La costruzione di Strada Nuova, fresco by Luca Cambiaso in Palazzo Lercari-ParodiCirce, by Giovanni Benedetto Castiglione. Galleria degli Uffizi.
The Genoese School was a regional movement in Italian painting, initiated in the 17th century. The Republic of Genoa was a rich oligarchic republic, where the authorities were powerful bankers. Unlike Florence, Ferrara, Rome, Rimini, and Venice, Genoa was not developed into a significant arts center during the Renaissance. An original school of painting arose in the 1600s, developing Flemish contacts after visits by Rubens and van Dyck. The best painter was Bernardo Strozzi, called il Cappuccino, of great importance also for Venice. Giovanni Benedetto Castiglione, called Il Grecchetto, took up a genre already made famous by Sinibaldo Scorza with paintings of animals and still lifes under Flemish and Venetian influence. Domenico Fiasella and Gioacchino Assereto joined the Caravaggesque followers, while Valerio Castello was more eclectic. The decorators Domenico Piola and Gregorio de Ferrari worked in the churches and palaces of Genoa.
In the first half of the 18th century Alessandro Magnasco dominated painting with his strange personality, his nervous technique and his exaggerated chiaroscuro; his expressionistic distortions created a fantastic world reminiscent of Salvator Rosa, Marco Ricci, and Francesco Guardi.
Bernardo Strozzi, named il Cappuccino and il Prete Genovese, was an Italian Baroque painter and engraver. A canvas and fresco artist, his wide subject range included history, allegorical, genre and portrait paintings as well as still lifes. Born and initially mainly active in Genoa, he worked in Venice in the latter part of his career. His work exercised considerable influence on artistic developments in both cities. He is considered a principal founder of the Venetian Baroque style. His powerful art stands out by its rich and glowing colour and broad, energetic brushstrokes.
Giovanni Benedetto Castiglione was an Italian Baroque painter, printmaker and draftsman, of the Genoese school. He is best known now for his etchings, and as the inventor of the printmaking technique of monotyping. He was known as Il Grechetto in Italy and in France as Le Benédette.
Valerio Castello born in Genoa, was an Italian painter of the Baroque period and one of the pre-eminent Ligurian painters of his time. His art drew inspiration from a wide range of sources. He painted on canvas and fresco.
Artists from Genoa were influential during the 17th century. Many painters emigrated to either Venice, Florence, or Rome. Prominent stimuli to the local artists were prolonged visits to the town of artists from Spain and countries north of Italy, including Velázquez, Van Dyck, and Pierre Puget.
Gregorio de Ferrari was an Italian Baroque painter of the Genoese School.
Palazzo Bianco is one of the main buildings of the center of Genoa, Italy. It is situated at 11, via Garibaldi.
Gioacchino Assereto was an Italian painter of the early Baroque period and one of the most prominent history painters active in Genoa in the first half of the 17th century.
Domenico Fiasella was an Italian painter of the Baroque period, mainly active in Genoa. He was nicknamed Il Sarzana, after his birthplace.
The Basilica della Santissima Annunziata del Vastato is the Catholic cathedral of Genoa, northern Italy; its decoration employed the major baroque studios and artists in Genoa in the 17th century.
Domenico Piola was a Genoese painter of the Baroque period. He was the leading artist in Genoa in the second half of the 17th century, working on ceiling frescoes for many Genoese churches and palaces and canvas paintings for private collectors. His family studio was highly prolific and frequently collaborated with other artists.
Bartolomeo Biscaino (1632–1657) was an Italian painter of the Baroque period, active in his native Genoa.
The Oratorio di San Giacomo della Marina is a small chapel or prayer-house at the dockside in Genoa, northern Italy.
Giovanni Andrea de Ferrari (1598–1669) was an Italian painter of the Baroque period, active mainly in Genoa. A prolific easel painter who created many altarpieces, he was, together with Gioacchino Assereto and Orazio de Ferrari, one of the chief influences on the later development of the Baroque in Genoa.
Filippo Baldinucci's Notizie de' Professori del Disegno, Da Cimabue in qua, Secolo V. dal 1610. al 1670. Distinto in Decennali was a major art biography of Baroque painters. Written by the erudite Florentine professor of the Accademia della Crusca, it is often verbose and rife with factual errors; however, it is a broad compendium of stories about generally contemporaneous Baroque painters.
Giovanni Bernardo Carbone was an Italian painter of the Baroque period.
Italian Rococo art refers to painting and the plastic arts in Italy during the Rococo period, which went from about the early/mid-18th to the late 18th century.
The Palazzo Reale or Palazzo Stefano Balbi is a major palace in Genoa.
The Accademia Ligustica di Belle Arti is a tertiary academy of fine arts located in Genoa, Italy. It also houses a museum, which includes works of Giovanni Benedetto Castiglione, Giuseppe Abbati, Anton Raphael Mengs, Perin del Vaga, Luca Cambiaso, Bernardo Strozzi, Giovanni Battista Paggi, Sinibaldo Scorza, Domenico Fiasella, Luciano Borzone, Serafino De Tivoli, Plinio Nomellini. The academy was founded in 1751.
Ezia Gavazza was an Italian art historian. Along with her friends and colleagues Lauro Magnani and Piero Boccardo, she was one of the most prolific writers in Genoa on Baroque art. She specialised in the Ligurian Baroque, particularly Domenico Piola, Giulio Benso, Giovanni Andrea Ansaldo, Grechetto and Bernardo Strozzi.
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