Freda Glynn | |
---|---|
Born | 1939 (age 84–85) Woodgreen Station, Northern Territory |
Years active | 1980s– |
Known for | Co-founding CAAMA |
Children | Erica Glynn Warwick Thornton |
Parents |
|
Relatives | Rona Glynn (half-sister) |
Alfreda "Freda" Glynn AM (born 24 August 1939), also known as Freda Thornton, is a Kaytetye photographer and media specialist. She is known as co-founder of the Central Australian Aboriginal Media Association Group of Companies, which incorporates CAAMA and Imparja.
Alfreda Glynn [1] was born on 24 August 1939 [2] at Wood Green Station (Atartinga), 150 km (93 mi) north of Alice Springs, [3] the daughter of Alf Price and Topsy Glynn, [lower-alpha 1] a housemaid and cook for a Mr R. H. Purvis (Ron Purvis Sr). [lower-alpha 2]
Freda's mother, Topsy Glynn, was born around 1916, the daughter of a "half-caste" stockman called James Glynn and an unnamed Aboriginal woman. She was later described by the authorities as a "three-quarter-caste aboriginal". After Topsy's mother was killed, around 1919, Ron Purvis Sr persuaded the NT police commissioner Robert Stott to put Topsy in to the "Half-caste Institution Alice Springs" (The Bungalow, then at the Alice Springs Telegraph Station), although she was not technically "half-caste", on condition that Purvis employed her on Wood Green Station as soon as she had completed her schooling there, which he did. Glynn gave birth to two daughters on Atartinga /Wood Green. The first of these was Rona Glynn, born in 1936, whose father was Ron Price. [4] Freda's father was Rona's father's brother, Alf Price. [4] They are both granddaughters of Isobelle Violet Price [5] (Hesketh), the first lone woman to run a station, after her husband Fred, telegraph master of Alice Springs Telegraph Station, had died. [6] Freda never knew her father. [7]
Topsy was again admitted to The Bungalow on 12 Sept 1939, when Freda was just three weeks old and Rona was three years old, as there were post-birth health issues to be attended to, the authorities were trying to determine who Freda's father was, and owing to "the promiscuous manner in which Topsy was giving birth to half-caste infants at Wood Green station it was...considered to be in the girls best interests for her and her children to remain in the Institution". Topsy was not keen to return to the station, as she was employed by Purvis "as housemaid and cook and had also done stockwork and windmill repair work around the station and in return had only received clothing and rations", and was happy working as a laundress at the institution. However, by November 1940, Topsy was again working for Purvis at Wood Green under an agreement similar to that which governed the employment of half-caste girls in the township. [4]
Following the bombing of Darwin in February 1942, there were military orders to evacuate The Bungalow, so Topsy went to find work on a farm in New South Wales with her girls. However bad circumstances there caused her to leave, and she was taken in by a couple in the Sydney suburb of Vaucluse as a domestic. Freda stayed with her, while the Church Missionary Society helped to place Rona at an Anglican home at Mulgoa, west of Sydney, where Freda later joined her. [8] In late May 1942 a number of other children from The Bungalow were escorted to Mulgoa via Adelaide [8] (and possibly Melbourne as well). [9] [lower-alpha 3]
Glynn and her family were returned to Alice Springs in 1949, when she was 10 years old, and they lived at St Mary's Hostel, [3] under the care of Sister Eileen Heath. [8] St Mary's was run by the Australian Board of Missions, and provided accommodation and schooling for Aboriginal children who had been either placed there by their parents or by the Director of Native Affairs. Several returning evacuees were placed there after the war. [13] In 1953, both Freda and Rona are listed as wards of the N.A.B., with Freda a school student while Rona was employed in Alice Springs. [2]
The accompanying photo shows Rona – the tallest girl in the back row – and Erica, to her left, during this time. [12]
After leaving school, in 1956, Glynn worked at Trish Collier's photographic studio in the darkroom; she was one of the first Aboriginal girls in Alice Springs to get a job other than as a domestic or cleaner. She had a number of other roles before she became involved in media.[ citation needed ] She also worked as a cleaner, and raised five children during this time. [7]
In 1977, after gaining a community development qualification from the South Australian Institute of Technology, she started work as a community development adviser for the Department of Aboriginal Affairs.[ citation needed ]
In 1980, after much consideration, Glynn joined John Macumba and Philip Batty in volunteering to make The Aboriginal Half Hour, the first Aboriginal radio program in the Northern Territory, [14] where she began recording interviews around town, doing the program "links" and voice-overs as well as working on English language programming. Following this Glynn became an advocate for Aboriginal media and was appointed as a committee member of CAAMA when it was chartered on 12 May 1980; this again was a voluntary position. [3]
In June 1981 Macumba resigned as the director of CAAMA and was replaced by Glynn, then known by her married name Thornton, with Philip Batty as the deputy director; the two worked together from 1981 to 1991. During this period CAAMA grew exponentially and they established: [14]
During the early 1980s, CAAMA also mailed out around 300 audio cassette tapes each month to remote rural communities, containing news that affected them, along with health information, interviews, music and stories. [7]
After Imparja was established, a three-year training grant was provided by the government, which provided training for Indigenous students in journalism, film, and other aspects of media. Two of Glynn's children, Erica Glynn and Warwick Thornton, and her granddaughter Tanith Glynn-Maloney, along with many other now well-known names in the industry, such as Trisha Morton-Thomas, Rachel Perkins, and Steven McGregor, got their initial training at CAAMA. [7] [15]
Following her time at CAAMA, Glynn continued to work in media. [16]
In 2002 Glynn played Grandma Nina in the short drama film Shit Skin, about a young man who takes his grandmother back to her childhood community, in order to reconnect with her surviving family. [16] [9]
In 2019 Erica Glynn released her feature documentary, She Who Must Be Loved, about her mother; she was assisted by her granddaughter Tanith Glynn-Maloney. [20] The film had its world premiere at the 2018 Adelaide Film Festival on 13 October 2018, which was attended by the family, [21] [22] and was also screened at the 2019 Sydney Film Festival, at which Freda Glynn addressed the audience. [7]
Glynn is the matriarch of a filmmaking family. Two of her children, Erica Glynn and Warwick Thornton, are both successful filmmakers, as are two of her grandchildren: Dylan River and Tanith Glynn-Maloney. [20] Thornton has said that his mother taught him to have a voice, as she expressed her anger at the injustices around her, and Erica said "CAAMA was about giving voice to people who'd never had voice". Freda Glynn showed her offspring and many others that (in Erica's words) "you can't tell anyone else's story"; Australia needs Indigenous storytellers, and CAAMA had enabled many of them to pursue their careers. [7]
Rona Glynn-Mcdonald, founder of not-for-profit Common Ground, [23] which works to expand and disseminate knowledge, cultures and stories of Indigenous Australians, [24] is another granddaughter. [23] [25]
Alice Springs is a town in the Northern Territory, Australia; it is the third-largest settlement after Darwin and Palmerston. The name Alice Springs was given by surveyor William Whitfield Mills after Alice, Lady Todd, wife of the telegraph pioneer Sir Charles Todd. Known colloquially as The Alice or simply Alice, the town is situated roughly in Australia's geographic centre. It is nearly equidistant from Adelaide and Darwin.
The Central Australian Aboriginal Media Association (CAAMA) is an organisation founded in 1980 to expose Aboriginal music and culture to the rest of Australia. It started with 8KIN-FM, the first Aboriginal radio station in the country. Based in Alice Springs, the organisation is particularly focused on the involvement of the local Indigenous community in its production. CAAMA is involved in radio, television and recorded music.
Imparja Television (IMP) is an independent Australian television station servicing over 3,600,000 km2 (1,400,000 sq mi), across six states and territories: Northern Territory, South Australia, Queensland, New South Wales, Victoria, and Tasmania. It is based in Alice Springs, and is controlled by Aboriginal people through ownership by Imparja Television Pty Ltd.
Robert James Randall, also known as Uncle Bob, was an Aboriginal Australian elder, singer and community leader. He was a member of the Stolen Generations and became an elder of the Yankunytjatjara people from Central Australia. He was the 1999 NAIDOC Person of the Year. He is known for his 1970 song, "My Brown Skin Baby ".
Herbert Patrick Laughton, was a country singer from Alice Springs in the Northern Territory of Australia. He is also a member of the Stolen Generations.
Warwick Thornton is an Australian film director, screenwriter, and cinematographer. His debut feature film Samson and Delilah won the Caméra d'Or at the 2009 Cannes Film Festival and the award for Best Film at the Asia Pacific Screen Awards. He also won the Asia Pacific Screen Award for Best Film in 2017 for Sweet Country.
Glynn is a surname. Notable people with the surname include:
The Bungalow was an institution for Aboriginal children established in 1914 in Alice Springs in the Northern Territory of Australia. It existed at several locations in Alice Springs, Jay Creek and the Alice Springs Telegraph Station.
Rona Ellen Glynn, also known briefly as Rona Schaber after marriage, was the first Indigenous Australian school teacher and nurse in Alice Springs in the Northern Territory. In 1965 she became the first Aboriginal woman to have a pre-school named in her honour in Australia.
Topsy Smith was an Arabana pioneer of Central Australia in the Northern Territory. She spent her life caring for Indigenous children at an institution known as The Bungalow in Alice Springs.
Priscilla "Cilla" Atkins, is a prominent Aboriginal leader, advocate and television producer. Atkins was the Chief Executive Officer of the North Australian Aboriginal Justice Agency (NAAJA), the largest law firm in the Northern Territory of Australia.
Ida Standley was the first school teacher in Alice Springs, Australia. For 15 years, from 1914 to 1929, she worked at The Bungalow. Standley was appointed MBE for her services to children's welfare.
St. Mary's Hostel, formerly Mount Blatherskite Hostel (1946–47), commonly known simply as St Mary's, was an Australian Board of Missions hostel in Alice Springs from 1947 to 1972. Its residents were mostly Aboriginal children, including some who were taken as wards of the state because they were half-caste. In 1972, coming under new management, it was renamed St Mary's Children's Village (1972–1980).
Erica Glynn is an Indigenous Australian filmmaker, known for directing, producing and writing documentaries and other films.
Beck Cole is an Australian filmmaker of the Warramungu and Luritja nations. She is known for her work on numerous TV series, including First Australians, Grace Beside Me, Black Comedy and Wentworth, as well as documentaries and short films. She is based in Alice Springs, in the Northern Territory.
Danielle MacLean is an Australian filmmaker. She is known for her writing on television series such as Little J & Big Cuz, 8MMM Aboriginal Radio and Redfern Now.
Dylan River is an Australian film director, writer, and cinematographer.
Steven McGregor is an Australian filmmaker, known for his work on Redfern Now, Black Comedy, Sweet Country, and numerous documentaries, including My Brother Vinnie.
David Jowsey is an Australian film producer, co-founder of Bunya Productions. He is known for producing many films made by Indigenous Australian filmmakers. Bunya Productions' co-owners are Indigenous filmmaker Ivan Sen, and Jowsey's wife Greer Simpkin.
Woodgreen Station, also spelt Wood Green and also known as Atartinga, is a cattle station located in the Northern Territory of Australia, to the northeast of Alice Springs, extending approximately 2,215 km2 (855 sq mi). It was also known as (Mer) Athatheng by some of the Indigenous people in the area.
[from] National Archives of Australia, Darwin Office, Series F1, Item 1951/638, Part 2
[From] National Archives of Australia, Darwin Office: CRS F126 Item 33
St Marys, the Anglican Church Hostel for Aboriginal children. Seated in the uniform with the white collar is Sister Eileen heath (decd). Seated next to her is Mrs. Schroder, who helped Sister Eileen run the home. The tallest girl in the back row is Rona Glynn, who would go on to work as a teacher at Hartley Street School in Alice Springs before studying nursing in Melbourne. The Rona Glynn preschool is named in her honour. Freda Glynn (Rona's sister) is standing to Rona's left. Freda Glynn was a co-founder of CAAMA and Imparja.
In Kin: An extraordinary Australian filmmaking family, artists and filmmakers from all over the world pay tribute to the indomitable Freda Glynn and her family.