Freedom in the Groove | ||||
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Studio album by | ||||
Released | September 20, 1996 | |||
Recorded | April 10–13, 1996 | |||
Studio | Power Station, New York City | |||
Genre | Jazz | |||
Length | 1:09:07 | |||
Label | Warner Bros. | |||
Producer | Matt Pierson | |||
Joshua Redman chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The Encyclopedia of Popular Music | [2] |
Tom Hull | B+ [3] |
The Penguin Guide to Jazz Recordings | [4] |
The Rolling Stone Jazz & Blues Album Guide | [5] |
Freedom in the Groove is a 1996 studio album by American jazz saxophonist Joshua Redman. [6] [7]
Leo Stanley of AllMusic stated: "Abandoning the traditional hard bop that has dominated his past recordings, Redman attempts to work himself into hip-hop and urban dance rhythms, which results in an occasionally intriguing but often frustrating album. Occasionally, the fusions work, with Redman contributing sympathetic, graceful licks to the gently insistent rhythms. Too often, the record sounds forced and stilted, which is unfortunate, since jazz/hip-hop fusion need a musician of Redman's caliber to make it credible in the jazz world." [1]
All songs were written and arranged by Joshua Redman.
The Low End Theory is the second studio album by American hip hop group A Tribe Called Quest, released on September 24, 1991, by Jive Records. Recording sessions for the album were held mostly at Battery Studios in New York City, from 1990 to 1991. The album was primarily produced by group member Q-Tip, with a minimalist sound that combines bass, drum breaks, and jazz samples, in a departure from the group's debut album, People's Instinctive Travels and the Paths of Rhythm (1990). Lyrically, the album features social commentary, word play, humor, and interplay between Q-Tip and fellow member Phife Dawg.
Acid jazz is a music genre that combines elements of funk, soul, and hip hop, as well as jazz and disco. Acid jazz originated in clubs in London during the 1980s with the rare groove movement and spread to the United States, Western Europe, Latin America and Japan. Acts included The Brand New Heavies, Incognito, James Taylor Quartet, Us3, and Jamiroquai from the UK, and Guru, Buckshot LeFonque and Digable Planets from the U.S. The rise of electronic club music in the middle to late 1990s led to a decline in interest, and in the twenty-first century, acid jazz became indistinct as a genre. Many acts that might have been defined as acid jazz are seen as jazz-funk, or nu jazz.
Bitches Brew is a studio album by the American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded from August 19 to 21, 1969, at Columbia's Studio B in New York City and released on March 30, 1970, by Columbia Records. It marked his continuing experimentation with electric instruments that he had featured on his previous record, the critically acclaimed In a Silent Way (1969). With these instruments, such as the electric piano and guitar, Davis departed from traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. The final tracks were edited and pieced together by producer Teo Macero.
In music, groove is the sense of an effect ("feel") of changing pattern in a propulsive rhythm or sense of "swing". In jazz, it can be felt as a quality of persistently repeated rhythmic units, created by the interaction of the music played by a band's rhythm section. Groove is a significant feature of popular music, and can be found in many genres, including salsa, rock, soul, funk, and fusion.
Miles in the Sky is a studio album by the jazz trumpeter and composer Miles Davis. It was released on July 22, 1968, through Columbia Records. It was the last full album recorded by Davis' "Second Great Quintet" and marked the beginning of his foray into jazz fusion, with Herbie Hancock playing electric piano and Ron Carter playing electric bass guitar on opening track "Stuff". Additionally, electric guitarist George Benson features on "Paraphernalia".
On the Corner is a studio album by the American jazz trumpeter, bandleader, and composer Miles Davis. It was recorded in June and July 1972 and released on October 11 of that year by Columbia Records. The album continued Davis' exploration of jazz fusion, and explicitly drew on the influence of funk musicians Sly Stone and James Brown, the experimental music of Karlheinz Stockhausen, the free jazz of Ornette Coleman, and the work of collaborator Paul Buckmaster.
Stolen Moments: Red Hot + Cool is a compilation album in the Red Hot AIDS Benefit Series with performers from jazz, pop, rock, and rap. "Stolen Moments" is a jazz standard composed by Oliver Nelson, and is best known for its inclusion on the 1961 album The Blues and the Abstract Truth.
Joshua Redman is a 1993 album by American jazz saxophonist Joshua Redman. This is his debut studio album as a leader. This self-titled album combined with the follow-up album Wish sold over a quarter of a million copies.
Wish is the second studio album by jazz saxophonist Joshua Redman; it was released in 1993 by Warner Bros. Records.
MoodSwing is a 1994 studio album by American jazz saxophonist Joshua Redman. All compositions on this album are originals written by Redman. The album was re-released on vinyl in 2009. Redman's bandmates here are Brad Mehldau on piano, Christian McBride on acoustic bass, and Brian Blade on drums. The next album by this quartet, RoundAgain, was released 26 years later in July 2020.
Passage of Time is a studio album by American jazz saxophonist Joshua Redman. The record was released on March 27, 2001 by Warner Bros. label.
Momentum is a 2005 studio album by American jazz saxophonist Joshua Redman's Elastic Band. The album was released on 24 May 2005 by Nonesuch label. All compositions are original works by Redman unless otherwise noted.
Back East is a 2007 studio album by American jazz saxophonist Joshua Redman. This is his twelfth full-size album recorded under his leadership.
Spirit of the Moment – Live at the Village Vanguard is a 1995 live album by jazz saxophonist Joshua Redman, released by Warner Bros. Records (9362-45923-2).
In Concert is a live double album by the American jazz musician Miles Davis. It was recorded in 1972 at the Philharmonic Hall in New York City. Columbia Records' original release did not credit any personnel, recording date, or track listing, apart from the inner liner listing the two titles "Foot Fooler" and "Slickaphonics."
Of Human Feelings is an album by American jazz saxophonist, composer, and bandleader Ornette Coleman. It was recorded on April 25, 1979, at CBS Studios in New York City with his band Prime Time, which featured guitarists Charlie Ellerbee and Bern Nix, bassist Jamaaladeen Tacuma, and drummers Calvin Weston and Coleman's son Denardo. It followed the saxophonist's failed attempt to record a direct-to-disc session earlier in March of the same year and was the first jazz album to be recorded digitally in the United States.
Rhythm Killers is an album by Jamaican musical duo Sly and Robbie, released in May 1987 by Island Records. By the time of the album's recording, Sly and Robbie had transitioned away from their prolific work in the reggae genre. They spent the 1980s experimenting with electronic sounds and contemporary recording technology on international, cross-genre endeavors, which influenced their direction for Rhythm Killers.
Songs of Experience is the second studio album by American composer and producer David Axelrod. It was released in October 1969 by Capitol Records. Axelrod composed, arranged, and produced the album while recording with session musicians such as guitarist Al Casey, bassist Carol Kaye, drummer Earl Palmer, and conductor Don Randi.
Compass is a studio album by American jazz saxophonist Joshua Redman. It was released on January 13, 2009 via Nonesuch Records label to a critical success, scoring 83% on Metacritic.
Ruler Rebel is a studio album by American jazz trumpeter Christian Scott released on March 31, 2017 by Ropeadope Records. The album is the first installment of The Centennial Trilogy, with Diaspora and The Emancipation Procrastination being the second and the third ones respectively.
Joshua Redman