Gaucho literature, also known as gauchesco ("gauchoesque") genre was a literary movement purporting to use the language of the gauchos, comparable to the American cowboy, and reflecting their mentality. Although earlier works have been identified as gauchoesque, the movement particularly thrived from the 1870s to 1920s in Argentina, Uruguay and southern Brazil after which the movement petered out, although some works continued to be written. Gauchoesque works continue to be read and studied as a significant part of Argentine literary history. [1]
The movement arose as writers in those countries developed their understanding of their national identities. Three great poets in this trend were, José Hernández, Estanislao del Campo and Hilario Ascasubi. [1]
The influence of folk music and a countrified language has always, to some extent, been felt in popular literature, as, for example, in the folk-flavoured poetry of the Uruguayan gauchoesque poet Bartolomé Hidalgo (1788 – 1822). The influx on the soul which the gaucho exercises can be felt on the work of much later writers who loved the country scene of Argentina and Uruguay, such as Ricardo Güiraldes, Benito Lynch and Enrique Amorim. This is particularly true of even the most modern Uruguayan literature.
With Mark Twain's attempt to reproduce the dialect of Missouri boys, slaves, "injuns", etc., gauchoesque literature actually aspires to use, to perpetuate what purports to be the actual language of the gauchos.
Each year links to its corresponding "[year] in literature" article, except for poetry, which links to its "[year] in poetry" article:
In chronological order by birth year;
A gaucho or gaúcho is a skilled horseman, reputed to be brave and unruly. The figure of the gaucho is a folk symbol of Argentina, Paraguay, Uruguay, Rio Grande do Sul in Brazil, the southern part of Bolivia, and the south of Chilean Patagonia. Gauchos became greatly admired and renowned in legend, folklore, and literature and became an important part of their regional cultural tradition. Beginning late in the 19th century, after the heyday of the gauchos, they were celebrated by South American writers.
José Hernández was an Argentine journalist, poet, and politician best known as the author of the epic poem Martín Fierro. In his tribute, his birthday is celebrated as a national argentinian holiday, called Tradition Day.
Borges on Martín Fierro concerns Argentine Jorge Luis Borges's comments on José Hernández's nineteenth-century poem Martín Fierro. Like most of his compatriots, Borges was a great admirer of this work, which he often characterized as the one clearly great work in Argentine literature. Because Martín Fierro has been widely considered the fountainhead or pinnacle of Argentine literature, Argentina's Don Quixote or Divine Comedy, and because Borges was certainly Argentina's greatest twentieth-century writer, Borges's 1953 book of essays about the poem and its critical and popular reception–El "Martín Fierro" —gives insight into Borges's identity as an Argentine.
Argentine literature, i.e. the set of literary works produced by writers who originated from Argentina, is one of the most prolific, relevant and influential in the whole Spanish speaking world, with renowned writers such as Jorge Luis Borges, Julio Cortázar, Leopoldo Lugones and Ernesto Sábato.
Fermín Chávez was an Argentine historian, poet and journalist, born in El Pueblito, a small town near Nogoyá, province of Entre Ríos. He studied humanities in Córdoba, philosophy in Buenos Aires, and devoted three years to the study of theology, canon law, archaeology and Ancient Hebrew in Cuzco, Peru.
Juan Gelman was an Argentine poet. He published more than twenty books of poetry between 1956 and his death in early 2014. He was a naturalized citizen of Mexico, country where he arrived as a political exile of the Process, the military junta ruling Argentinia from 1976 to 1983.
Martín Fierro was an Argentine magazine published between 1904 and 1905, founded to propagate anarchist ideas. It was named after José Hernández's epic poem Martín Fierro, a touchstone of Argentine national identity, whose title character is a renegade gaucho.
Noé Jitrik was an Argentine literary critic.
The Gaucho War is a 1942 Argentine historical drama and epic film directed by Lucas Demare and starring Enrique Muiño, Francisco Petrone, Ángel Magaña, and Amelia Bence. The film's script, written by Homero Manzi and Ulyses Petit de Murat, is based on the novel by Leopoldo Lugones published in 1905. The film premiered in Buenos Aires on November 20, 1942 and is considered by critics of Argentine cinema to be one of the most successful films in history. It won three Silver Condor awards, including Best Film, Best Director, and Best Adapted Screenplay, given by the Argentine Film Critics Association at the 1943 Argentine Film Critics Association Awards for the best films and performances of the previous year.
Arturo Carrera is an Argentine poet.
Beatriz Sarlo is an Argentine literary and cultural critic. She was also founding editor of the cultural journal Punto de Vista. She became an Order of Cultural Merit laureate in 2009.
Blas Matamoro is an Argentine writer, lawyer, journalist and translator.
Ricardo Rojas was an Argentine journalist and writer. He came from one of the most influential families of the Santiago del Estero Province; his father was Absalón Rojas, who was governor of the province. He moved to Buenos Aires to further his education, later becoming rector of the University of Buenos Aires from 1926 to 1930. He was also the director of the Institute of Petroleum.
Susana Calandrelli was an Argentine writer and teacher.
Luis (Leopoldo) Franco was an Argentine autodidact, a self-made intellectual, essayist, and poet.
Rugby Club Los Matreros, simply known as Los Matreros, is an Argentine rugby union and field hockey club sited in Castelar, a city of Morón Partido in Greater Buenos Aires. The rugby union team is also member of the Unión de Rugby de Buenos Aires (URBA).
Jorge B. Rivera (1935–2004) was an Argentine poet, essayist, critic, journalist and researcher on issues of history and popular culture. He was born in Buenos Aires in 1935 and died on August 27, 2004. He is considered a pioneer in research in mass communication in Argentina.
The 1943 Argentine Film Critics Association Awards ceremony was held in Buenos Aires on 10 January 1943 to honour the best films and contributors to Argentine cinema in 1942. This was the first time the awards had been presented.
Marta Lynch was the pseudonym of Marta Lía Frigerio, an Argentine writer. She wrote seven novels and nine collections of short prose.
Lily Sosa de Newton was an Argentine historian, biographer and essayist. She was a pioneer in historical research on Argentine women in different fields. She also wrote numerous biographies of historical figures.