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Gallimathias musicum (also spelled Galimathias musicum) in D major, K. 32, is a quodlibet composed in March 1766 by the ten-year-old Wolfgang Amadeus Mozart during his grand tour of Europe. It was first performed at The Hague on 11 March 1766. A typical performance of this piece lasts twenty minutes.
The work is scored for two oboes, two horns in D (and C and F), bassoon, mainly colla parte with double bass, harpsichord and strings, and consists of seventeen movements:
A galimatias is a term for nonsense, gobbledygook, a hodgepdge. Not all instruments feature in every movement. No. 8 contains the lyrics, Eitelkeit! Eitelkeit! Ewig's Verderben! Wenn all's versoffen ist, gibts nichts zu erben. [Vanity! Vanity! Eternal ruin! When everything is boozed away, no inheritance is left.], but no singing voice is specified.
Wolfgang Amadeus Mozart began his series of preserved piano concertos with four that he wrote in Salzburg at the age of 11 : K. 37 and 39–41. The autographs, all held by the Jagiellonian Library, Kraków, are dated by his father as having been completed in April and July of 1767. Although these works were long considered to be original, they are now known to be pasticcios of sonatas by various German composers. The works on which the concertos are based were largely published in Paris, and presumably Mozart and his family became acquainted with them or their composers during their visit to Paris in 1763–64.
The Serenade No. 10 for winds in B-flat major, K. 361/370a, is a serenade by Wolfgang Amadeus Mozart scored for thirteen instruments: twelve winds and string bass. The piece was probably composed in 1781 or 1782 and is often known by the subtitle Gran Partita, though the title is a misspelling and not in Mozart's hand. It consists of seven movements.
Hyacinthe Jadin was a French composer who came from a musical family. His uncle Georges Jadin was a composer in Versailles and Paris, along with his father Jean Jadin, who had played bassoon for the French Royal Orchestra. He was one of five musical brothers, the best known of whom was Louis-Emmanuel Jadin.
The Piano Concerto No. 6 in B-flat major, K. 238, was composed by Wolfgang Amadeus Mozart in January 1776. His Concerto No. 7 for three pianos and his Concerto No. 8 in C major would follow within three months. The three works share what Cuthbert Girdlestone refers to as a galant style.
Great Pianists of the 20th Century – Géza Anda is volume one of the Great Pianists of the 20th Century box set, and it features music by the composers Béla Bartók, Frédéric Chopin, and Wolfgang Amadeus Mozart performed by the renowned pianist, Géza Anda.
An organ concerto is an orchestral piece of music in which a pipe organ soloist is accompanied by an an orchestra, although some works exist with the name "concerto" which are for organ alone.
Wolfgang Amadeus Mozart's first four sonatas for keyboard and violin, K. 6–9 are among his earliest works, composed between 1762 and 1764. They encompass several of Mozart's firsts as a composer: for example, his first works incorporating the violin, his first works with more than a single instrument, his first works in more than one movement and his first works in sonata form. In fact, previous to this, all his works had been short solo-pieces for the harpsichord.
Wolfgang Amadeus Mozart's set of six sonatas for keyboard and violin, K. 26–31 were composed in early 1766 in The Hague during the Mozart family's grand tour of Europe. They were dedicated to Princess Caroline of Nassau-Weilburg on the occasion of the eighteenth birthday of her brother, William V, Prince of Orange. They were published as Mozart's Opus 4.
The Milanese Quartets, K. 155–160, are a set of six string quartets composed by Wolfgang Amadeus Mozart in late 1772 and early 1773 when he was sixteen and seventeen years old. They are called 'Milanese' because Mozart composed them in Milan while he was working on his opera Lucio Silla. Before this set was composed, Mozart had written one earlier string quartet, so these six quartets are numbered from No. 2 to No. 7. The quartets are written in a plan of keys of D–G–C–F–B♭–E♭ following the circle of fourths.
The six string quartets, K. 168–173, were composed by Wolfgang Amadeus Mozart in late 1773 in Vienna. These are popularly known as the Viennese Quartets. Mozart may have hoped to have them published at the time, but they were published only posthumously by Johann André in 1801 as Mozart's Op. 94.
The St. Francis Mass is the shorter name for the Missa sub titulo Sancti Francisci Seraphici composed by Michael Haydn. He completed it on 16 August 1803, apparently at the request of Empress Maria Theresa for a name day celebration.
Josef Triebensee (Trübensee) was a Bohemian composer and oboist.
Felix Mendelssohn wrote thirteen string symphonies between 1821 and 1823, when he was between 12 and 14 years old.. These symphonies were tributes to Classical symphonies especially by Joseph Haydn, Carl Philipp Emanuel Bach, and Wolfgang Amadeus Mozart.
The Missa solemnis in C major, K. 66, is a mass composed by Wolfgang Amadeus Mozart in 1769. It is scored for SATB soloists and choir, violins I and II, viola, 2 oboes, 2 horns, 2 clarini, 2 trumpets and basso continuo.
The Missa longa in C major, K. 262/246a, is a mass composed by Wolfgang Amadeus Mozart in May 1776. Other sources claim it was composed in May 1775. It is scored for SATB soloists, SATB choir, violins I and II, 2 oboes, 2 horns in C, 2 clarini in C, 3 trombones colla parte, timpani and basso continuo.
Hooked on Classics, produced by Jeff Jarratt and Don Reedman, is a multi-million selling album recorded by Louis Clark and the Royal Philharmonic Orchestra, published in 1981 by K-tel and distributed by RCA Records, part of the Hooked on Classics series.
The sonatas for viola da gamba and harpsichord, BWV 1027–1029, are three sonatas composed by Johann Sebastian Bach for viola da gamba and harpsichord. They probably date from the late 1730s and early 1740s.
The Cassation in G major, K. 63 is a cassation for orchestra by Wolfgang Amadeus Mozart, composed around 1769 for the celebration of finalists from the University of Salzburg. The work is one of three smaller-scale compositions, all written in 1769.