Friedrich Wilhelm Birnstiel

Last updated

Friedrich Wilhelm Birnstiel was an 18th-century German music publisher known for publishing two volumes of four-part chorales by Johann Sebastian Bach in the 1760s. [1]

Contents

Publications

Title page of Graun's Der Tod Jesu. Der Tod Jesu Textdruck 1755 Titelseite.jpg
Title page of Graun's Der Tod Jesu.

Friedrich Wilhelm Birnstiel was active as a publisher and editor of music between 1753 and 1782. [2]

Oden mit Melodien

Oden mit Melodien (odes with melodies) was published in two volumes:

The volumes contained works by Johann Friedrich Agricola, Carl Philipp Emanuel Bach, Johann Christian Bach, Franz Benda, Carl Friedrich Christian Fasch, Johann Gottlieb Graun, Carl Heinrich Graun, Johann Philipp Kirnberger, Christian Gottfried Krause, Friedrich Wilhelm Marpurg, Christoph Nichelmann and Johann Joachim Quantz. [2]

Libretto of Graun's Der Tod Jesu cantata

In 1755 Birnstiel published Karl Wilhelm Ramler's libretto of Carl Heinrich Graun's cantata Der Tod Jesu . The music of this Passion setting was published five years later by Johann Gottlob Immanuel Breitkopf. [6]

Kritische Briefe über die Tonkunst

The Kritische Briefe über die Tonkunst  [ scores; wikisource:de ] (critical letters about musical composition) were published from 1759 to 1764, edited by Friedrich Wilhelm Marpurg, who was also the author of most of the letters in this collection. [7] They were published in three volumes:

Musikalisches Allerley

Gottfried Heinrich Stolzel's Enharmonische Claviersonate in the second volume (13th instalment) of Musikalisches Allerley [scores]. Musikalisches Allerley Vol. 2 (Birnstiel 1761), p. 48 (Stolzel's Enharmonische Claviersonate).jpg
Gottfried Heinrich Stölzel's Enharmonische Claviersonate in the second volume (13th instalment) of Musikalisches Allerley  [ scores ].

Musikalisches Allerley von verschiedenen Tonkünstlern (musical miscellaneous by various composers):

Contains compositions by, among others, Johann Friedrich Agricola, Carl Philipp Emanuel Bach, Johann Thielemann Cramer  [ scores ], Jean-François Dandrieu, Carl Friedrich Christian Fasch, Carl Heinrich Graun, August Bernhard Valentin Herbing, Johann Gottlieb Janitsch, Johann Philipp Kirnberger, Christian Gottfried Krause, Friedrich Wilhelm Marpurg, Christoph Nichelmann, Johann Joachim Quantz, Jean-Philippe Rameau, Friedrich Wilhelm Riedt, Johann Heinrich Rolle, Johann Philipp Sack  [ de ], Christian Friedrich Schale  [ fr ], Gottfried Heinrich Stölzel, Georg Christoph Wagenseil, Johann Friedrich Wilhelm Wenkel  [ scores ]. [11] [12] [13] [14] [15] [16] [17] [18]

Johann Philipp Kirnbergers Clavierübungen mit der Bachischen Applicatur

Johann Philipp Kirnbergers Clavierübungen mit der Bachischen Applicatur were published in four volumes from 1761 to 1766: [20]

Descriptions of painting collections

Descriptions of painting collections, both published in 1763:

Kirnberger's Construction der gleichschwebenden Temperatur

Kirnberger's Construction der gleichschwebenden Temperatur was published in 1764. [27]

Kleine Sing- und Spielstücke fürs Clavier

The Kleine Sing- und Spielstücke fürs Clavier von verschiedenen Meistern volumes contained mostly material that had already been published before, for instance as examples in Marpurg's Kritische Briefe:

Johann Sebastian Bachs vierstimmige Choralgesänge

The first volume of Johann Sebastian Bachs vierstimmige Choralgesänge was published in 1765, and the second volume in 1769. [1] [30] Each volume contained 100 chorale harmonisations, most of them by Johann Sebastian Bach. [31]

Adlung's Musica mechanica organoedi and Musikalisches Siebengestirn

Jakob Adlung's Musica mechanica organoedi and Musikalisches Siebengestirn were published in 1768. [33] [34]

Berlinisches litterarisches Wochenblatt

Editions of the Berlinisches litterarisches Wochenblatt (Berlin literary weekly) were grouped in volumes:

Müller's Drey Sonaten for keyboard duet

Drey Sonaten, fürs Clavier: als Doppelstücke für zwo Personen mit vier Händen by Christian Heinrich Müller  [ scores ] was published in 1782. [39]

Related Research Articles

<span class="mw-page-title-main">Heinrich Schenker</span> Galician-born Austrian music theorist (1868–1935)

Heinrich Schenker was a Galician-born Austrian music theorist whose writings have had a profound influence on subsequent musical analysis. His approach, now termed Schenkerian analysis, was most fully explained in a three volume series entitled Neue musikalische Theorien und Phantasien, which included Harmony (1906), Counterpoint and Free Composition (1935).

The Bach-Werke-Verzeichnis is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998.

<span class="mw-page-title-main">Gottfried Heinrich Stölzel</span> German composer (1690-1749)

Gottfried Heinrich Stölzel was a prolific German composer of the Baroque era. Stölzel was an accomplished German stylist who wrote a good many of the poetic texts for his vocal works.

Clavier-Übung, in more modern spelling Klavierübung, is German for "keyboard exercise". In the late 17th and early 18th centuries this was a common title for keyboard music collections: first adopted by Johann Kuhnau in 1689, the term later became mostly associated with Johann Sebastian Bach's four Clavier-Übung publications.

<span class="mw-page-title-main">Johann Kirnberger</span> German composer

Johann Philipp Kirnberger was a musician, composer, and music theorist. He was a student of Johann Sebastian Bach.

Ernst-Jürgen Dreyer was a German writer, translator, playwright and musicologist.

Since the 18th century Berlin has been an influential musical center in Germany and Europe. First as an important trading city in the Hanseatic League, then as the capital of the electorate of Brandenburg and the Prussian Kingdom, later on as one of the biggest cities in Germany it fostered an influential music culture that remains vital until today. Berlin can be regarded as the breeding ground for the powerful choir movement that played such an important role in the broad socialization of music in Germany during the 19th century.

<span class="mw-page-title-main">Friedrich Wilhelm Marpurg</span> German music critic, music theorist and composer

Friedrich Wilhelm Marpurg was a German music critic, music theorist and composer. He was friendly and active with many figures of the Enlightenment of the 18th century.

<span class="mw-page-title-main">Johann Ernst Bach II</span> German composer (1722–1777)

Johann Ernst Bach was a German composer of the Classical Period. He was the son of Johann Bernhard Bach.

<span class="mw-page-title-main">Giuseppe Belli (singer)</span>

Giuseppe Belli, also Giovanni Belli, also known as 'Il Cortoncino' was an Italian castrato-soprano singer at the Saxon court.

<span class="mw-page-title-main">18th-century prints of Bach's four-part chorales</span>

In the period following Johann Sebastian Bach's death in 1750, apart from the publication of The Art of Fugue in the early 1750s, the only further publications prior to the 1790s were the settings of Bach's four-part chorales. In 1758 Friedrich Wilhelm Marpurg was the first to start preparing a published edition of Bach's four-part chorales, but in 1763 was prevented by royal duties. C. P. E. Bach, who owned the original manuscripts, then set about the same task, producing two volumes in 1765 and 1769. Dissatisfied with his publisher Friedrich Wilhelm Birnstiel, he surrendered the manuscript rights in 1771 to Johann Kirnberger and his patron Princess Anna Amalia of Prussia. From 1777 onwards, Kirnberger unsuccessfully made requests to Birnstiel and a new publisher, Johann Gottlob Immanuel Breitkopf, to publish the chorales. Following Kirnberger's death in 1783, C.P.E. Bach approached Breitkopf, who published them in four volumes between 1784 and 1787.

<span class="mw-page-title-main">Friedrich Konrad Griepenkerl</span> German philosopher, educationist, musicologist and musician (1782–1849)

Friedrich Konrad Griepenkerl was a German Germanist, pedagogue, musicologist and conductor.

Christian Friedrich Gottlieb Schwencke was a German composer, pianist and editor of musical works. From 1789 to 1822, he was Kantor at the Johanneum and director of church music in Hamburg, succeeding Carl Philipp Emanuel Bach. He was an early publisher of The Well-Tempered Clavier by Bach's father, Johann Sebastian Bach.

<i>Singet dem Herrn ein neues Lied</i>, TWV 1:1342–1345

There are four church cantatas by Georg Philipp Telemann sharing the title Singet dem Herrn ein neues Lied:

The Rheinische Kantorei is a German vocal ensemble of baroque music accompanied by an instrumental ensemble called Das Kleine Konzert.

A Bach Temperament is supposed to be the way that the composer Johann Sebastian Bach himself, should have tuned his harpsichords and clavichords, for the interpretation among others, of his masterpiece Das wohltemperirte Clavier .

Heinrich Philipp Bossler also written Boßler [ˈbɔslɐ], was a renowned German music publisher and impresario. Among other things, he achieved his importance as a publisher of original compositions by the Viennese classics.

References

  1. 1 2 RISM   00000990003402, Johann Sebastian Bachs vierstimmige Choralgesänge, gesammlet von Carl Philipp Emanuel Bach.
  2. 1 2 The Correspondence of Christian Gottfried Krause: A Music Lover in the Age of Sensibility , p. 124, at Google Books
  3. ↑ ODEN mit Melodien. Erster Theil at Munich Digitization Center website.
  4. ↑ Hans-Günter Ottenberg (1992). "Die 1. berliner Liederschüle im Urteil der zeitgenössischen Presse", pp. 247ff in Studien zum deutschen weltlichen Kunstlied des 17. und 18. Jahrhunderts edited by Gudrun Busch and Anthony John Harper, Vol. 12 of Chloe: Beihefte zum Daphnis. Rodopi.
  5. ↑ Jahrbuch des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz 1999 , p. 32, at Google Books
  6. ↑ A History of the Oratorio: Vol. 3: the Oratorio in the Classical Era , p. 403, at Google Books
  7. ↑ OCLC   4882134, Kritische Briefe über die Tonkunst.
  8. ↑ Kritische Briefe über die Tonkunst, Vol. 1 at the Internet Archive , urn : nbn:de:bvb:12-bsb10527413-0, urn : nbn:de:bvb:12-bsb10527411-9
  9. ↑ Kritische Briefe über die Tonkunst, Vol. 2 at the Internet Archive , urn : nbn:de:bvb:12-bsb10527412-4= Kritische Briefe über die Tonkunst (II) at Google Books
  10. ↑ Kritische Briefe über die Tonkunst, Vol. 3 at Berlin State Library website.
  11. 1 2 Musikalisches Allerley von verschiedenen Tonkünstlern: 1ste Sammlung (1760 - 1761) at University of Bonn website.
  12. 1 2 Musikalisches Allerley von verschiedenen Tonkünstlern: 2te Sammlung (1761) at University of Bonn website.
  13. 1 2 Musikalisches Allerley von verschiedenen Tonkünstlern: 3te Sammlung (1761) at University of Bonn website.
  14. 1 2 Musikalisches Allerley von verschiedenen Tonkünstlern: 4te Sammlung (1761) at University of Bonn website.
  15. 1 2 Musikalisches Allerley von verschiedenen Tonkünstlern: 5te Sammlung (1761) at University of Bonn website.
  16. 1 2 Musikalisches Allerley von verschiedenen Tonkünstlern: 6te Sammlung (1761 - 1762) at University of Bonn website.
  17. 1 2 Musikalisches Allerley von verschiedenen Tonkünstlern: 7te Sammlung (1762) at University of Bonn website.
  18. 1 2 Musikalisches Allerley von verschiedenen Tonkünstlern: 8te Sammlung (1763) at University of Bonn website.
  19. ↑ OCLC   930856857, Musikalisches Allerley von verschiedenen Tonkünstlern, 9te Sammlung
  20. ↑ OCLC   977981450, Clavierübungen, mit der Bachischen Applicatur, in einer Folge von den leichtesten bis zu den schwersten Stücken.
  21. ↑ Johann Philipp Kirnbergers Clavierübungen mit der bachischen Applicatur, 1 at Berlin University of the Arts website.
  22. ↑ Johann Philipp Kirnbergers Clavierübungen mit der bachischen Applicatur, 2 at Berlin University of the Arts website.
  23. ↑ Johann Philipp Kirnbergers Clavierübungen mit der bachischen Applicatur, 3 at Berlin University of the Arts website.
  24. ↑ Johann Philipp Kirnbergers Clavierübungen mit der bachischen Applicatur, 4 at Berlin University of the Arts website.
  25. ↑ Beschreibung des Cabinets von Gemählden verschiedener berühmten Mahler des Herrn Johann Gottlieb Stein at archive.org website; at HathiTrust website (full view)
  26. ↑ Des Herrn Daniel Stenglin in Hamburg Sammlung von italienischen, holländischen und deutschen Gemählden at HathiTrust website; Des Herrn Daniel Stenglin in Hamburg Sammlung von Italienischen, Holländischen und Deutschen Gemählden at Berlin State Library website.
  27. ↑ Construktion der gleichschwebenden Temperatur at Munich Digitization Center website.
  28. 1 2 Allgemeine deutsche Bibliothek: Anhang, Volume 1 , p. 2, at Google Books
  29. ↑ Wöchentliche Nachrichten und Anmerkungen, die Musik betreffend, Volume 73 , p. 110, at Google Books
  30. ↑ Schulze 2003, pp.  10–11.
  31. ↑ Druck Choralsammlung Birnstiel, Teil I: 1765 and Birnstiel, Teil II: 1769 at Bach Digital website.
  32. ↑ Works 00337, An Wasserflüssen Babylon / Ein Lämmlein geht und trägt die Schuld, and 01514, Ich hebe meine Augen auf, at Bach Digital website.
  33. ↑ Musica mechanica organoedi at the Internet Archive
  34. ↑ Musikalisches Siebengestirn at Munich Digitization Center website.
  35. ↑ Berlinisches litterarisches wochenblatt, Volume 1 of 1776 at Google Books; at HathiTrust (full view)
  36. ↑ Berlinisches litterarisches wochenblatt, Volume 2 of 1776 at Google Books; at HathiTrust (full view)
  37. ↑ Berlinisches litterarisches wochenblatt, Volume 1 of 1777 at Google Books
  38. ↑ Berlinisches litterarisches wochenblatt, Volume 2 of 1777 at Google Books; at HathiTrust (full view)
  39. ↑ Drey Sonaten, fürs Clavier: als Doppelstücke für zwo Personen mit vier Händen at Munich Digitization Center website.

Sources

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.