The Centre Pompidou, more fully the Centre national d'art et de culture Georges-Pompidou, also known as the Pompidou Centre in English, is a complex building in the Beaubourg area of the 4th arrondissement of Paris, near Les Halles, rue Montorgueil, and the Marais. It was designed in the style of high-tech architecture by the architectural team of Richard Rogers, Su Rogers, Renzo Piano, along with Gianfranco Franchini.
A gas holder or gasholder, also known as a gasometer, is a large container in which natural gas or town gas is stored near atmospheric pressure at ambient temperatures. The volume of the container follows the quantity of stored gas, with pressure coming from the weight of a movable cap. Typical volumes for large gas holders are about 50,000 cubic metres (1,800,000 cu ft), with 60-metre-diameter (200 ft) structures.
The Gates were a group of gates comprising a site-specific work of art by Bulgarian artist Christo Yavacheff and French artist Jeanne-Claude, known jointly as Christo and Jeanne-Claude. The artists installed 7,503 vinyl "gates" along 23 miles (37 km) of pathways in Central Park in New York City. From each gate hung a panel of deep saffron-colored nylon fabric. The exhibit ran from February 12 through February 27, 2005.
Christo Vladimirov Javacheff (1935–2020) and Jeanne-Claude Denat de Guillebon (1935–2009), known as Christo and Jeanne-Claude, were artists noted for their large-scale, site-specific environmental installations, often large landmarks and landscape elements wrapped in fabric, including the Wrapped Reichstag, The Pont Neuf Wrapped, Running Fence in California, and The Gates in New York City's Central Park.
Harald Szeemann was a Swiss curator, artist, and art historian. Having curated more than 200 exhibitions, many of which have been characterized as groundbreaking, Szeemann is said to have helped redefine the role of an art curator. It is believed that Szeemann elevated curating to a legitimate art form itself.
A gasworks or gas house is an industrial plant for the production of flammable gas. Many of these have been made redundant in the developed world by the use of natural gas, though they are still used for storage space.
The Zollverein Coal Mine Industrial Complex is a large former industrial site in the city of Essen, North Rhine-Westphalia, Germany. The first coal mine on the premises was founded in 1847, and mining activities took place from 1851 until December 23, 1986. For decades, starting in the late 1950s, the two parts of the site, Zollverein Coal Mine and Zollverein Coking Plant, ranked among the largest of their kinds in Europe. Shaft 12, built in the New Objectivity style, was opened in 1932 and is considered an architectural and technical masterpiece, earning it a reputation as the "most beautiful coal mine in the world".
The Beyeler Foundation or Fondation Beyeler, with its museum in Riehen, near Basel (Switzerland), owns and oversees the art collection of Hildy and Ernst Beyeler, which features modern and traditional art. The Beyeler Foundation museum includes a space for special exhibitions staged to complement the permanent collection. In 2006, approximately 340,000 persons visited the museum. The number of visitors in 2016 was 332,000. The Beyeler Foundation is the most visited museum of art in all of Switzerland. The museum is properly funded, and it receives annual grants from the cantons of Basel City and Basel County and the commune of Riehen. Major partners of the Foundation are Bayer AG, Novartis and Swiss bank UBS.
Running Fence was an installation art piece by Christo and Jeanne-Claude, which was completed on September 10, 1976. The art installation was first conceived in 1972, but the actual project took more than four years to plan and build. After it was installed, the builders removed it 14 days later, leaving no visible trace behind.
Zeche Carl is a cultural centre set up by Essen Council in a former coal mine.
The actual boundaries of the Ruhr vary slightly depending on the source, but a good working definition is to define the Lippe and Ruhr as its northern and southern boundaries respectively, the Rhine as its western boundary, and the town of Hamm as the eastern limit.
Kaldor Public Art Projects is an Australian non-profit arts organisation established in 1969 by John Kaldor. The organisation collaborates with international artists to create site-specific art projects in public spaces in Australia.
The Launceston Gasworks is a former industrial site located in the CBD of Launceston, Tasmania. The site was the principal supplier of gas to the City of Launceston before the importation of LPG in the 1970s. The gasworks produced gas by heating coal and siphoning off the gas that it released before refining and storing it on site in a set of 3, steel frame gasometers. The first buildings on site were the horizontal retort buildings built in 1860 from sandstone and local brick. The site was later used by Origin Energy as their Launceston LPG outlet. The site is instantly recognizable by its 1930s, steel braced, vertical retort building with the words "COOK WITH GAS" in the brickwork.
Katja Aßmann is a German curator and arts administrator. She is currently the artistic director of Urbane Künste Ruhr.
The Emschergenossenschaft is the oldest and biggest public German water board, („Wasserwirtschaftsverband”) located in Essen and responsible for the 865 km2 Emscher catchment with 2.2 million citizens. In Europe‘s largest urban area, between Dortmund and Duisburg as well as in the northern perimeter of the Lippe region, The Emschergenossenschaft offers modern, cost-effective water management that covers a broad range of responsibilities as sewage treatment, care and maintenance of waterways, natural remodelling of open waste water canals, flood protection, regulation of water flow and management of groundwater and rainwater
The Internationale Bauausstellung Emscher Park or International Architecture Exhibition Emscher Park was a programme for structural changes in the so-called German Ruhr region from 1989 to 1999 in order to show new concepts in terms of social, cultural and ecologic ideas.
The Floating Piers was a temporary, site-specific work of art by Christo and Jeanne-Claude, consisting of 70,000 square meters of yellow fabric, carried by a modular floating dock system of 226,000 high-density polyethylene cubes installed in 2016 at Lake Iseo near Brescia, Italy. The fabric created a walkable surface between Sulzano, Monte Isola and the island of San Paolo.
L'Arc de Triomphe, Wrapped, known as "L'Arc de Triomphe Empaqueté" in French, was a temporary art installation by artists Christo and Jeanne-Claude where the Arc de Triomphe in Paris was wrapped in a silver-blue fabric and red rope for two weeks in 2021.
The Pont Neuf Wrapped, Paris, 1975–1985 was a 1985 environmental artwork in which artists Christo and Jeanne-Claude wrapped the Pont Neuf in fabric. Planning for the project started in 1979. The artists put a model of the project in the window of La Samaritaine, a department store close to the bridge, in late 1981. Paris Mayor Jacques Chirac rejected the project in early 1982. An aide to the mayor snuck the permit approval into a pile of the mayor's papers, which he signed inadvertently in August 1984. When the mayor attempted to repeal the approval, Jeanne-Claude said she would show the press the letter as a symbol of his signature's worth, after which he dropped his case. In September 1985, the artists wrapped the bridge and its 44 streetlamps in a sandstone-colored fabric. The two-week installation attracted three million visitors. Artsy described the response as "sensational".
Surrounded Islands, Biscayne Bay, Greater Miami, Florida, 1980–83 was a 1983 environmental artwork in which artists Christo and Jeanne-Claude surrounded an island archipelago in Miami with pink fabric.
