Soul food is the ethnic cuisine of African Americans. Originating in the American South from the cuisines of enslaved Africans transported from Africa through the Atlantic slave trade, soul food is closely associated with the cuisine of the Southern United States. The expression "soul food" originated in the mid-1960s when "soul" was a common word used to describe African-American culture. Soul food uses cooking techniques and ingredients from West African, Central African, Western European, and Indigenous cuisine of the Americas.
The Underground Railroad was used by freedom seekers from slavery in the United States and was generally an organized network of secret routes and safe houses. Enslaved Africans and African Americans escaped from slavery as early as the 16th century and many of their escapes were unaided, but the network of safe houses operated by agents generally known as the Underground Railroad began to organize in the 1780s among Abolitionist Societies in the North. It ran north and grew steadily until the Emancipation Proclamation was signed in 1863 by President Abraham Lincoln. The escapees sought primarily to escape into free states, and from there to Canada.
The institution of slavery in the European colonies in North America, which eventually became part of the United States of America, developed due to a combination of factors. Primarily, the labor demands for establishing and maintaining European colonies resulted in the Atlantic slave trade. Slavery existed in every European colony in the Americas during the early modern period, and both Africans and indigenous peoples were targets of enslavement by Europeans during the era.
James Madison's Montpelier, located in Orange County, Virginia, was the plantation house of the Madison family, including Founding Father and fourth president of the United States James Madison and his wife, Dolley. The 2,650-acre (1,070 ha) property is open seven days a week.
The International Slavery Museum is a museum located in Liverpool, UK, that focuses on the history and legacy of the transatlantic slave trade. The museum, which forms part of the Merseyside Maritime Museum, consists of three main galleries which focus on the lives of people in West Africa, their eventual enslavement, and their continued fight for freedom. Additionally the museum discusses slavery in the modern day as well as topics on racism and discrimination.
Faunsdale Plantation is a historic slave plantation near the town of Faunsdale, Alabama, United States. This plantation is in the Black Belt, a section of the state developed for cotton plantations. Until the U.S. Civil War, planters held as many as 186 enslaved African Americans as laborers to raise cotton as a commodity crop.
The Whitney Plantation Historic District is preserved by the Whitney Institute, a non-profit whose mission is to educate the public about the history and legacies of slavery in the Southern United States. The district, including the main house and outbuildings, is preserved near Wallace, in St. John the Baptist Parish, Louisiana, on the River Road along the Mississippi River. What was originally known as Habitation Haydel was founded in 1752 by Ambroise Heidal, one of the many German immigrants who colonized the river parishes in the 18th century. His descendants owned it until 1860.
Dana King is an American broadcast journalist and sculptor. She served as an anchor for the CBS owned-and-operated station KPIX-TV in San Francisco. In 2012, King left KPIX to pursue her passion in sculpting and art. Her outdoor sculpture commemorating the Montgomery bus boycott is displayed at the National Memorial for Peace and Justice in Montgomery, Alabama. King uses historically generalized and racist ideas that require in-depth researches, to provide information on the normative misrepresentation of Black peoples' emotional and physical sacrifices.
The United Nations Slavery Memorial, officially known as The Ark of Return – The Permanent Memorial at the United Nations in Honour of the Victims of Slavery and the Transatlantic Slave Trade, is an installation at the Visitors' Plaza of the Headquarters of the United Nations in New York City, intended as a permanent reminder of the long-lasting effects of slavery and the Transatlantic slave trade. It was designed by Rodney Leon, a Haitian-American architect, and installed in 2015.
Plantation complexes were common on agricultural plantations in the Southern United States from the 17th into the 20th century. The complex included everything from the main residence down to the pens for livestock. Until the abolition of slavery, such plantations were generally self-sufficient settlements that relied on the forced labor of enslaved people.
Igbo Landing is a historic site at Dunbar Creek on St. Simons Island, Glynn County, Georgia. It was the setting of a mass suicide in 1803 by captive Igbo people who had taken control of the slave ship they were on, and refused to submit to slavery in the United States. The event's moral value as a story of resistance towards slavery has symbolic importance in African American folklore as the flying Africans legend, and in literary history.
The Equal Justice Initiative (EJI) is a non-profit organization, based in Montgomery, Alabama, that provides legal representation to prisoners who may have been wrongly convicted of crimes, poor prisoners without effective representation, and others who may have been denied a fair trial. It guarantees the defense of anyone in Alabama in a death penalty case.
Following Robert Cavelier de La Salle establishing the French claim to the territory and the introduction of the name Louisiana, the first settlements in the southernmost portion of Louisiana were developed at present-day Biloxi (1699), Mobile (1702), Natchitoches (1714), and New Orleans (1718). Slavery was then established by European colonists.
The National Memorial for Peace and Justice, informally known as the National Lynching Memorial, is a memorial to commemorate the black victims of lynching in the United States. It is intended to focus on and acknowledge past racial terrorism and advocate for social justice in America. Founded by the non-profit Equal Justice Initiative, it opened in downtown Montgomery, Alabama on April 26, 2018.
The Legacy Museum: From Enslavement to Mass Incarceration is a museum in Montgomery, Alabama, that displays the history of slavery and racism in America. This includes the enslavement of African-Americans, racial lynchings, segregation, and racial bias.
Kwame Akoto-Bamfo is a multi-disciplinary artist, educator and activist, known for his sculptures and massive body of works dedicated to the memory, healing and Restorative Justice for people of African descent. His outdoor sculptures are dedicated to the memory of the victims of the Transatlantic slave trade, notably the installation Nkyinkim, on display at the National Memorial for Peace and Justice that opened in 2018 in Montgomery, Alabama. His other sculptures include an installation of 1,200 concrete heads representing Ghana's enslaved ancestors in Accra, the capital of Ghana. Called Faux-Reedom, it was unveiled in 2017.
Redoshi was a West African woman who was enslaved and smuggled to the U.S. state of Alabama as a girl in 1860. Until a later surviving claimant, Matilda McCrear, was announced in 2020, she was considered to have been the last surviving victim of the transatlantic slave trade. Taken captive in warfare at age 12 by the West African kingdom of Dahomey, she was sold to Americans and transported by ship to the United States in violation of U.S. law. She was sold again and enslaved on the upcountry plantation of the Washington M. Smith family in Dallas County, Alabama, where her owner renamed her Sally Smith.
The Emancipation Memorial, also known as the Freedman's Memorial or the Emancipation Group was a monument in Park Square in Boston. Designed and sculpted by Thomas Ball and erected in 1879, its sister statue is located in Lincoln Park in the Capitol Hill neighborhood of Washington, D.C. The Boston statue was taken down by the City of Boston on December 29, 2020, following a unanimous vote from the Boston Art Commission on June 30 to remove the memorial.
