Gail Anderson | |
|---|---|
 Illustration of Gail Anderson by Creative Repute LLC | |
| Born | 1962 (age 61–62) Bronx, New York, United States |
| Nationality | American |
| Education | School of Visual Arts (BFA 1984) |
| Known for | Graphic design |
| Awards | AIGA medal (2008) |
| Website | www |
Gail Anderson (born 1962) is an American graphic designer, writer, and educator [1] known for her typographic skill, hand-lettering and poster design.
Gail Anderson's family migrated to the Bronx, New York from Jamaica. She was the first-generation American, and first-generation college-educated in her family. [2] In her youth, Anderson created Jackson 5 and Partridge Family pretend magazines. As she got older, she began to look into what was then called “commercial art” as a possible career field. [3]
She graduated from the School of Visual Arts with a BFA in 1984, [4] where she was taught by Paula Scher. [5] She joined the faculty at School of Visual Arts MFA, undergraduate, and high school design programs, and has served on the advisory boards for Adobe Partners by Design and the Society of Publication Designers. She currently serves on the board for the Type Directors Club, and is a member of the Citizens' Stamp Advisory Committee for the US Postal Service. [6]
Upon graduating, Anderson worked as a designer at Vintage Books (Random House) and then at The Boston Globe Sunday Magazine from 1985 to 1987. [7] She became the senior art director of Rolling Stone , where she worked for fifteen years from 1987 to 2002, starting as a designer and deputy art director. [8] In 2002, she became the creative director at SpotCo, an agency specializing in advertising for the arts and entertainment, where she stayed until 2010. [9] Her first piece for Spotco was a subway poster for the play Harlem Song . [3] Anderson was also in charge of the typeface library at SpotCo. [9] She is currently a partner at Anderson Newton Design with Joe Newton. [10]
She specializes in creating theatrical advertising for Broadway productions. Her work, which has received awards from the Society of Publication Designers, the Type Directors Club, AIGA, the Art Directors Club, Graphic, Communication Arts and Print, is in the permanent collections of the Cooper-Hewitt, National Design Museum, and the Library of Congress.
Anderson designed the 2013 Emancipation Proclamation US postage stamp. [11] [12]
Working with Steven Heller for over twenty years, [7] she has co-written books on graphic design including New Modernist Type, New Ornamental Type, New Vintage Type, Astounding Photoshop Effects, American Type Play, The Savage Mirror, Graphic Wit, and the upcoming The Typographic Universe. [1] Anderson is a contributor to magazines Imprint and Uppercase. [13] [14]
Her philosophy for type design is that "the process has to be fun and you need to be willing to step outside your comfort zone." [9]
Anderson is a faculty member at the School of Visual Arts in the Designer as Author MFA department, [7] where she also teaches graduate, undergraduate, and pre-college courses in graphic design. [1]
She was among AIGA's 2008 medalists for her accomplishments in graphic design. [9] She serves on the advisory board for the Adobe Design Achievement Awards. [7] Anderson served as the Director-At-Large for the Type Directors Club from 2014 to 2016. [13]
Currently based in New York City, Anderson teaches in the School of Visual Arts MFA, undergraduate, and high school design programs, and serves as creative director at the school's Visual Arts Press, the in-house design studio for the School. [15] She is partner at Anderson Newton Design, [15] serves on the board for the Type Directors Club, and is a member of the Citizens' Stamp Advisory Committee for the US Postal Service. [16]
Her career has ranged from magazine design to teaching, designing for the theater, packaging, writing, and now designing for academia. [17] Anderson's work has received many awards from major design organizations, including the Society of Publication Designers, the Type Directors Club, The American Institute of Graphic Arts, The Art Directors Club, Graphis, Communication Arts, and Print. In addition, her work has also been included in the permanent collections of the Cooper Hewitt Design Museum, the Library of Congress, and the Milton Glaser Design Archives at the School of Visual Arts. Anderson has been featured in magazines that include Computer Arts (UK), designNET (Korea), kAk (Russia), STEP Inside Design, and Graphic Design USA. [10] In 2018 Gail Anderson was honored with The National Design Awards’ Lifetime Achievement Accolade, the first year that women of color were awarded.
Anderson has always been passionate about type. She is obsessed with the element of type and finds ways to improve her skill. Anderson uses a variety of traditional and non-traditional forms of type in her work, including incorporating wood type or found objects. [7] Anderson developed her type style and incorporates it into commercial fonts, lettering, old advertising posters, vintage signage, pages from antique specimen books. All of this sparks her impassioned typographic emotions. Anderson now has focused her career in creating artwork and campaigns for Broadway theater. She is also specializing in hand-lettering and packaging design. [18] She has published her findings in the book called ”Hand- Drawn Packaging from Around the World.” The book contributes to the documentation of Anderson's talent and graphic design skills. It has won the best illustrated award-winning design. [19]
Gail Anderson has a wide area of expertise working in multiple areas of the graphic design field throughout her career. Some of her most notable works stem from her experience creating posters in the entertainment industry while working with The School of Visual Arts, Rolling Stone , and many theater organizations – including Broadway.
Theater
Broadway [20]
Guthrie Theater [23]
Publications
Rolling Stone [25]
Posters
School of Visual Arts [28]
Type Directors Club [30]
Anderson has collaborated with Steven Heller on multiple books.
{{cite book}}: CS1 maint: location missing publisher (link){{cite book}}: CS1 maint: location missing publisher (link)Zuzana Licko is a Slovak-born American type designer and visual artist known for co-founding Emigre Fonts, a digital type foundry in Berkeley, CA. She has designed and produced numerous digital typefaces including the popular Mrs Eaves, Modula, Filosofia, and Matrix. As a corresponding interest she also creates ceramic sculptures and jacquard weavings.
Seymour Chwast is an American graphic designer, illustrator, and type designer.
Paula Scher is an American graphic designer, painter and art educator in design. She also served as the first female principal at Pentagram, which she joined in 1991.
April Greiman is an American designer widely recognized as one of the first designers to embrace computer technology as a design tool. Greiman is also credited, along with early collaborator Jayme Odgers, with helping to import the European New Wave design style to the US during the late 70s and early 80s." According to design historian Steven Heller, “April Greiman was a bridge between the modern and postmodern, the analog and the digital.” “She is a pivotal proponent of the ‘new typography’ and new wave that defined late twentieth-century graphic design.” Her art combines her Swiss design training with West Coast postmodernism.
Steven Heller is an American art director, journalist, critic, author, and editor who specializes in topics related to graphic design.
Rebeca Méndez is a Mexican-American artist and graphic designer. She is professor at UCLA Design Media Arts in Los Angeles, California, and since July 2020 is chair of the department, as well as founder and director of the Counterforce Lab. Her Vice-chair Peter Lunenfeld wrote about her: "Rebeca has won the three most significant awards in the field of design: The Cooper-Hewitt National Design Award in Communication Design, 2012, the AIGA Medal in 2017, and induction to the One Club Hall of Fame in 2017. This triple crown would be worthy enough on its own, more than worthy, absolutely exceptional, but when you add in that Rebeca is the first and only Latina to win each one of these, much less all three, the achievement is towering." In fact, she is the only woman ever to have received all these three awards, while Bob Greenberg from R/GA is the only man to have received all of them.
Ellen Lupton is a graphic designer, curator, writer, critic, and educator. Known for her love of typography, Lupton is the Betty Cooke and William O. Steinmetz Design Chair at Maryland Institute College of Art. Previously she was the Senior Curator of Contemporary Design at Cooper Hewitt, Smithsonian Design Museum in New York City and was named Curator Emerita after 30 years of service. She is the founding director of the Graphic Design M.F.A. degree program at Maryland Institute College of Art (MICA), where she also serves as director of the Center for Design Thinking. She has written numerous books on graphic design for a variety of audiences. She has contributed to several publications, including Print, Eye, I.D., Metropolis, and The New York Times.
Marian Bantjes is a Canadian designer, artist, illustrator, typographer and writer. Describing her work as graphic art, Marian Bantjes is known for her custom lettering, intricate patterning and decorative style. Inspired by illuminated manuscripts, Islamic calligraphy, Baroque ornamentation, Marian Bantjes creates detailed work, often combining the forms of her disparate influences.
Debbie Millman is an American writer, educator, artist, curator, and designer who is best known as the host of the podcast Design Matters. She has authored six books and is the President Emeritus of the American Institute of Graphic Arts (AIGA) and chair, one of only five women to hold the position over 100 years. She co-founded the Masters in Branding Program at the School of Visual Arts in New York City with Steven Heller. She was previously the editorial and creative director of Print magazine. Her illustrations have appeared in many major publications, including New York Magazine, Design Observer, and Fast Company and her artwork has been included in many museums and institutes including the Design Museum of Chicago and the Boston Biennale.
Jennifer Morla is an American graphic designer and professor based in San Francisco. She received the Cooper Hewitt Smithsonian National Design Award in Communication Design in 2017.
Beatriz Feitler was a Brazilian designer and art director best known for her work in Harper's Bazaar, Ms., Rolling Stone and the premiere issue of the modern Vanity Fair.
Louise Fili, born on April 12, 1951, is an American graphic designer renowned for her adept use of typography and commitment to quality design. Her artistic inspiration derives from her passion for Italy, Modernism, and European Art Deco styles. Acknowledged as a trailblazer in the postmodern revival of historical styles in book jacket design, Fili seamlessly blends historic typography with contemporary colors and compositions. Commencing her career in the publishing industry, Fili gained prominence for her robust typographic approach, crafting nearly 2,000 book jackets during her tenure with Random House. Upon establishing her own design studio, she has directed her focus towards restaurant identity, food-related logos, and packaging.
Tomoko Miho was a Japanese-American graphic designer and recipient of the 1993 AIGA Medal. She is known for her understanding of the relationship between space and object.
George Tscherny was a Hungarian-born American graphic designer and educator. Tscherny received the highest honors among graphic designers. He was awarded the AIGA Medal in 1988, celebrated in the annual Masters Series in 1992 at the School of Visual Arts, and inducted into the Art Directors Club Hall of Fame in 1997. He worked in a number of areas ranging from U.S. postage to identity programs for large corporations and institutions.
Jacqueline S. Casey was a graphic designer best known for the posters and other graphic art she created for the Massachusetts Institute of Technology (MIT). While practicing a functional Modernism, Jacqueline S. Casey was a graphic designer in the Office of Publications from 1955 to 1989, and was appointed director in 1972. In discussing her design, Casey stated, "My work combines two cultures: The American interest in visual metaphor on the one hand, and the Swiss fascination with planning, fastidiousness, and control over technical execution on the other."
Michael J. Walsh is an American designer and creative director who has worked or consulted at the School of Visual Arts, Harry N. Abrams, the Walt Disney Company, Time Inc, Turner Broadcasting, Time Warner and The Washington Post Magazine, among others. He has won over 300 awards for design and art direction in American and international awards competitions for digital, video, exhibition design, multimedia projects and print projects.
Alan Kitching RDI AGI Hon FRCA is a practitioner of letterpress typographic design and printmaking. Kitching exhibits and lectures across the globe, and is known for his expressive use of wood and metal letterforms in commissions and limited-edition prints.
Carin Goldberg was an American graphic designer, publication designer and brand consultant. She was known for her cover designs for record albums and books, with her work appearing in and on the covers of the New York Times Book Review, the New York Times Magazine, New York Magazine, The Atlantic Monthly, and Wired. Her use of visual historical references generated controversy within the graphic design community.
Anne Quito is a design reporter and architecture critic based in New York City. A former reporter at Quartz, she is also the founding director of Design Lab, the in-house design team for Family Health International (FHI). In 2017, Quito won the inaugural Steven Heller Prize for Cultural Commentary from the American Institute of Graphic Arts (AIGA). In 2018, a story she co-authored received a silver medal in the Malofiej Infographic Awards.
Jennifer Kinon is an American graphic designer.
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