Freedom Come-All-Ye

Last updated

The "Freedom Come-All-Ye" (Scottish Gaelic : Thig Saorsa Uile) is a Scots language song written by Hamish Henderson in 1960.

Contents

History

An early two-stanza version of the song was published in a broadsheet "Writers against Aparthied" (sic) in the Spring of 1960; [1] as the first line refers to Harold Macmillan's Wind of Change speech, [2] given in February of that year, the composition can be dated quite precisely. Henderson was recorded singing the complete 3-stanza version of the song that year. [3]

The song's tune is an adaptation of the First World War pipe march "The Bloody Fields of Flanders", composed by John McLellan DCM (Dunoon), [4] which Henderson first heard played on the Anzio beachhead. He wrote the lyrics after discussions with Ken Goldstein, an American researcher at the School of Scottish Studies, who had enjoyed Henderson's rendition of the tune. [5] It was subsequently adopted by Glasgow Peace Marcher CND demonstrators and the anti-Polaris campaign (for example, notably at the anti-Polaris protests at Holy Loch in 1961).

A product of the Scottish folk revival, and originally a 1960s protest song, [6] it is still popular in Scotland and overseas, especially as an anthem of Scottish Socialists. [7] Henderson described the song as "expressing my hopes for Scotland, and for the survival of humanity on this beleaguered planet.". [8] It has been suggested as choice for a Scottish national anthem (although there is no official Scottish anthem), though Henderson felt that part of its strength lies in the fact that it is an alternative, "International Anthem". [5]

A version of the song was performed by South African soprano Pumeza Matshikiza at the opening ceremony of the 2014 Commonwealth Games. [9] [10]

Related Research Articles

<span class="mw-page-title-main">Hamish Henderson</span> Scottish writer

(James) Hamish Scott Henderson was a Scottish poet, songwriter, communist, intellectual and soldier. He was a catalyst for the folk revival in Scotland. He was also an accomplished folk song collector and discovered such notable performers as Jeannie Robertson, Flora MacNeil and Calum Johnston. Born in Blairgowrie, Perthshire on the first Armistice Day 11 November 1919, to a single mother, Janet Henderson, a Queen's Nurse who had served in France, and was then working in the war hospital at Blair Castle. His name was recorded at registration as James but he preferred the Scots form Hamish.

<span class="mw-page-title-main">Cumulative song</span> Simple song form with repetitive and linked verses

A cumulative song is a song with a simple verse structure modified by progressive addition so that each verse is longer than the verse before. Cumulative songs are popular for group singing, in part because they require relatively little memorization of lyrics, and because remembering the previous verse to concatenate it to form the current verse can become a kind of game.

"The Daemon Lover" – also known as "James Harris", "A Warning for Married Women", "The Distressed Ship Carpenter", "James Herries", "The Carpenter’s Wife", "The Banks of Italy", or "The House-Carpenter" – is a popular ballad dating from the mid-seventeenth century, when the earliest known broadside version of the ballad was entered in the Stationers' Register on 21 February 1657.

<span class="mw-page-title-main">Dick Gaughan</span> Musical artist

Richard Peter Gaughan is a Scottish musician, singer and songwriter, particularly of folk and social protest songs. He is regarded as one of Scotland's leading singer-songwriters.

Jeannie Robertson was a Scottish folk singer.

"Foggy Dew" or "Foggy, Foggy Dew" is an English folk song with a strong presence in the South of England and the Southern United States in the nineteenth century. The song describes the outcome of an affair between a weaver and a girl he courted. It is cataloged as Laws No. O03 and Roud Folk Song Index No. 558. It has been recorded by many traditional singers including Harry Cox, and a diverse range of musicians including Benjamin Britten, Burl Ives, A.L. Lloyd and Ye Vagabonds have arranged and recorded popular versions of the song.

<span class="mw-page-title-main">Keening</span> Vocal lament for the dead

Keening is a traditional form of vocal lament for the dead in the Gaelic Celtic tradition, known to have taken place in Ireland and Scotland. Keening, which can be seen as a form of sean-nós singing, is performed in the Irish and Scottish Gaelic languages.

"The Lass of Roch Royal" is Child ballad number 76, existing in several variants.

<span class="mw-page-title-main">Fair Margaret and Sweet William</span> Traditional song

"Fair Margaret and Sweet William" is a traditional English ballad which tells of two lovers, of whom either one or both die from heartbreak. Thomas Percy included it in his folio and said that it was quoted as early as 1611 in the Knight of the Burning Pestle. In the United States, variations of Fair Margaret have been regarded as folk song as early as 1823.

<span class="mw-page-title-main">National anthem of Scotland</span> National anthem

There is currently no agreed national anthem of Scotland. In sporting events and significant national situations, songs are used as de facto Scottish national anthems, most notably "Flower of Scotland" and "Scotland the Brave". The Scottish Government has not formally adopted an official national anthem of Scotland, and said in 2015 that it had "no current plans in this regard" to formally adopt a national anthem of Scotland.

"Bonnie Annie" is a folk ballad recorded from the Scottish and English traditions. Scottish texts are often called Bonnie Annie or The Green Banks of Yarrow, English texts are most often called The Banks of Green Willow. Other titles include The Undutiful Daughter, The High Banks O Yarrow, The Watery Grave, Green Willow, There Was a Rich Merchant that Lived in Strathdinah and The Merchant's Daughter.

"Both sides the Tweed" is a song about the Treaty of Union between Scotland and England. Dick Gaughan made minor changes to the words and added his own tune. The song was written in 1979 and first appeared on Gaughan's 1981 album Handful of Earth. Though Gaughan's recording was embraced by music critics at the time, the song achieved wide popularity only later when it was recorded by the Scottish group Capercaillie on their album Sidewaulk.

"Jack Monroe", also known as "Jack Munro", "Jack-A-Roe", "Jackaro", "Jacky Robinson", "Jackie Frazier" and "Jack the Sailor", is a traditional ballad which describes the journey of a woman who disguises herself as the eponymous character to board a sailing ship and save her lover, a soldier.

"When The Boat Comes In" is a traditional English folk song, listed as 2439 in the Roud Folk Song Index. The popular version originates in Northumbria. An early source for the lyrics, Joseph Robson's "Songs of the bards of the Tyne", published 1849, can be found on the FARNE archive. In FARNE's notes to the song, it is stated that the lyrics were written by William Watson in about 1826.

Scottish Cant is a cant spoken in Scotland by Lowland Scottish Romani Travellers.

<span class="mw-page-title-main">Broomielaw</span>

Broomielaw is a major thoroughfare in the city of Glasgow, Scotland. It runs beside the River Clyde, on its north bank looking over to Tradeston. Both sides have been marketed as the city's International Financial Services District.

<span class="mw-page-title-main">Lachin y Gair</span> 1807 poem by Lord Byron

"Lachin y Gair", often known as "Dark Lochnagar" or "Loch na Garr", is a poem by Lord Byron, written in 1807. It discusses the author's childhood in north east Scotland, when he used to visit Lochnagar in Highland Aberdeenshire. It is perhaps one of the poet's most Scottish works, both in theme and sentiment.

Sheila Stewart was a Scottish traditional singer, storyteller, and author. She inherited a large number of traditional songs from older family members, including her mother Belle Stewart.

The Banks of Sweet Dundee is a folk song very popular with and frequently collected from traditional singers in Britain and Ireland, fairly common in North America, and also performed by revival singers and groups. A young woman escapes a forced marriage by shooting dead both the squire who is her intended husband and her uncle who attacks her.

The John MacLean March is a Scottish song written by Hamish Henderson in 1948. It eulogises the socialist organiser John Maclean, describing his funeral procession through Glasgow in 1923.

References

  1. "Hamish Henderson Archive Trust - Photos". Facebook. 8 August 2013. Retrieved 26 July 2014.
  2. Gaughan, Dick. "Freedom Come Aa Ye". Dick Gaughan's Website. Retrieved 26 July 2014.
  3. "Tobar an Dualchais - Freedom Come-All-Ye". Tobar an Dualchais. Archived from the original on 3 March 2016. Retrieved 29 July 2014.
  4. "Tune History - The Bloody Fields of Flanders" (PDF). Schoolofpiping.com. Archived from the original (PDF) on 28 February 2016. Retrieved 15 November 2015.
  5. 1 2 Heywood, Pete (April 1999). "Hamish Henderson". The Living Tradition (feature article). No. 32. Retrieved 15 November 2015.[ permanent dead link ]
  6. Harvie, Christopher (1998). No Gods and Precious Few Heroes: Twentieth-century Scotland. p. 16. ISBN   9780748609994.
  7. Spirits of the Age: Scottish Self Portraits. The Saltire Society. 2005. p. 145. ISBN   9780854110872.
  8. "Motions, Questions and Answers Search - Parliamentary Business : Scottish Parliament". Scottish.parliament.uk. Retrieved 26 July 2014.
  9. Macdonald, Hugh (24 July 2014). "The Games opens: a ceremony of gallusness with a powerful charity theme". Herald Scotland. Retrieved 30 December 2021.
  10. Dickie, Mure (24 July 2014). "Glasgow humour on show as Commonwealth Games open" . Financial Times . Archived from the original on 11 December 2022. Retrieved 27 July 2014.