Camper Van Beethoven is a 1986 album by musical group Camper Van Beethoven, released on Pitch-A-Tent. With the six then CVB members joined in the studio by acid-folk eccentric Eugene Chadbourne, the album is arguably the zenith of the band's musical experimentation, with surreal lyrics, backwards, sped-up and slowed down parts; a portion of the track "Stairway To Heavan" (sic) is itself a musical palindrome. A great number of ethnic instruments are used in addition to the usual violin parts played by member Jonathan Segel; the album also features pedal steel, banjo, tablas and sitar.
Died Pretty, sometimes The Died Pretty, were an Australian alternative rock band founded by mainstays Ron Peno and Brett Myers in Sydney in 1983. Their music started from a base of early electric Bob Dylan with psychedelic influences, including The Velvet Underground and Television. They were managed by John Needham, who is the owner of Citadel Records, their main label.
Live at Wolf Trap is the third live album by US rock band The Doobie Brothers, released in 2004.
David A. Immerglück is an American multi-instrumentalist who is best known as a guitarist in the alternative rock bands Counting Crows, Camper Van Beethoven and the Monks of Doom, as well as for his tenure with American singer songwriter John Hiatt. A versatile musician, Immerglück plays mandolin, pedal steel guitar, bass, slide guitar, electric sitar, keyboards, and sings.
John McFee is an American singer, songwriter, guitarist, record producer, and multi-instrumentalist, and long-time member of The Doobie Brothers.
Swingin' Utters is an album by American punk rock band Swingin' Utters, released in 2000. It was produced by Ryan Greene, and has a folkier sound than the band's previous albums.
Ronald Stephen Peno', who also performed as Ron S. Peno and Ronnie Pop, was an Australian rock singer and songwriter who fronted Died Pretty from 1983 to 2002. Before that, he was a member of the punk band The Hellcats (1976–77), followed by hard rock band The 31st and The Screaming Tribesmen (1981). In his later years, after relocating to Melbourne, Peno formed the alt-country duo The Darling Downs with Kim Salmon and finally his own band, Ron S. Peno & The Superstitions which he co-founded with Cam Butler.
The Magic City is the second and final studio album from American indie rock band Helium. It was released in 1997 on Matador Records.
Rough Harvest is the 16th album by American singer John Mellencamp, a collection of alternate, acoustic arrangements of his favorite tracks, as well as several covers, released on August 17, 1999. Recorded mostly in 1997, the album fulfilled Mellencamp's contractual obligation with Mercury Records.
Lost Highway: The Concert is the fourth live DVD from American rock band Bon Jovi. The DVD shows the band performing the Lost Highway album in its entirety to an audience of approximately 2,000 people in Chicago Illinois. It is the first time in the band's history that they have performed an entire album in sequence live. After they completed performing the album in its entirety, the band played three of their hits: "It's My Life", "Wanted Dead or Alive" and "Who Says You Can't Go Home". The concert was released as a bonus audio disk with the German and UK version of Lost Highway on May 16, 2008, under the name Lost Highway: Tour Edition.
Diamonds & Dirt is the fifth studio album by American singer-songwriter Rodney Crowell, released in 1988. His fifth studio album, it was his second release for Columbia Records. The album was his most successful, achieving RIAA gold certification. All five of its singles reached Number One on the Billboard country charts, setting a record for the most Number One hits from a country album. In order of release, they were "It's Such a Small World", "I Couldn't Leave You If I Tried", "She's Crazy for Leavin", "After All This Time", and a cover of Buck Owens' "Above and Beyond ".
Using My Gills as a Roadmap is the seventh album by Australian rock band Died Pretty. The album, their second working with producer Wayne Connolly, was released in 1998.
Doughboy Hollow is the fourth album by Australian rock band Died Pretty. The album, recorded with English producer Hugh Jones, was released in 1991.
Everydaydream is the eighth and final studio album by the Australian rock band Died Pretty. The album, recorded with producer Wayne Connolly and released in October 2000, injected a strongly electronic feel into the band's sound with its extensive use of synthesizers and drum machines.
Trace is the fifth album by Australian rock band Died Pretty. It was released in September 1993. The album was the most commercially successful of the band's career, peaking at No.11 on the ARIA album charts.
Sold is the sixth album by Australian rock band Died Pretty. It was released in 1996 and peaked at No. 29 in the ARIA album charts. The album was the last to include drummer, Nick Kennedy, who left during recording; he was replaced in the sessions by Shane Melder, on loan from Sidewinder. It was co-produced by former Radio Birdman vocalist Rob Younger, who had produced the band's 1986 debut Free Dirt, and Wayne Connolly, who went on to co-produce their next two albums.
Lost is the second album by Australian rock band Died Pretty. It was released in 1988.
Pre Deity is a compilation album by Australian rock band Died Pretty. It was released in 1987 in the wake of their debut album Free Dirt and comprised tracks from the band's early singles and their 1985 "Next to Nothing" EP. The album was re-released on CD in 1992 and all the tracks were included on the bonus disc of the 2008 Aztec Music remastered reissue of Free Dirt.
Every Brilliant Eye is the third album by Australian rock band Died Pretty. It was released in 1990 and produced by Jeff Eyrich, whose previous production credits included The Gun Club, The Plimsouls and T Bone Burnett.
"D.C." is a song by Australian alternative rock band Died Pretty. It was released in September 1991 as the second single from their fourth studio album Doughboy Hollow. The song peaked at number 124 on the ARIA Charts. It was nominated for Best Video at the 1992 Aria Awards.
[2] 
