Archduke Leopold Wilhelm in his Gallery in Brussels | |
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The Art Collection of Archduke Leopold Wilhelm in Brussels | |
Artist | David Teniers the Younger |
Year | c. 1650 |
Medium | oil paint |
Dimensions | 123 cm (48 in) × 163 cm (64 in) |
Location | Kunsthistorisches Museum |
Identifiers | RKDimages ID: 44376 |
Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels is a 1651 painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger, now held in the Kunsthistorisches Museum in Vienna. [1]
The painting shows the Archduke as a collector with friends admiring a set of paintings. The artist himself holds his hat in his hand and is listening to his patron as the archduke gestures with his cane towards some recent acquisitions. The paintings are arranged in rows on a rear wall, with several others on the side of the vestibule on the left, and a set that are positioned in the foreground leaning against chairs for inspection.
This painting is a copy by the artist and one of the first that David Teniers the Younger prepared to document the Archduke's collection before he employed 12 engravers to publish his Theatrum Pictorium , considered the "first illustrated art catalog". He published this book of engravings after the Archduke had moved to Austria and taken his collection with him. It was published in Antwerp in 1659 and again in 1673. [2] The original version of this painting, with the figures arranged differently, is in the collection of Petworth House, south of London.
Most of the recognizable paintings in the collection, not all of which were included in the Italian catalog prepared by Teniers, are still in the Viennese collection. The full list of the depicted paintings is the same as the Petworth version. That version, which includes a portrait of Bishop Antonius Triest (1576-1657), served as the basis for this copy, though they are about the same size and were possibly both made at the same time in tandem. [3] The bishop was an art collector and a patron of many of Teniers's contemporary artists in Antwerp, and introduced Teniers to the Archduke. This copy remained in the archducal collection, while several others were documented as gifts. The most impressive of these was the large version on copper in the Museo del Prado with a different selection of paintings.
David Teniers the Younger or David Teniers II was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output. He was an innovator in a wide range of genres such as history painting, genre painting, landscape painting, portrait and still life. He is now best remembered as the leading Flemish genre painter of his day. Teniers is particularly known for developing the peasant genre, the tavern scene, pictures of collections and scenes with alchemists and physicians.
The Three Philosophers is an oil painting on canvas attributed to the Italian High Renaissance artist Giorgione. It shows three philosophers – one young, one middle-aged, and one old. The work was commissioned by the Venetian noble Taddeo Contarini, a Venetian merchant with an interest in the occult and alchemy. The Three Philosophers was finished one year before the painter died. One of Giorgione’s last paintings, it is now displayed at the Kunsthistorisches Museum in Vienna. The painting was finished by Sebastiano del Piombo.
The Stallburg is a renaissance-style building in the Vienna city center located between Josefsplatz and Michaelerplatz. It is part of the Hofburg Palace.
Violante is an oil painting attributed to Titian, dated to around 1515 and now held at the Kunsthistorisches Museum in Vienna.
The Portrait of Jacopo Strada is a 1567-68 portrait of the court librarian Jacopo Strada by Titian, now held in the Kunsthistorisches Museum in Vienna.
The Madonna of the Cherries is a 1515 painting by Titian, heavily influenced by the work of Giovanni Bellini. Originally oil on wood, it was later transferred to canvas. During the 17th century it formed part of the collection of Archduke Leopold Wilhelm, where it was copied by David Teniers. It is now in the Kunsthistorisches Museum in Vienna.
The Bravo is an oil painting usually attributed to Titian, dated to around 1516-17 and now in the Kunsthistorisches Museum in Vienna. The painting can be seen as one of a number of Venetian paintings of the 1510s showing two or three half-length figures with heads close together, often with their expressions and interactions enigmatic. Most of these are "Giorgionesque" genre or tronie subjects where the subjects are anonymous, though the group includes Titian's The Tribute Money, with Christ as the main figure, which in terms of style is similar to this painting, and his Lucretia and her Husband, also in Vienna, where at least the woman's identity is clear, if not that of the man.
Theatrum Pictorium, or Theatre of Painting, is a short-hand name of a book published in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a catalog of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673.
Jan van Troyen was a Flemish engraver and etcher. He is mainly known for the work he did for David Teniers the Younger on the illustrations for the Theatrum Pictorium, an publication which gave an overview of the paintings in the collection of the Archduke Leopold Wilhelm.
Judith with the head of Holofernes is a 1610–1615 painting by the painter Carlo Saraceni, now held in the Kunsthistorisches Museum in Vienna.
Saint Margaret and the Dragon is the title shared by two paintings of Saint Margaret by the Renaissance painter Raphael, both executed in about 1518. One is held in the Kunsthistorisches Museum in Vienna, the other in the Louvre in Paris.
Gallery of Archduke Leopold Wilhelm in Brussels is a 1651 painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger, now held in Petworth House in England.
The Archduke Leopold Wilhelm in his Painting Gallery in Brussels is a 1651 painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger, now held in the Prado in Madrid.
Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels is a 1653 painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger. It is now held in a private collection, but it was previously owned by the Rothschild family, from whom it was taken in World War II and placed in the Kunsthistorisches Museum where it stayed for 50 years until restitution in 1999.
Archduke Leopold Wilhelm and the artist in the archducal picture gallery in Brussels is a 1653 painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger, now held in the collection of Museo Lázaro Galdiano in Madrid.
Gallery of Archduke Leopold Wilhelm in Brussels is a 1651 painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger, now in the Royal Museums of Fine Arts of Belgium.
Bartolomeo della Nave was a Venetian merchant and art collector.
Franciscus van der Steen was a Flemish painter and engraver who was active in Vienna. He is now mainly known for his reproductive prints after master paintings and various publications containing portraits of prominent persons. No known paintings are currently attributed to him.
Gallery of Archduke Leopold Wilhelm in Brussels is a 17th-century painting of Archduke Leopold Wilhelm's Italian art collection by the Flemish Baroque painter David Teniers the Younger, now held in the Schleissheim Palace.
Nymph and Shepherd, also called Shepherd and Nymph, is an oil painting by the Venetian master Titian, made about 1570. The painting is in the collection of the Kunsthistorisches Museum in Vienna.