Free Dirt (Live) | ||||
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Live album by | ||||
Released | December 31, 2021 | |||
Recorded | 1982–1986 | |||
Venue | Switzerland, France, Germany, United States, Canada | |||
Genre | ||||
Length | 124:17 | |||
Label | Klanggalerie (Austria) | |||
Producer | Fred Frith | |||
Skeleton Crew chronology | ||||
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Free Dirt (Live) is a live double-CD album by American experimental rock and jazz band Skeleton Crew. It is their first live album and was released posthumously in December 2021 by Austrian record label, Klanggalerie. It comprises live material by the group recorded at eight venues in Europe, Canada and the United States between 1982 and 1986. Both CDs feature Fred Frith and Tom Cora, with Dave Newhouse on eight tracks on the first CD, and Zeena Parkins on thirteen tracks on the second CD. [1]
When compiling Free Dirt, Frith's intention was to recreate the atmosphere of a Skeleton Crew concert. He wanted to convey the spontaneous nature of their performances, when planning was often left to the last minute and things did not always go according to plan. Frith assembled the album from mostly 35+-year-old cassette tape recordings of varying quality from concerts around the world. He edited and "sonically enhanced" the recordings to create an almost seamless stream of music. [1] [2] [lower-alpha 1] Frith stated in the album's liner notes:
"Listening to our sorta kinda demented anti-industry and even anti-music angle of view, I'm still delighted at how loose we were with the material, how the same pieces changed so radically from night to night ... I re-discovered pieces that I'd completely forgotten about – can't even remember the titles – and listening to the tapes took on the feeling of being there on that breathless runaway train ... I hope I managed to get that across." [1]
A review of Free Dirt (Live) at Vital Weekly described the album as "a two-hour wild ride of music". [4] It said it is full of diverse styles, ranging from rock music to folk tunes to "pikey punkiness", plus plenty of enthusiastic improvisation. The inclusion of prerecorded voices adds "a dramatic radio quality to the music." The reviewer enjoyed the way it "bounc[ed] around the place" and found the album "fascinat[ing]". [4] In a review of the album at salt peanuts*, Eyal Hareuveni called Free Dirt (Live) "a work of love for an era and for music-making that is almost impossible today". [5] Hareuveni said "it captures beautifully the amazing creative spirit and post-punk energy" that Skeleton Crew possessed, and "radiat[es] an uplifting power", while emphasizing just how well Frith, Cora, Newhouse and Parkins connected. [5] Rick Anderson wrote at CD Hotlist that melodies on Free Dirt often degenerate into "scratches and caterwauls", while improvised noise sometimes morphs into folk tunes. [6] Anderson said:
"One of the wonderful things about Fred Frith is that even when he's making horrible noise, he does it with such obvious delight and with such a well-communicated sense of warmth and invitation that you find yourself just going with it and having a wonderful time." [6]
Reviewing Free Dirt in the Italian magazine Ondarock , Alessandro Di Tizio said this album is an important chronicle of Skeleton Crew's music. [2] The two studio albums they released are mere snapshots of their work, whereas Free Dirt shows how their music evolved from the beginning, how songs materialized from improvisation, and how songs changed shape with each performance. Di Tizio explained that this album demonstrates how they used improvisation to explore new ideas, and reveals the group's creative and compositional process. He stated that despite the varying quality of the tapes used to create the album, it flows smoothly, giving the impression that it is a recording of a single performance. Di Tizio called their composed material "always beautiful, complex and highly creative" (brani sempre belli, complessi e altamente creativi), and added that the new songs on the second CD give a glimpse of the direction Skeleton Crew may have taken had they not disbanded in early 1986. [2]
All tracks composed by Skeleton Crew, unless otherwise stated. All tracks performed by Fred Frith and Tom Cora, plus Dave Newhouse or Zeena Parkins where noted.
No. | Title | Writer(s) | Recorded | Length |
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1. | "The Introduction/The Way Things Fall" | May 23, 1983 | 4:18 | |
2. | "Almost Free I" | May 24, 1983 | 1:32 | |
3. | "Disporting Themselves at Improper Moments" | May 24, 1983 | 3:12 | |
4. | "Not My Shoes" | October 9, 1982 (with Dave Newhouse) | 2:39 | |
5. | "Select Short Stories I" | May 23, 1983 | 3:26 | |
6. | "Factory Song" | May 23, 1983 | 6:18 | |
7. | "Onwards and Upwards" | October 30, 1982 (with Newhouse) | 5:40 | |
8. | "Automatic Pilot" | May 23, 1983 | 2:07 | |
9. | "Hook" | October 9, 1982 (with Newhouse) | 4:33 | |
10. | "Selected Short Stories II" | May 23, 1983 | 4:03 | |
11. | "Life at the Top" | Fred Frith | May 23, 1983 | 2:16 |
12. | "Almost Free II" | May 23, 1983 | 2:20 | |
13. | "Yer Elegy" | October 22, 1982 (with Newhouse) | 1:17 | |
14. | "Dere Geliyor" | trad. Turkish | October 22, 1982 (with Newhouse) | 3:18 |
15. | "Listening In" | October 30, 1982 (with Newhouse) | 0:44 | |
16. | "Los Colitos" | October 30, 1982 (with Newhouse) | 4:01 | |
17. | "Zach's Flag" | Tom Cora | October 22, 1982 (with Newhouse) | 3:45 |
18. | "Half-Remembered Yesterdays" | May 23, 1983 | 2:20 | |
Total length: | 57:49 |
No. | Title | Writer(s) | Recorded | Length |
---|---|---|---|---|
1. | "Just the Beginning" | September 13, 1986 (with Zeena Parkins) | 1:38 | |
2. | "The Hand that Bites" | September 13, 1986 (with Parkins) | 6:17 | |
3. | "Selected Short Stories III" | July 14/15, 1985 (with Parkins) | 1:30 | |
4. | "Safety in Numbers" | July 14/15, 1985 (with Parkins) | 3:24 | |
5. | "Bingo" | September 13, 1986 (with Parkins) | 3:35 | |
6. | "Dead Sheep Coda" | November 15, 1984 | 1:44 | |
7. | "Factory Song (More or Less Instrumental Version)" | November 15, 1984 | 3:51 | |
8. | "It's Fine" | November 15, 1984 | 6:42 | |
9. | "Spanner in the Works" | September 13, 1986 (with Parkins) | 5:01 | |
10. | "The Folk Tune" | traditional | November 15, 1984 | 2:52 |
11. | "Sparrow Song" | September 13, 1986 (with Parkins) | 1:24 | |
12. | "Selected Short Stories IV" | Zeena Parkins | July 14/15, 1985 (with Parkins) | 0:38 |
13. | "Begin Again" | September 13, 1986 (with Parkins) | 2:54 | |
14. | "Second Rate" | September 13, 1986 (with Parkins) | 5:22 | |
15. | "New Orleans Stomp" | Jelly Roll Morton, arr. Skeleton Crew | November 15, 1984 | 2:33 |
16. | "Selected Short Stories V" | November 15, 1984 | 2:42 | |
17. | "Birds of Japan" | September 13, 1986 (with Parkins) | 4:05 | |
18. | "Selected Short Stories VI" | July 14/15, 1985 (with Parkins) | 2:41 | |
19. | "You May Find a Bed" | Cora, Frith, Parkins, Rebby Sharp | September 13, 1986 (with Parkins) | 7:32 |
Total length: | 66:28 |
Source: Liner notes [1]
CD 1
CD 2
Source: Liner notes [1]
CD 1
CD 2
Sound and production
Source: Liner notes [1]
Jeremy Webster "Fred" Frith is an English multi-instrumentalist, composer, and improviser.
Thomas Henry Corra, better known as Tom Cora, was an American cellist and composer, best known for his improvisational performances in the field of experimental jazz and rock. He recorded with John Zorn, Butch Morris, and the Ex, and was a member of Curlew, Third Person and Skeleton Crew.
Skeleton Crew was an American experimental rock and jazz group from 1982 to 1986, comprising core members Fred Frith and Tom Cora, with Zeena Parkins joining later. Best known for their live improvisation performances where they played various instruments simultaneously, they also recorded two studio albums Learn to Talk (1984) and The Country of Blinds (1986). The group drew on music and themes from a number of sources, including world music, left-wing politics and pre-recorded tapes.
Zeena Parkins is an American composer and multi-instrumentalist active in experimental, free improvised, contemporary classical, and avant-jazz music; she is known for having "reinvented the harp". Parkins performs on standard harps, several custom electric harps, piano, and accordion. She is a 2019 Guggenheim Fellow and professor in the Music Department at Mills College.
Learn to Talk is a studio album by American experimental rock band Skeleton Crew, recorded at Sunrise Studio, Kirchberg, Switzerland, between Christmas and New Year 1983/1984. It was their debut album and was released in 1984.
The Country of Blinds is a studio album by American experimental rock and jazz band Skeleton Crew, recorded at Sunrise Studio, Kirchberg, Switzerland, December 1985 and January 1986. It was their second and final album and was released in 1986.
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That House We Lived In is a double live album by American experimental rock band Keep the Dog. It comprises material from their final European tour in 1991 and was released by Fred Frith on his own Fred Records in 2003.
Speechless is a 1981 solo album by English guitarist, composer and improviser Fred Frith of the group Henry Cow. It was Frith's third solo album, and was originally released in the United States on LP record on the Residents' Ralph record label. It was the second of three solo albums Frith made for the label.
Cheap at Half the Price is a 1983 solo album by English guitarist, composer and improviser Fred Frith. It was Frith's fifth solo album, and was originally released in the United States on LP record on the Residents' Ralph record label. It was the third of three solo albums Frith made for the label.
Step Across the Border is a soundtrack double album by English guitarist, composer and improvisor Fred Frith, of the 1990 avant-garde documentary film on Frith, Step Across the Border. The album features music from the film performed by Frith and other musicians, and covers ten years of Frith's musical career from 1979 to 1989.
Learn to Talk / Country of Blinds is a CD compilation album by American experimental rock and jazz band Skeleton Crew. It was released by RecRec Music in 1990 and comprises the band's two studio albums, Learn to Talk and The Country of Blinds, with two tracks omitted from the former album, and one track omitted from the latter.
Stone, Brick, Glass, Wood, Wire is a double live album by English guitarist, composer and improvisor Fred Frith. It comprises a series of graphic scores Frith composed in 1992 "for any number of players". It was performed live by Frith, Ikue Mori, Zeena Parkins and the International Occasional Ensemble at five concerts in Canada, Italy, Belgium, Netherlands and Germany. Frith also conducted and directed the performances.
Cosa Brava is an experimental rock and free improvisation group formed in March 2008 in Oakland, California by multi-instrumentalist and composer Fred Frith. The band comprises Frith on guitar, Zeena Parkins on keyboards and accordion, Carla Kihlstedt on violin, Matthias Bossi on drums, and The Norman Conquest on sound manipulation. All About Jazz described their music as "somewhere between folk, Celtic, modern chamber, Latin, funk, Eastern, and prog-rock".
Etymology is an audio source library recorded in 1995 by Skeleton Crew. It was released by Rarefaction in 1997 in the United States on audio CD and CD-ROM for Macintosh and Windows 95 PCs. The sound files are royalty free, and Rarefaction stated that they are free for use in "musical or multimedia project[s]".
Hallelujah, Anyway – Remembering Tom Cora is a 1999 double-CD compilation album by various artists dedicated to United States cellist and composer Tom Cora, who had died on April 9, 1998. It includes material composed in Cora's memory, songs he had written for other musicians and groups, and a selection of music he had performed and participated in. It was released in May 1999 by John Zorn's Tzadik Records.
Friends & Enemies is a 1999 double-CD compilation album of studio and live material by Fred Frith and Henry Kaiser. It contains the complete collaborative recordings of Frith and Kaiser from 1979 to 1999, namely their two studio albums With Friends Like These (1979) and Who Needs Enemies? (1983), an unreleased live album recorded in 1984, and new studio tracks recorded in 1999. The album was released by Cuneiform Records in June 1999.
French Gigs is a 1983 live collaborative album of improvised experimental music by Lol Coxhill and Fred Frith. It was recorded live in France in Limoges and Poitiers in October 1978, and in Reims in 1981. The album was released on LP by AAA in 1983, on CD by AYAA in 1991, and again on CD by Klanggalerie in 2020. The 1991 release includes a new track recorded via correspondence in 1991–92 by Coxhill in London and Frith in Munich, while the 2020 release includes the extra 1991 track, plus another new track recorded in Aubervilliers, France in 1999, the last performance by Coxhill and Frith. The 2020 release was re-mastered by Myles Boison.
Unsquare is a 2008 studio album by Maybe Monday, a San Francisco based experimental electroacoustic improvisation music ensemble featuring guitarist Fred Frith, koto player Miya Masaoka and saxophonist Larry Ochs. It is their third album and includes guest musicians Gerry Hemingway, Carla Kihlstedt, Ikue Mori and Zeena Parkins. Unsquare was recorded at East Side Sound Studio in New York City on November 18, 2006, and was released by Intakt Records in Switzerland in January 2008.
Woodwork: Live at Ateliers Claus is a 2019 live album by English guitarist Fred Frith. It features a live solo guitar performance by Frith on 20 November 2018 at the Ateliers Claus in Brussels, Belgium, during his November 2018 European tour. The album was released by Klanggalerie in Austria on 23 August 2019. Woodwork is an "[u]naccompanied single-take album", and is Frith's first live solo guitar album since his 1982 album, Live in Japan.