This article contains wording that promotes the subject in a subjective manner without imparting real information.(December 2025) |
Gabriel Barcia-Colombo | |
|---|---|
| Born | |
| Alma mater | USC School of Cinematic Arts |
| Occupations |
|
| Years active | 2006–present |
| Known for | DNA Vending Machine, New York Minute, Hereafter Institute, Platform, Neon Museum Residency |
| Relatives | José Rubia Barcia (grandfather) |
| Website | www |
Gabriel Barcia-Colombo (born 1982) is an American video artist and filmmaker, best known for his video sculpture installations. He explores themes of memory, identity, and human connection through a combination of video, photography, and video sculpture. [1]
Barcia-Colombo is the grandson of Spanish poet and writer José Rubia Barcia. [2]
Barcia-Colombo graduated from the USC School of Cinema-Television and is currently a Professor of Media Arts at the Tisch School of the Arts. [3] In 2008, he was awarded the NYFA grant for video. [4] In 2012, he was made a TED fellow. [5] Barcia-Colombo has presented two TED talks since then, one in 2012 and the other in 2013. [6] [7]
In 2014, Barcia-Colombo founded “Bunker,” a pop-up VR gallery in New York City which features artists' work in the form of code-driven sculpture, augmented reality, and virtual installation. [8] [9] The gallery was re-opened at Sotheby's in New York in 2017. [10]
In 2025, Barcia-Colombo directed a music video for David Byrne's lead single "Everybody Laughs" from the artist's solo album Who Is the Sky?, set to release later in September. [11] [12]
In 2014, to create the awareness about privacy issues related to the use of information stored in human DNA, Barcia-Colombo created a vending machine that dispenses human genetic material. [13] The machine was installed at the Victoria and Albert Museum in London.
In 2015, Barcia-Colombo created a video art project entitled New York Minute for the Fulton Center. The project featured 52 portraits of New Yorkers doing everyday activities in super-slow motion. The project was honored by the non-profit organization Americans for the Arts. [14]
In 2016, Barcia-Colombo created the project Hereafter Institute, which was premiered at the Los Angeles County Museum of Art as part of the Art and Technology Lab. [15] The project examines the ways in which people memorialize themselves after their death in the digital age and what happens to their data when they die. [16]
Platform is a video artwork by Barcia-Colombo that examines what it means to be back together in a crowd after years spent apart. The work features a large portrait of 40 New Yorkers in a slow-motion moment of awe as they come together to examine the passersby in the new Grand Central Terminal. [17] Platform also showed in the Madison concourse under Grand Central Station. [18]
During his residency at The Neon Museum, Barcia-Colombo investigated how technology and light influences and impacts memory by creating a series of sculptures inspired by the neon signs at the museum. [19] Barcia-Colombo gave an artist talk via Zoom and conducted a projection mapping workshop with students.
In addition, Barcia-Colombo utilized his studio space at the Juhl to record video of a number of Las Vegas locals. These came together in a composite video sculpture and as recreations of three Las Vegas figures; Vegas Vic performed by Brent Holmes, Vegas Vickie performed by Laci Cerrone, and Elvis performed by Heidi Rider. [20]