Additive synthesis is a sound synthesis technique that creates timbre by adding sine waves together.
Computer music is the application of computing technology in music composition, to help human composers create new music or to have computers independently create music, such as with algorithmic composition programs. It includes the theory and application of new and existing computer software technologies and basic aspects of music, such as sound synthesis, digital signal processing, sound design, sonic diffusion, acoustics, electrical engineering, and psychoacoustics. The field of computer music can trace its roots back to the origins of electronic music, and the first experiments and innovations with electronic instruments at the turn of the 20th century.
Jon Howard Appleton was an American composer, an educator and a pioneer in electro-acoustic music. His earliest compositions in the medium, e.g. "Chef d'Oeuvre" and "Newark Airport Rock" (1967) attracted attention because they established a new tradition some have called programmatic electronic music. In 1970, he won Guggenheim, Fulbright and American-Scandinavian Foundation fellowships. When he was twenty-eight years old, he joined the faculty of Dartmouth College where he established one of the first electronic music studios in the United States. He remained there intermittently for forty-two years. In the mid-1970s, he left Dartmouth to briefly become the head of Elektronmusikstudion (EMS) (sv) in Stockholm, Sweden. In the late 1970s, together with Sydney Alonso and Cameron Jones, he helped develop the first commercial digital synthesizer called the Synclavier. For a decade he toured around the United States and Europe performing the compositions he composed for this instrument. In the early 1990s, he helped found the Theremin Center for Electronic Music at the Moscow Conservatory of Music. He also taught at Keio University (Mita) in Tokyo, Japan, CCRMA at Stanford University and the University of California Santa Cruz. In his later years, he devoted most of his time to the composition of instrumental and choral music in a quasi-Romantic vein which has largely been performed only in France, Russia and Japan.
Physical modelling synthesis refers to sound synthesis methods in which the waveform of the sound to be generated is computed using a mathematical model, a set of equations and algorithms to simulate a physical source of sound, usually a musical instrument.
Digital music technology encompasses digital instruments, computers, electronic effects units, software, or digital audio equipment by a performer, composer, sound engineer, DJ, or record producer to produce, perform or record music. The term refers to electronic devices, instruments, computer hardware, and software used in performance, playback, recording, composition, mixing, analysis, and editing of music.
Wavetable synthesis is a sound synthesis technique used to create quasi-periodic waveforms often used in the production of musical tones or notes.
Granular synthesis is a sound synthesis method that operates on the microsound time scale.
ChucK is a concurrent, strongly timed audio programming language for real-time synthesis, composition, and performance, which runs on Linux, Mac OS X, Microsoft Windows, and iOS. It is designed to favor readability and flexibility for the programmer over other considerations such as raw performance. It natively supports deterministic concurrency and multiple, simultaneous, dynamic control rates. Another key feature is the ability to live code; adding, removing, and modifying code on the fly, while the program is running, without stopping or restarting. It has a highly precise timing/concurrency model, allowing for arbitrarily fine granularity. It offers composers and researchers a powerful and flexible programming tool for building and experimenting with complex audio synthesis programs, and real-time interactive control.
Max, also known as Max/MSP/Jitter, is a visual programming language for music and multimedia developed and maintained by San Francisco-based software company Cycling '74. Over its more than thirty-year history, it has been used by composers, performers, software designers, researchers, and artists to create recordings, performances, and installations.
Max Vernon Mathews was an American pioneer of computer music.
John M. Chowning is an American composer, musician, discoverer, and professor best known for his work at Stanford University, the founding of CCRMA - Center for Computer Research in Music and Acoustics in 1975 and his development of the digital implementation of FM synthesis and the digital sound spatialization while there.
Andrew Schloss is an American musician and computer engineer.
Peter R. Samson is an American computer scientist, best known for creating pioneering computer software for the TX-0 and PDP-1.
Christopher David Chafe, born 1952 in Bern, Switzerland, is a musician, scientist, and the director of the Stanford University Center for Computer Research in Music and Acoustics (CCRMA). He is Duca Family Professor at Stanford University, holding a Doctor of Musical Arts in music composition from Stanford University (1983), a Master of Arts in music composition from University of California, San Diego, and a Bachelor of Arts in music from Antioch College. He won a Net Challenge Prize from the IEEE and Association for Computing Machinery in 2000, and a National Science Foundation research award in 1999. He has been performing with the Tintinnabulate ensemble at Rensselaer Polytechnic Institute.
Gnuspeech is an extensible text-to-speech computer software package that produces artificial speech output based on real-time articulatory speech synthesis by rules. That is, it converts text strings into phonetic descriptions, aided by a pronouncing dictionary, letter-to-sound rules, and rhythm and intonation models; transforms the phonetic descriptions into parameters for a low-level articulatory speech synthesizer; uses these to drive an articulatory model of the human vocal tract producing an output suitable for the normal sound output devices used by various computer operating systems; and does this at the same or faster rate than the speech is spoken for adult speech.
Stanford University has many centers and institutes dedicated to the study of various specific topics. These centers and institutes may be within a department, within a school but across departments, an independent laboratory, institute or center reporting directly to the dean of research and outside any school, or semi-independent of the university itself.
David Aaron Jaffe is an American composer who has written over ninety works for orchestra, chorus, chamber ensembles, and electronics. He is best known for his use of technology as an electronic-music or computer-music composer in works such as Silicon Valley Breakdown, though his non-electronic music has also been widely performed. He is also known for his development of computer music algorithmic innovations, such as the physical modeling of plucked and bowed strings, as well as for his development of music software such as the NeXT Music Kit and the Universal Audio UAD-2/Apollo/LUNA Recording System.
Dr. Janet Dunbar is an American composer.
Richard Charles Boulanger is a composer, author, and electronic musician. He is a key figure in the development of the audio programming language Csound, and is associated with computer music pioneers Max Mathews and Barry Vercoe.
Leland Clayton Smith was an American musician, teacher and computer scientist. He taught at Stanford University for 34 years, and developed the music engraving tool SCORE.
