Garland Kirkpatrick

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Garland Kirkpatrick (born 1960) is an American designer, educator, and curator based in Los Angeles. [1]

Contents

Career

Kirkpatrick's work includes: social graphics visualizing complex socio-political issues ranging from the criminal justice system – capital punishment, mass incarceration, police brutality, and recidivism – to the environment, HIV-AIDS, homophobia, immigrant rights, and racism; and graphic design for cultural institutions, and community-based organizations.

After postgraduate work at the Institute of Design in Chicago (1985–1987), he received his Master of Fine Arts in Graphic Design (1990) from Yale University where he studied under modernist design icons Paul Rand, Armin Hofmann, and Alvin Eisenman. [1]

Kirkpatrick taught as a regular faculty in the Graphic Design program at the California Institute of the Arts (1992–2002), and served as Program Director for two years. He continues to teach design as a Professor at Loyola Marymount University, where he served as art department Chair (2011–2016). [2]

His work is held in the permanent collections of: the American Institute of Graphic Arts Design Archives (AIGA); [3] [4] [5] [6] the Denver Art Museum, AIGA Awards Archive, Denver, CO (1991–Present); the Center for the Study of Political Graphics; [7] [8] [9] [10] [11] the Los Angeles County Museum of Art; [12] the Museum of Design, Zurich University of the Arts, Switzerland; [13] [14] [15] the Oakland Museum of California; [16] [17] [18] [19] the Cooper-Hewitt Museum of Art, Smithsonian Institution, New York, NY (1993); Self Help Graphics & Art, Los Angeles; [20] [21] the Caridad Archive of Chicano Printmaking in California (CEMA), University of California, Santa Barbara; [20] the Gerald Buck Collection, Orange County, California; the Library of Congress, Washington, DC; the Online Archives of California; [22] the Huntington Museum, University of Texas-Austin, Austin, Texas; the Institute of Texas Cultures, University of Texas-San Antonio, San Antonio Texas; and other poster collectives including national Chicano and university archives in Arizona and New Mexico.

Kirkpatrick's graphic design work has been recognized by three national competitions of graphic design: the American Alliance of Museums' national museum publication competition, the American Center for Design (ACD) 100 show (1927–2002), and the American Institute of Graphic Arts (AIGA) Communication Graphics competition. He received a City of Los Angeles (COLA) Individual Artist Fellowship for Design from the Department of Cultural Affairs (2003). [23] [24] [25] [26]

Garland Kirkpatrick has worked closely with the cultural communities of Los Angeles, as both art director and graphic designer through his studio, Helvetica Jones. Selected nonprofits and cultural institutions include the Center for the Study of Political Graphics, ChangeLinks Community Newspaper, the Department of Cultural Affairs for the City of Los Angeles, the Getty Conservation Institute, and the Japanese American National Museum. [27] [28] He was a Director of Experience Design at Sapient corporation in San Francisco and Los Angeles (2000–2001).

Garland Kirkpatrick was featured along with Emory Douglas and Chaz Maviyane-Davies in Observe | Make | State: A Collection of Design Reproductions and Artifacts that Convery Issues of Social Justice (2017), an exhibition curated by Karen Gutowsky-Zimmerman at Seattle Pacific University Gallery. Exhibitions and workshops include Urgent Messages: Exhibition and Risographic Poster Making Workshop (2018), curated by Tuan Phan at St. Edwards University, Fine Arts Gallery in Austin, Texas. Group exhibition and workshop featured Ashley Robin Franklin, Brandy Shigemoto, Claudia Gamundi, Edith Valle, Harsh Patel, Jesse Jaramillo, Jimmy Luu, Rene Cruz, Suthada Wadkhien, Tuan Phan, and Yewon Kwon.[ citation needed ]

Filmography

His film credits as a designer include the independent film, Fast Food Nation (2006), and the political thriller, Game (2013). [29] [30]

His film appearances include: Digging the Suez Canal with a Teaspoon (2019), a documentary film by David Stairs and Eric Limarenko.

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References

  1. 1 2 Lowry, Camille. "Design Journeys: Garland Kirkpatrick". aiga.org. American Institute of Graphic Arts. Retrieved 1 August 2017.
  2. Loyola Marymount University, College of Communication & Fine Arts. "Garland Kirkpatrick" . Retrieved 1 August 2017.
  3. Kirkpatrick, Garland. "MLK Commemorative Exhibit, 1992". American Institute of Graphic Arts Design Archives. Retrieved 31 July 2017.
  4. Kirkpatrick, Garland. "Finding Family Stories Exhibition Catalogue, 1998". American Institute of Graphic Arts Design Archives. Retrieved 31 July 2017.
  5. Kirkpatrick, Garland. "Matthias Biehler, 1990". American Institute of Graphic Arts Design Archives. Retrieved 31 July 2017.
  6. Kirkpatrick, Garland. "Personal Inventory: Nick Vaughn, 1992". American Institute of Graphic Arts Design Archives. Retrieved 31 July 2017.
  7. Kirkpatrick, Garland. "N?PD. Offset, 2006". Center for the Study of Political Graphics. Retrieved 31 July 2017.
  8. Kirkpatrick, Garland. "Killing Kindly. Offset, 2006". Center for the Study of Political Graphics. Retrieved 31 July 2017.
  9. Kirkpatrick, Garland. "Art Action. Silkscreen, Date Unknown". Center for the Study of Political Graphics. Retrieved 31 July 2017.
  10. Kirkpatrick, Garland. "Art is Not a Mirror. Silkscreen, 1996". Center for the Study of Political Graphics. Retrieved 31 July 2017.
  11. Kirkpatrick, Garland. "Until the Lions Have Their Historians. Silkscreen, 1996". Center for the Study of Political Graphics. Retrieved 31 July 2017.
  12. Kirkpatrick, Garland. "No Mas Tratos. Screenprint, 2002–2003". Los Angeles County Museum of Art, LACMA. Retrieved 5 July 2017.
  13. Kirkpatrick, Garland. "Sex, lies, and stereotypes-Poster on sexism and homophobia – Center for Studies in Political Graphics". Museum of Design, Zurich University of the Arts, Switzerland, eMuseum. Retrieved 31 July 2017.
  14. Kirkpatrick, Garland. "Viva la Huelga! Graphic heritage and legacies of the United Farm Workers – A poster exhibition from the Archives of the Center for the Study of Political Graphics". Museum of Design, Zurich University of the Arts, Switzerland, eMuseum. Retrieved 31 July 2017.
  15. Kirkpatrick, Garland. "Viva la Huelga! Graphic heritage and legacies of the United Farm Workers – A poster exhibition from the Archives of the Center for the Study of Political Graphics – California State University, Northridge – The Southern California Library for Social (...)". Museum of Design, Zurich University of the Arts, Switzerland, eMuseum. Retrieved 31 July 2017.
  16. Kirkpatrick, Garland. "Viva la huelga. Offset lithograph paper, c. 1993". Oakland Museum of California, OMCA Collections.
  17. Kirkpatrick, Garland. "Posters on the Myths and Realities of the Immigrant Experience. Offset lithograph paper, 2001". Oakland Museum of California, OMCA Collections. Retrieved 31 July 2017.
  18. Kirkpatrick, Garland. "Viva La Huelga! Offset lithograph paper, 1995". Oakland Museum of California, OMCA Collections. Retrieved 31 July 2017.
  19. Kirkpatrick, Garland. "Viva La Huelga! Offset lithograph paper, 1995". Oakland Museum of California, OMCA Collections. Retrieved 31 July 2017.
  20. 1 2 Kirkpatrick, Garland (19 August 2011). "¡No Más Tratos! (No More Deals!); July 30-31, 2002; Coventry Rag, 290 gms.; 16" × 16"". Guide to the Self Help Graphics Archives 1960–2003, UC Santa Barbara Library. Retrieved 31 July 2017.
  21. Kirkpatrick, Garland. "No Mas Tratos! (No More Deals!), 2002". Online Archive of California, UCLA Chicano Studies Research Center, Finding Aid for the Self Help Graphics & Art Research Collection 1973–2007. Retrieved 31 July 2017.
  22. Kirkpatrick, Garland. "No Mas Tratos! (No More Deals!), 2002". Online Archive of California, UCLA Chicano Studies Research Center, Finding Aid for the Self Help Graphics & Art Research Collection 1973–2007. Retrieved 31 July 2017.
  23. Department of Cultural Affairs, City of Los Angeles (2013). COLA 2013: Individual Artist Fellowships (PDF). City of Los Angeles: Department of Cultural Affairs. pp. 77, 79, 82. Retrieved 1 August 2017.
  24. Department of Cultural Affairs, City of Los Angeles (2014). COLA 2014: Individual Artist Fellowships (PDF). City of Los Angeles: Department of Cultural Affairs. pp. 7, 93. Retrieved 1 August 2017.
  25. Department of Cultural Affairs, City of Los Angeles (2015). COLA 2015: Individual Artist Fellowships. City of Los Angeles: Department of Cultural Affairs. pp. 134, 139. Retrieved 1 August 2017.
  26. Grace Kook-Anderson; et al. (2011). Best Kept Secret: UCI and the Development of Contemporary Art in Southern California, 1964–1971. Laguna, California: Laguna Art Museum. ISBN   978-0940872370.
  27. Judy Chan; et al. (December 1998). Finding Family Stories. Los Angeles, California: Japanese American National Museum. ISBN   9781881161035.
  28. Striegel, Mary F. and Jo Hill (1996). Thin-Layer Chromatography for Binding Media Analysis (PDF). United States of America: J. Paul Getty Trust. ISBN   0892363908 . Retrieved 1 August 2017.
  29. "Garland Kirkpatrick". IMDb. Retrieved 5 July 2017.
  30. Kirkpatrick, Garland. "NMNC Films Is Proud To Present: The GAME Film Poster!". NMNC Films. Retrieved 9 July 2017.

Bibliography