Free and Easy | |
---|---|
Directed by | Edward Sedgwick |
Written by | Richard Schayer (scenario) Paul Dickey (adaptation) Al Boasberg (dialogue) Alexander Stein (French titles) Allen Byre (French titles) |
Produced by | Buster Keaton Edward Sedgwick (both uncredited) |
Starring | Buster Keaton Anita Page Robert Montgomery |
Cinematography | Leonard Smith |
Edited by | William LeVanway George Todd |
Music by | Fred E. Ahlert [1] Roy Turk [1] William Axt (foreign vers.) |
Production company | |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 92 minutes |
Country | United States |
Language | English |
Free and Easy is a 1930 American pre-Code comedy film starring Buster Keaton. It was Keaton's first leading role in a talking motion picture.
When small-town girl Elvira Plunkett (Anita Page) wins a contest that sends her to Hollywood for a screen test at Metro-Goldwyn-Mayer (MGM), she is accompanied by her overbearing mother (Trixie Friganza) and Elmer J. Butts (Buster Keaton), a gas-station attendant who goes along as Elvira's manager. Elmer is secretly in love with Elvira, but on the train they meet MGM contract actor Larry Mitchell (Robert Montgomery), who falls for her as well, and he has the connections to make her a star.
In Hollywood, Elmer manages to bungle his way through numerous films being shot on the MGM lot, disrupting production. When given a screen test, he can't manage to say his one line correctly. Despite these flubs, both he and Elvira's mother are given film contracts, and they appear in a comic opera together. Elmer wants to tell Elvira that he loves her, but he hints at it in such a way that she mistakes it for advice on how to tell Larry that she loves him.
Free and Easy, whose working title was On the Set, [2] was Buster Keaton's first starring role in a film shot for sound – he had appeared in MGM's talking The Hollywood Revue of 1929, but did not speak. [2] As with Spite Marriage , his previous film for MGM, production on Free and Easy was largely out of Keaton's hands.
The film was used as a way to showcase MGM's stars and filmmakers, several of whom make cameos, including Cecil B. DeMille and Lionel Barrymore. [3] The film was shot in French, German, and Spanish language versions. For the Spanish edition, titled Estrellados , Keaton spoke his dialogue phonetically, [3] but the 1931 release in France had French-language intertitles replacing the English dialogue. [4]
MGM spent almost $500,000 on the production of Free and Easy. [2]
Contemporary reviews were mixed, with The New York Times reviewer Mordaunt Hall stating that Keaton's "audible performance is just as funny as his antics in mute offerings," [5] while Robert E. Sherwood in The Film Daily wrote that "Buster Keaton, trying to imitate a standard musical comedy clown, is no longer Buster Keaton and no longer funny." [2] Nonetheless, Free and Easy was a bigger hit than the majority of Keaton's silent films. [2]
Modern reviews are less enthusiastic, with critic John J. Puccio stating that the film "contains far too much talk and far too few visual gags." [6]
Free and Easy was re-made twice, first in 1937 as Pick a Star and later as Abbott and Costello in Hollywood in 1945. [3]
Joseph Frank "Buster" Keaton was an American actor, comedian and filmmaker. He is best known for his silent films during the 1920s, in which he performed physical comedy and inventive stunts. He frequently maintained a stoic, deadpan facial expression that became his trademark and earned him the nickname "The Great Stone Face".
The Hollywood Revue of 1929, or simply The Hollywood Revue, is a 1929 American pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny.
Lionel Barrymore was an American actor of stage, screen and radio as well as a film director. He won an Academy Award for Best Actor for his performance in A Free Soul (1931) and is known to modern audiences for the role of villainous Mr. Potter in Frank Capra's 1946 film It's a Wonderful Life.
Wallace Fitzgerald Beery was an American film and stage actor. He is best known for his portrayal of Bill in Min and Bill (1930) opposite Marie Dressler, as General Director Preysing in Grand Hotel (1932), as the pirate Long John Silver in Treasure Island (1934), as Pancho Villa in Viva Villa! (1934), and his title role in The Champ (1931), for which he won the Academy Award for Best Actor. Beery appeared in some 250 films during a 36-year career. His contract with Metro-Goldwyn-Mayer stipulated in 1932 that he would be paid $1 more than any other contract player at the studio. This made Beery the highest-paid film actor in the world during the early 1930s. He was the brother of actor Noah Beery and uncle of actor Noah Beery Jr.
A Free Soul is a 1931 American pre-Code drama film directed by Clarence Brown and starring Norma Shearer, Leslie Howard, Lionel Barrymore and Clark Gable.
Metro Pictures Corporation was a motion picture production company founded in early 1915 in Jacksonville, Florida. It was a forerunner of Metro-Goldwyn-Mayer. The company produced its films in New York, Los Angeles, and sometimes at leased facilities in Fort Lee, New Jersey. It was purchased in 1919.
Kathleen Key was an American actress who achieved a brief period of fame during the silent era. She is best remembered for playing Tirzah in the 1925 film Ben-Hur.
Marceline Day was an American motion picture actress whose career began as a child in the 1910s and ended in the 1930s.
The Cameraman is a 1928 American silent romantic comedy film directed by Edward Sedgwick and an uncredited Buster Keaton. The picture stars Keaton and Marceline Day.
Edward Sedgwick was an American film director, writer, actor and producer.
Spite Marriage is a 1929 American silent comedy film co-directed by Buster Keaton and Edward Sedgwick and starring Keaton and Dorothy Sebastian. It is the second film Keaton made for MGM and his last silent film, although he had wanted it to be a "talkie" or full sound film. While the production has no recorded dialogue, it does feature an accompanying synchronized score and recorded laughter, applause, and other sound effects. Keaton later wrote gags for some up-and-coming MGM stars like Red Skelton, and recycled many gags from Spite Marriage, some shot-for-shot, for Skelton's 1943 film I Dood It.
Madam Satan or Madame Satan is a 1930 American pre-Code musical comedy film in black and white with Multicolor sequences. It was produced and directed by Cecil B. DeMille and starred Kay Johnson, Reginald Denny, Lillian Roth, and Roland Young.
What! No Beer? is a 1933 Pre-Code comedy film released by Metro-Goldwyn-Mayer directed by Edward Sedgwick and starring Buster Keaton and Jimmy Durante. MGM had also paired Keaton and Durante as a comedy team during this period in The Passionate Plumber and Speak Easily.
His Glorious Night is a 1929 pre-Code American romance film directed by Lionel Barrymore and starring John Gilbert in his first released talkie. The film is based on the 1928 play Olympia by Ferenc Molnár.
Night Flight is a 1933 American pre-Code aviation drama film produced by David O. Selznick, distributed by Metro-Goldwyn-Mayer, directed by Clarence Brown and starring John Barrymore, Lionel Barrymore, Clark Gable, Helen Hayes, Robert Montgomery and Myrna Loy.
The Buster Keaton Story is a 1957 American biographical drama film directed by Sidney Sheldon and written by Sidney Sheldon and Robert Smith, following the life of Buster Keaton. The film stars Donald O'Connor, Ann Blyth, Rhonda Fleming, Peter Lorre, Larry Keating and Jackie Coogan. It was released on April 21, 1957, by Paramount Pictures. The film was described by AllMovie as "sublimely inaccurate" regarding details of Keaton's life. It was produced by Paramount Pictures, which paid Keaton $50,000 for the rights to his life story.
Doughboys is a 1930 American Pre-Code comedy film starring Buster Keaton. It was Keaton's second starring talkie vehicle and has been called Keaton's "most successful sound Picture." A Spanish-language version was also made under the title, De Frente, Marchen.
Hollywood Cavalcade is a 1939 American film featuring Alice Faye as a young performer making her way in the early days of Hollywood, from slapstick silent pictures through the transition from silent to sound.
The International Buster Keaton Society Inc.— a.k.a. "The Damfinos"—is the official educational organization dedicated to comedy film producer-director-writer-actor-stuntman Buster Keaton.
Estrellados is a 1930 American pre-Code comedy film directed by Salvador de Alberich and Edward Sedgwick, and written by Salvador de Alberich, Paul Dickey and Richard Schayer. The film stars Buster Keaton, Raquel Torres, Don Alvarado, María Calvo, Juan de Homs and Carlos Villarías.