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FutureQuake was a British small press comic book founded by Arthur Wyatt, and later edited by Richmond Clements, David Evans and Owen Watts. Dedicated to showcasing work by new writers and artists, they published mostly self-contained comic stories, generally of 5 pages or less and usually of a sci-fi/fantasy/horror bent.
Under their FutureQuake Press imprint (FQP) they also published the Japanese Manga-influenced anthology MangaQuake and the horror comic Something Wicked. FQP also published other comics, and took over Dogbreath , the Strontium Dog fanzine and Zarjaz , the general 2000 AD fanzine.
39 issues of FutureQuake were published until publication went on hiatus following the death of David Evans in May 2021.
FutureQuake played host to a wide range of contributors, including first time writers and artists, up-and-coming small press personalities and established creators. Issues featured the likes of Alan Grant, Arthur Ranson, Al Ewing, Stewart McKenny, PJ Holden, Arthur Wyatt, Inaki Miranda & Eva de la Cruz, Adrian Bamforth, Matt Timson, Michael Molcher, Paul Scott and Charlie Adlard.
In 2021, FutureQuake staff included art/commissioning editor Dave Evans, script editor Richmond Clements, editor Owen Watts, and webmaster Barny Shergold.
Previous members include founder and sole editor for issues 1-3 Arthur Wyatt, script editor James Mackay, and script editor Edward Berridge.
Though FutureQuake was ostensibly open to any form of submission from anyone who chose to do so, there were certain forms and themes to which the comic adheres. As an anthology, the stories often featured a moralistic 'twist' at the end, much in the same style as EC Comics's science fiction and horror comics like Weird Science and The Vault of Horror , as well as 2000 AD's Future Shocks . However, the stories were not necessarily bound by this.
This section needs expansion. You can help by adding to it. (August 2021) |
Fanzine of the Month in SFX for FutureQuake #5
MangaQuake moves away from the FutureQuake format, opting instead for longer stories less reliant on the narrative structure of the 'twist', clearly influenced by the Japanese manga comics form.
Fanzine of the Month in SFX for MangaQuake #2
Something Wicked was the third title launched. The horror comic directly parallels and references the horror titles published by EC Comics and those published by Atlas during the 1950s.
There have been ten issues so far.[ when? ]
This section needs expansion. You can help by adding to it. (August 2021) |
Fanzine of the Month in SFX.
They have published or agreed to take over publishing a number of titles all of which are not part of the core FQP titles (above). As well as their personal projects, these include:
Magazine articles:
2000 AD is a weekly British science fiction-oriented comic magazine. As a comics anthology it serialises stories in each issue and was first published by IPC Magazines in 1977, the first issue dated 26 February. Since 2000 it has been published by Rebellion Developments.
A British comic is a periodical published in the United Kingdom that contains comic strips. It is generally referred to as a comic or a comic magazine, and historically as a comic paper.
Brian Bolland is a British comics artist. Best known in the United Kingdom as one of the Judge Dredd artists for British comics anthology 2000 AD, he spearheaded the 'British Invasion' of the American comics industry, and in 1982 produced the artwork alongside author Mike W. Barr on Camelot 3000, which was DC Comics' first 12-issue comicbook maxiseries created for the direct market.
John Wagner is an American-born British comics writer. Alongside Pat Mills, he helped revitalise British comics in the 1970s, and continues to be active in the British comics industry, occasionally also working in American comics. He is the co-creator, with artist Carlos Ezquerra, of the character Judge Dredd.
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British small press comics, once known as stripzines, are comic books self-published by amateur cartoonists and comic book creators, usually in short print runs, in the UK. They're comparable to similar movements internationally, such as American minicomics and Japanese doujinshi. A "small press comic" is essentially a zine composed predominantly of comic strips. The term emerged in the early 1980s to distinguish them from zines about comics. Notable artists who have had their start in British small press comics include Eddie Campbell, Paul Grist, Rian Hughes, Jamie Hewlett, Alan Martin, Philip Bond and Andi Watson.
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Matt Timson is a British comic book artist who resides in Leicester.
Arthur Wyatt is a writer for British comic 2000 AD, creating stories mostly in the Future Shock format and in the Judge Dredd universe, including the comicbook sequels to the 2012 Dredd movie. Wyatt was also selected as one of 2005's five best new comic book writers, contributing to the 2000AD Winter Special.
Liam Roger Sharp is a British comic book artist, writer, publisher, and co-founder/CCO of Madefire Inc.
Stewart McKenny is an Australian comic book artist, who has been described as "one of Australia's most prolifically published comic book artists".
Adrian Bamforth is a British comic book artist who has worked for 2000 AD as well as producing work for British small press comics like FutureQuake.
Zarjaz is a comics anthology fanzine for the long-running British science fiction comic 2000 AD.
Dogbreath is a fanzine dedicated to the 2000 AD series Strontium Dog.
Michael Owen Carroll is an Irish writer of novels and short stories for adults and children. He is best known for his series of superhero novels The New Heroes, and for his romantic fiction under the name Jaye Carroll. He also writes Judge Dredd for 2000 AD and the Judge Dredd Megazine.
Bill Spicer is an editor and publisher who spearheaded the 1960s movement away from commercial comics, opening the gateway to underground, alternative, and independent comics, notably with his publication Graphic Story Magazine.
Rocket's Blast Comicollector (RBCC) was a comics advertising fanzine published from 1964 to 1983. The result of a merger with a similar publication, RBCC's purpose was to bring fans together for the purpose of adding to their comic book collections. It also proved to be a launching pad for aspiring comic book creators, many of whom corresponded and exchanged their work through RBCC, and published work in the fanzine as amateurs.
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