in 2021 and was exhibited at Deichtorhallen in Hamburg, Germany.
Xyza Cruz Bacani is a Filipina street photographer and documentary photographer. She is known for her black-and-white photographs of Hong Kong and documentary projects about migration and the intersections of labor and human rights. She is one of the Magnum Foundation's Human Rights Fellows and is the recipient of a resolution passed by the Philippines House of Representatives in her honor, HR No. 1969. Xyza is one of the BBC’s 100 Women of the World 2015, 30 Under 30 Women Photographers 2016, Forbes 30 Under 30 Asia 2016, and a Fujifilm Ambassador. She is the recipient of grants from Pulitzer Center on Crisis Reporting 2016, WMA Commission 2017, and part of Open Society Foundations Moving Walls 24.
Charlotte Cotton is a curator of and writer about photography.
Chris Boot is a British photography curator, book publisher, and has worked in a variety of other roles related to photography. He was director of London’s Photo Co-op, director of the London and New York offices of Magnum Photos, editorial director at Phaidon Press, founder of Chris Boot Ltd. a photography book publisher, and is now executive director of Aperture Foundation. In these roles he has commissioned, edited or published a number of noteworthy photography books.
The Lucie Awards is an annual event honoring achievements in photography, founded in 2003 by Hossein Farmani.
Michael Christopher Brown is an American photographer known for his documentation of the 2011 Libyan Civil War and the resulting monograph, Libyan Sugar (2016).
James Estrin is a photographer, writer, filmmaker, and academic. He is a New York Times senior staff photographer and founder of Lens, The New York Times photography blog. Estrin was part of a team that won a 2001 Pulitzer Prize for a national series of articles entitled “How Race Is Lived In America." He is also the co-executive producer of the documentary film "Underfire: The Untold Story of Pfc. Tony Vaccaro" which appeared on HBO in November 2016.
Souvid Datta is a British Indian photographer and filmmaker.
Carole Naggar is a poet, photography historian, curator and painter. She is a regular contributor to Aperture, and Time Lightbox, and since 2014 she has been Series Editor for the Magnum Photos Legacy Biography series. She has written biographies of photographers George Rodger, Werner Bischof and David Seymour (photographer). She was the cofounder and Special Projects Editor of Pixelpress from 1999-2006. Born in Egypt, she currently splits her time between New York and Paris.