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Author | Peter Swirski |
---|---|
Subject | Literature, Cultural studies |
Publisher | McGill-Queen's University Press |
Publication date | 2005 |
Pages | 224 |
ISBN | 978-0-7735-2992-2 |
OCLC | 60739494 |
From Lowbrow to Nobrow is a book on literary culture written by Peter Swirski, professor of American literature and culture at the University of Missouri, St. Louis and Research Director at the Helsinki Collegium for Advanced Studies. Swirski is the author of twelve books of American literature and culture, Stanislaw Lem, and theory of knowledge.
Peter Swirski is a Canadian scholar and literary critic featured in Canadian Who's Who. As a specialist in American literature and American Studies, he is the author of seventeen books, including the prize-winning Ars Americana, Ars Politica (2010) and the staple of American popular culture studies From Lowbrow to Nobrow (2005). His other studies include American Utopia and Social Engineering (2011), American Political Fictions (2015), and the digital-futurological bestseller From Literature to Biterature (2013). He is also the leading scholar on the late writer and philosopher Stanisław Lem.
Having gone through several printings, the book is by now a staple in American popular culture studies. It furnishes a series of analyses of the relation of popular fiction to high literary culture. In his work, Swirski challenges the highbrow vs lowbrow categorization of literary culture, and popular culture in general by focusing attention on what he terms the nobrow taste culture, whereby "authors simultaneously target both extremes of the literary spectrum".
Popular culture studies is the study of popular culture from a critical theory perspective combining communication studies and cultural studies. The first institution to offer bachelor's and master's degrees in Popular Culture is the Bowling Green State University Department of Popular Culture founded by Ray B. Browne.
Used colloquially as a noun or adjective, "highbrow" is synonymous with intellectual; as an adjective, it also means elite, and generally carries a connotation of high culture. The word draws its metonymy from the pseudoscience of phrenology, and was originally simply a physical descriptor.
"Low culture" is a derogatory term for forms of popular culture that have mass appeal. Its contrast is "high culture", which can also be derogatory. It has been said by culture theorists that both high culture and low culture are subcultures.
In the first half of the book, Swirski details the historical facts behind the functioning of popular fiction, and discusses the concept of genres and the nobrow aesthetics. He does this by tracing the socio-historical development of the book publishing industry and scouring the publishing statistical data from sources such as UNESCO and the American Book Industry Study Group. Supported by statistics, illustrations, and case studies, the author asks for a more serious examination of popular literature. Because of its mass appeal, critics and academics are quick to conclude that popular literature is lowbrow art. Swirski asserts that in fact some of the best works in the twentieth century come from authors who refuse to succumb to either the highbrow/academic literary formulae, or to the formulaic popular genres sold at the "bestseller-and-moccacino" bookstore chains.
The United Nations Educational, Scientific and Cultural Organization is a specialized agency of the United Nations (UN) based in Paris. Its declared purpose is to contribute to peace and security by promoting international collaboration in education, sciences, and culture in order to increase universal respect for justice, the rule of law, and human rights along with fundamental freedom proclaimed in the United Nations Charter. It is the successor of the League of Nations' International Committee on Intellectual Cooperation.
He demonstrates his arguments in the second half of the book by analyzing three "nobrow" works: Karel Čapek's War With the Newts (1936), Raymond Chandler's Playback (1958), and Stanislaw Lem's The Chain of Chance (1976). All three, and many others mentioned and discussed in this book, are exemplary of the nobrow cultural formation which spans the twentieth century.
Karel Čapek was a Czech writer, playwright and critic. He has become best known for his science fiction, including his novel War with the Newts (1936) and play R.U.R., which introduced the word robot. He also wrote many politically charged works dealing with the social turmoil of his time. Influenced by American pragmatic liberalism, he campaigned in favor of free expression and strongly opposed the rise of both fascism and communism in Europe.
Raymond Thornton Chandler was an American-British novelist and screenwriter. In 1932, at the age of forty-four, Chandler became a detective fiction writer after losing his job as an oil company executive during the Great Depression. His first short story, "Blackmailers Don't Shoot", was published in 1933 in Black Mask, a popular pulp magazine. His first novel, The Big Sleep, was published in 1939. In addition to his short stories, Chandler published seven novels during his lifetime. All but Playback have been made into motion pictures, some more than once. In the year before his death, he was elected president of the Mystery Writers of America.
Playback is a novel by Raymond Chandler featuring the private detective Philip Marlowe. It was first published in Britain in July 1958; the US edition followed in October that year. Chandler died the following year; Playback is his last completed novel.
Stanisław Herman Lem was a Polish writer of science fiction, philosophy, and satire, and a trained physician. Lem's books have been translated into 41 languages and have sold over 45 million copies. From the 1950s to 2000s, he published many books, both science fiction and philosophical/futurological. He is best known as the author of the 1961 novel Solaris, which has been made into a feature film three times. In 1976, Theodore Sturgeon wrote that Lem was the most widely read science fiction writer in the world.
Genre fiction, also known as popular fiction, is a term used in the book-trade for fictional works written with the intent of fitting into a specifically literary genre, in order to appeal to readers and fans already familiar with that genre.
The term middlebrow describes easily accessible art, usually literature, and the people who use the arts to acquire culture and "class". First used in the British satire magazine Punch in 1925, the term middlebrow is the intermediary "brow" descriptor between highbrow and lowbrow, which are terms derived from the pseudo-science of phrenology.
Urban fiction, also known as street lit or street fiction is a literary genre set in a city landscape; however, the genre is as much defined by the socio-economic realities and culture of its characters as the urban setting. The tone for urban fiction is usually dark, focusing on the underside of city living. Profanity, sex, and violence are usually explicit, with the writer not shying away from or watering-down the material. Most authors of this genre draw upon their past experiences to depict their storylines.
The Investigation is a science fiction/detective/thriller novel by the Polish writer Stanisław Lem. The novel incorporates a philosophical discourse on explanation of unknown phenomena. It was first published in 1958 in Przekrój magazine and in 1959 as a book by the Publishing House of the Ministry of National Defense.
An Experiment in Criticism is a 1961 book by C. S. Lewis in which he proposes that the quality of books should be measured not by how they are written, but by how they are read. To do this, the author describes two kinds of readers. One is what he calls the "unliterary", and the other the "literary". He proceeds to outline some of the differences between these two types of readers. For example, one characterization of an unliterary reader is that the argument "I've read it before" is a conclusive reason not to read a book. In contrast, literary readers reread books many times, savouring certain passages, and attempting to glean more from subsequent readings.
Return from the Stars is a science fiction novel by Polish author Stanisław Lem. Written in 1961, it is the story of a cosmonaut returning to his homeworld, Earth, and finding it a completely different place. The novel touches among the ideas of social alienation, culture shock and dystopia. It was first translated into English in 1980 by Barbara Marszal and Frank Simpson.
A Perfect Vacuum is a 1971 book by Polish author Stanisław Lem, the largest and best known collection of Stanislaw Lem's fictitious criticism of nonexisting books. It was translated into English by Michael Kandel. Some of the reviews remind the reader of drafts of his science fiction novels, some read like philosophical pieces across scientific topics, from cosmology to the pervasiveness of computers, finally others satirize and parody everything from the nouveau roman to pornography, Ulysses, authorless writing, and Dostoevsky.
Science fiction and fantasy in Poland dates to the late 18th century. During the later years of the People's Republic of Poland, social science fiction was a very popular genre of science fiction. Afterwards, many others gained prominence. Currently there are many science fiction writers in Poland. Internationally, the best known Polish science fiction writer is Stanisław Lem. As elsewhere, Polish science fiction is closely related to the genres of fantasy, horror and others. Although many English language writers have been translated into Polish, relatively few Polish language science fiction has been translated into English.
Ars Americana, Ars Politica: Partisan Expression in Contemporary American Literature and Culture is a 2010 critical study by Peter Swirski.
Stanisław Lem's fictitious criticism of nonexisting books may be found in his following works: in three collections of faux reviews of fictitious books: A Perfect Vacuum, Provocation, and Library of 21st Century translated as One Human Minute, and in Imaginary Magnitude, a collection of introductions to nonexistent books.
The Man from Mars is a "first contact" science fiction novel by Stanisław Lem: American scientists are trying to deal with a creature in a crashed spaceship from Mars.
A novelist is an author or writer of novels, though often novelists also write in other genres of both fiction and non-fiction. Some novelists are professional novelists, thus make a living writing novels and other fiction, while others aspire to support themselves in this way or write as an avocation. Most novelists struggle to get their debut novel published, but once published they often continue to be published, although very few become literary celebrities, thus gaining prestige or a considerable income from their work.
The Philosophy of Chance, with subtitle "Literature in the Light of Empiricism" is an essay by Polish author Stanisław Lem on the literary theory and the influence of literature on the modern culture. However, as literary critic Henryk Markiewicz noted, the subtitle is somewhat misleading: starting with Lem's take on literary theory, the essay turns into the "General Theory of Everything": of the Universe, evolution, and culture, based on a premise that chance, eventuality is the universal factor.
This bibliography of Stanisław Lem is a list of works about Stanisław Lem, a Polish science fiction writer and essayist.
Rozmowy ze Stanisławem Lemem is a book-length interview of Polish science fiction writer Stanisław Lem conducted by literary critic and historian Stanisław Bereś in 1981–1982 and published in book format in 1987. The second, more comprehensive edition was published in 2002 under the title Tako rzecze… Lem.