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Vocal music is a type of singing performed by one or more singers, either with instrumental accompaniment, or without instrumental accompaniment, in which singing provides the main focus of the piece. Music which employs singing but does not feature it prominently is generally considered to be instrumental music as is music without singing. Music without any non-vocal instrumental accompaniment is referred to as a cappella.
Alternative country is a loosely defined subgenre of country music and/or country rock that includes acts that differ significantly in style from mainstream country music, mainstream country rock, and country pop. Alternative country artists are often influenced by alternative rock. Most frequently, the term has been used to describe certain country music and country rock bands and artists that are also defined as or have incorporated influences from alternative rock, indie rock, punk rock, heartland rock, Southern rock, progressive country, outlaw country, neotraditional country, Texas country, Red Dirt, roots rock, indie folk, folk rock, rockabilly, bluegrass, and honky tonk.
Romani music is the music of the Romani people who have their origins in northern India but today live mostly in Europe.
Krautrock is a broad genre of experimental rock that developed in West Germany in the late 1960s and early 1970s. It originated among artists who blended elements of psychedelic rock, avant-garde composition, and electronic music, among other eclectic sources. Common elements included hypnotic rhythms, extended improvisation, musique concrète techniques, and early synthesizers, while the music generally moved away from the rhythm & blues roots and song structure found in traditional Anglo-American rock music. Prominent groups associated with the krautrock label included Neu!, Can, Faust, Tangerine Dream, Kraftwerk, Cluster, Ash Ra Tempel, Popol Vuh, Amon Düül II and Harmonia.
Kurdish music refers to music performed in the Kurdish languages and Zaza-Gorani languages. The earliest study of Kurdish music was initiated by the renowned Armenian priest and composer Komitas in 1903, when he published his work "Chansons kurdes transcrites par le pere Komitas" which consisted of twelve Kurdish melodies which he had collected. The Armenian Karapetê Xaço also preserved many traditional Kurdish melodies throughout the 20th century by recording and performing them. In 1909, Scholar Isya Joseph published the work "Yezidi works" in which he documented the musical practice of the Yazidis including the role of the musician-like qewal figures and the instruments used by the minority.
Blues rock is a fusion genre and form of rock music that relies on the chords/scales and instrumental improvisation of blues. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock. From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal.
The Turkish makam is a system of melody types used in Turkish classical music and Turkish folk music. It provides a complex set of rules for composing and performance. Each makam specifies a unique intervalic structure and melodic development (seyir). Whether a fixed composition or a spontaneous composition, all attempt to follow the melody type. The rhythmic counterpart of makam in Turkish music is usul.
In Ottoman classical music, usul is an underlying rhythmic cycle that complements the melodic rhythm and sometimes helps shape the overall structure of a composition. An usul can be as short as two beats or as long as 128 beats. Usul is often translated as "meter", but usul and meter are not exactly the same. Both are repeating rhythmic patterns with more or less complex inner structures of beats of differing duration and weight. But a student learning Turkish music in the traditional meşk system first memorizes the usul kinetically by striking the knees with the hands. The student then sings the vocal or instrumental composition while performing the underlying usul. This pedagogical system helps the student memorize the composition while internalizing the underlying rhythmic structure.
Speak No Evil is the sixth album by Wayne Shorter. It was released in June 1966 by Blue Note Records. The music combines elements of hard bop and modal jazz, and features Shorter on tenor saxophone, trumpeter Freddie Hubbard, pianist Herbie Hancock, bassist Ron Carter and drummer Elvin Jones. The cover photo is of Shorter's first wife, Teruko (Irene) Nakagami, whom he met in 1961.
This is a list of folk music traditions, with styles, dances, instruments, and other related topics. The term folk music cannot be easily defined in a precise manner. It is used with widely varying definitions depending on the author, intended audience and context within a work. Similarly, the term traditions in this context does not connote any strictly-defined criteria. Music scholars, journalists, audiences, record industry individuals, politicians, nationalists, and demagogues may often have occasion to address which fields of folk music are distinct traditions based along racial, geographic, linguistic, religious, tribal, or ethnic lines, and all such peoples will likely use different criteria to decide what constitutes a "folk music tradition". This list uses the same general categories used by mainstream, primarily English-language, scholarly sources, as determined by relevant statements of fact and the internal structure of works.
Musical improvisation is the creative activity of immediate musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. Sometimes musical ideas in improvisation are spontaneous, but may be based on chord changes in classical music and many other kinds of music. One definition is a "performance given extempore without planning or preparation". Another definition is to "play or sing (music) extemporaneously, by inventing variations on a melody or creating new melodies, rhythms and harmonies". Encyclopædia Britannica defines it as "the extemporaneous composition or free performance of a musical passage, usually in a manner conforming to certain stylistic norms but unfettered by the prescriptive features of a specific musical text." Improvisation is often done within a pre-existing harmonic framework or chord progression. Improvisation is a major part of some types of 20th-century music, such as blues, rock music, jazz, and jazz fusion, in which instrumental performers improvise solos, melody lines and accompaniment parts.
The poetry of the Ottoman Empire, or Ottoman Divan poetry, is little known outside modern Turkey, which forms the heartland of what was once the Ottoman Empire. It is, however, a rich and ancient poetic tradition that lasted for nearly 700 years, and one whose influence can still be felt in the modern Turkish poetic tradition.
Mihri Hatun, was an Ottoman poet. She was the daughter of a kadi and according to sources she spent most of her life in and near Amasya, in Anatolia. Documentation places her as a member of the literary circle of Şehzade Ahmed, the son of Sultan Bayezid II. She is referred to as the "Sappho of the Ottomans".
The Avant-Garde is an album credited to jazz musicians John Coltrane and Don Cherry that was released in 1966 by Atlantic Records. It features Coltrane playing several compositions by Ornette Coleman accompanied by the members of Coleman's quartet: Cherry, Charlie Haden, and Ed Blackwell. The album was assembled from two unissued recording sessions at Atlantic Studios in New York City in 1960.
Maggie Nicols, is a Scottish free-jazz and improvising vocalist, dancer, and performer.
The beste is a vocal genre in Ottoman classical music. It was a movement of the fasıl, or suite.
Bulgarian wedding music is a genre of Svatbarska muzika or a "wedding music" style that evolved in the late 1960s in Bulgaria. Its popularity has spread in Europe and North America. This style of music is performed elaborately in weddings in a festive atmosphere, and also on other happy occasions. It was not given state privilege initially by the socialist regime of Bulgaria as it was considered folk music. The music is a fusion of "an eclectic array" of Bulgarian, Romani, Turkish and Macedonian music and is very popular in the southern Balkan region. Following the end of the People's Republic of Bulgaria in 1989, the popularity of wedding music has soared.
Masters of Turkish Music is a compilation album released by Rounder Records in 1990. The record features 20 tracks of Turkish classical music, compiled and restored from the 78s recorded between 1906 and 1949.
References
- ↑ Broughton, Simon; Ellingham, Mark (1999). World Music: The Rough Guide . Rough Guides. p. 403. ISBN 1-85828-635-2.
Gazel +music.
- ↑ Bozdoğan, Sibel; Kasaba, Reşat (1997). Rethinking Modernity and National Identity in Turkey. University of Washington Press. p. 230. ISBN 0-295-97597-0.
- ↑ Garland Encyclopedia of Music, vol. 6, pp. 114–121
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