Friedrich Maximilian Welz (born 2 November 1903 in Salzburg; died 5 February 1980 in Salzburg) was an Austrian art dealer and Nazi Party member investigated for art looting.
Friedrich Welz took over his father's picture frame shop in Sigmund-Haffner-Gasse in 1934 as manager and in 1937 as owner. In it he opened his "art store", which soon developed into the "Galerie Welz", whose first exhibitions were devoted to the works of Klimt, Schiele, Kubin and Oskar Kokoschka. [1] Later exhibitions focused on the Vienna Secession, the Nötscher Kreis (Nötsch Circle), Italian and French art of the 19th and 20th centuries, and German Expressionism. In 1937 he moved the gallery to the vacated showrooms of the "Wittek Villa" in Schwarzstraße. There he organized with Otto Kallir the "Waldmüller Exhibition", [2] which was highly regarded during the Austrofascist Ständestaat. Prominent visitors included Franz Rehrl, then governor of Salzburg, and Austrian Chancellor Kurt Schuschnigg.
Welz was a Nazi party member, joining officially in July 1938 with party number: 6 339 332. [3]
Immediately after the Anschluss of Austria with Hitler's Third Reich in 1938, Austria's Jews were persecuted and their property transferred to non-Jews. Welz's career blossomed. [4] In April 1938, Welz took over the Würthle Gallery in Vienna, whose Jewish art dealer, Lea Bondi-Jaray, had been forced to transfer to a non-Jewish owner on April 3, 1938, in "Aryanization". [5] [6]
In 1939 and 1940, Welz acquired 26 works from the Jewish art collector Heinrich Rieger who was deported to Theresienstadt and murdered in the Holocaust, along with his wife. Paintings acquired by Welz from Rieger's collection included Egon Schiele's "Embrace" and "Cardinal and Nun" as well as Josef Dobrowsky's "Poor in Spirit,"
Welz was involved in the creation of the Landesgalerie Salzburg under the Nazis. [7]
In 1940 he curated an exhibition of Hans Makart, an artist favored by the Nazis. Hermann Göring was the patron of the exhibition, Adolf Hitler's personal photographer Heinrich Hoffmann edited the exhibition catalog for which Albert Reitter wrote the foreword. [8]
Welz undertook regular buying trips to Nazi-occupied Paris on behalf of Baldur von Schirach and other prominent Nazis. [9]
His connections in the Nazi art world included Bruno Grimschitz and Kajetan and Josef Mühlmann. [10]
After the defeat of Nazi Germany, Welz was arrested and investigated for his role in looting art from Jewish collections. [11] [12]
The Americans appointed the provisional administrator Fritz Hoefner for Welz's Salzburg art dealership, who reported Welz to the public prosecutor's office of the People's Court in Linz on June 26, 1947, for the "Aryanization" of a villa in St. Gilgen, the Würthle Gallery and the Heinrich Rieger Collection within the meaning of § 6 KVG for "abusive enrichment". The proceedings ended in 1949 and 1950 respectively with a partial acknowledgement and an out-of-court settlement. [13]
After his release, Friedrich Welz returned to the art scene. [14]
In 1976 Welz bequeathed a large part of his private collection, including the complete printed works of Oskar Kokoschka to the province of Salzburg. [15]
Friedrich Welz died on February 5, 1980, in his hometown and was buried in the family grave at Salzburg's municipal cemetery.
In 2000 a Welz biography criticized Salzburg authorities for having whitewashed Welz's role in procuring Nazi-looted art. [16]
Numerous lawsuits have been filed requesting the restitution of artworks acquired by Welz from Jewish collectors under the Nazis in Austria. These include claims by the heirs of Lea Bondi for the Portrait of Wally , by Egon Schiele, [17] [18] [19] and by the heirs of Heinrich Rieger for "Wayside Shrine", also by Schiele. [20] In 2023 a 1910 Klimt that had been owned by Irene Beran before she fled the Nazi was the object of a restitution and repurchase agreement between the Beran heirs and Ronald S. Lauder. [21] [22]
Friedrich Welz was the brother of the well-known painter and architect Hans Welz (* 1900 in Salzburg, † 1975 in Cape Town) who later called himself by his first name "Jean" and is today considered one of the most important painters in South Africa.
Egon Leo Adolf Ludwig Schiele was an Austrian Expressionist painter. His work is noted for its intensity and its raw sexuality, and for the many self-portraits the artist produced, including nude self-portraits. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings mark the artist as an early exponent of Expressionism. Gustav Klimt, a figurative painter of the early 20th century, was a mentor to Schiele.
The Belvedere is a historic building complex in Vienna, Austria, consisting of two Baroque palaces, the Orangery, and the Palace Stables. The buildings are set in a Baroque park landscape in the third district of the city, on the south-eastern edge of its centre. It houses the Belvedere museum. The grounds are set on a gentle gradient and include decorative tiered fountains and cascades, Baroque sculptures, and majestic wrought iron gates. The Baroque palace complex was built as a summer residence for Prince Eugene of Savoy.
The Österreichische Galerie Belvedere is a museum housed in the Belvedere palace, in Vienna, Austria.
Palais Rothschild refers to a number of palaces in Vienna, Austria, which were owned by members of the Austrian branch of the Rothschild banking family. Apart from their sheer size and elegance, they were famous for the huge collections of valuable paintings, statues, furniture, books and armour that they housed, another reflection of the family's vast wealth and prominent position.
The Lentos Art Museum is a museum of modern art in Linz, Austria, which opened in May 2003 as the successor to the Neue Galerie der Stadt Linz.
Friedrich Heinrich Zinckgraf was a German gallery owner, art dealer and philatelist from Munich involved in the Aryanisation of the Jewish-owned Heinemann Gallery and in selling Nazi-looted art, notably for Hitler's planned Linz museum. After World War II he was a supporter of the philatelistic department of the Munich City Library.
Portrait of Wally is a 1912 oil painting by Austrian painter Egon Schiele of Walburga "Wally" Neuzil, a woman whom he met in 1911 when he was 21 and she was 17. She became his lover and model for several years, depicted in a number of Schiele's most striking paintings. The painting was obtained by Rudolf Leopold in 1954 and became part of the collection of the Leopold Museum when it was established by the Austrian government, purchasing 5,000 pieces that Leopold had owned. Near the end of a 1997–1998 exhibit of Schiele's work at the Museum of Modern Art in New York, the painting's ownership (provenance) history was revealed in an article published in The New York Times. After the publication, the heirs of Lea Bondi Jaray, to whom the work had belonged before World War II, contacted the New York County District Attorney who issued a subpoena forbidding its return to Austria. The work was tied up in litigation for years by Bondi's heirs, who claimed that the painting was Nazi plunder and should have been returned to them.
Serena (Szeréna) Pulitzer Lederer was an Austro-Hungarian art collector and the spouse of the industrial magnate August Lederer, close friend of Gustav Klimt and instrumental in the constitution of the collection of Klimt's art pieces.
Karl Haberstock was a Berlin art dealer who trafficked in Nazi-looted art. Haberstock's name appears 60 times in the Art Looting Investigation Unit (ALIU) Reports 1945–1946 and ALIU Red Flag Names List and Index.
Eberhard W. Kornfeld was a Swiss auctioneer, author, art dealer, and collector based in Bern.
Galerie St. Etienne is a New York art gallery specializing in Austrian and German Expressionism, established in Vienna in 1939 by Otto Kallir. In 1923, Kallir founded the Neue Galerie in Vienna. Forced to leave Austria after the 1938 Nazi invasion, Kallir established his gallery in Paris as the Galerie St. Etienne, named after the Neue Galerie's location near Vienna's Cathedral of St. Stephen. In 1939, Kallir and his family left France for the United States, moving the Galerie St. Etienne to New York City. The gallery still exists, run by Otto Kallir's granddaughter Jane at 24 West 57th Street.
Otto Kallir was an Austrian-American art historian, author, publisher, and gallerist. He was awarded the Silbernes Ehrenzeichen für Verdienste um das Land Wien in 1968.
Gert Kerschbaumer is an Austrian historian and German culture scholar.
Dead City III is an oil on wood expressionist painting by Egon Schiele from 1911. It was owned by the Viennese cabaret artist Fritz Grünbaum before he was murdered by Nazis and has been the object of high-profile disputes and court battles. Suspected by New York's District Attorney of having been looted by the Nazis, Dead City III was temporarily confiscated from the Austrian art collector Rudolf Leopold after he loaned it to a New York museum in 1998. The ownership history of the painting has been the object of high-profile court cases in which two very different versions of the painting's journey from the Jewish Holocaust victim to the Austrian art collector collide.
Lea Bondi, later Lea Jaray or Lea Bondi-Jaray was an Austrian art dealer and art collector who was forced to emigrate to Great Britain due to Nazi persecution after the annexation of Austria to the Nazi German Reich. The Würthle Gallery, which she ran, was "Aryanized" by Nazis and her art collection, including the Portrait of Wally by Egon Schiele, extorted.
Karl Buchholz was one of Hitler's Nazi art dealers specialized in selling looted "Degenerate Art".
Heinrich Rieger was an Austrian dentist whose art collection was one of the most important in Austrian modern art. Rieger and his wife were murdered in the Holocaust.
Franz Kieslinger was an Austrian art historian and art dealer, who was a Nazi and involved in art theft during the Nazi era.
Paul Graupe was a German antiquarian bookseller and art dealer.
In the mid–1930s, Kallir had begun collaborating with Friedrich Welz in Salzburg, as Kallir sent Welz works by Richard Gerstl in 1936, and they worked together on a Ferdinand Waldmüller exhibition in the summer of 1937 in Salzburg.
Bought from Schiele by the Jewish Viennese gallery owner Lea Bondi, and kept by her in her home, the painting was stolen by a Nazi art expert, Friedrich Welz, following the Anschluss. Welz also confiscated and "aryanized" Bondi's gallery.
The Salzburg art dealer Friedrich Welz (1903-1980) was instrumental in the gallery's creation and was its unofficial director between 1942 and 1944. Most of the gallery's collection consisted of works Welz had purchased within the German Reich and on several trips to Paris after 1940.
Welz, Friedrich. Salzburg, Galerie Welz. Baldur von Schirach's personal agent for art purchases in France. Contact of Mohnen.
Kerschbaumer criticises the Salzburg public authorities for their post-war collusion in downplaying Welz's role under the Nazis, but also for focusing criticism on Welz in recent years, thereby deflecting attention from the city's own active involvement in the acquisition of works of art within the German Reich and in Paris under the Nazi regime.