George S. Fleming was an American actor, director, and scenic designer whose short films were influential early projects in the medium. [1]
The Edison Manufacturing Company hired George S. Fleming in January 1901, just as its new roof-top studio on East Twenty-First Street in New York City were opening. [2] Fleming and Edwin S. Porter were frequent collaborators. Fleming left the Edison production team in 1903. [3]
The Great Train Robbery is a 1903 American silent film made by Edwin S. Porter for the Edison Manufacturing Company. It follows a gang of outlaws who hold up and rob a steam locomotive at a station in the American West, flee across mountainous terrain, and are finally defeated by a posse of locals. The short film draws on many sources, including a robust existing tradition of Western films, recent European innovations in film technique, the play of the same name by Scott Marble, the popularity of train-themed films, and possibly real-life incidents involving outlaws such as Butch Cassidy.
The year 1903 in film involved many significant events in cinema.
The year 1901 in film involved some significant events.
Edwin Stanton Porter was an American film pioneer, most famous as a producer, director, studio manager and cinematographer with the Edison Manufacturing Company and the Famous Players Film Company. Of over 250 films created by Porter, his most important include What Happened on Twenty-third Street, New York City (1901), Jack and the Beanstalk (1902), Life of an American Fireman (1903), The Great Train Robbery (1903), The European Rest Cure (1904), The Kleptomaniac (1905), Life of a Cowboy (1906), Rescued from an Eagle's Nest (1908), and The Prisoner of Zenda (1913).
Edison Studios was an American film production organization, owned by companies controlled by inventor and entrepreneur, Thomas Edison. The studio made close to 1,200 films, as part of the Edison Manufacturing Company (1894–1911) and then Thomas A. Edison, Inc. (1911–1918), until the studio's closing in 1918. Of that number, 54 were feature length, and the remainder were shorts. All of the company's films have fallen into the public domain because they were released before 1928.
Joan of Arc is a 1900 French silent film directed by Georges Méliès, based on the life of Joan of Arc.
Life of an American Fireman is a short, silent film Edwin S. Porter made for the Edison Manufacturing Company. It was shot late in 1902 and distributed early in 1903. One of the earliest American narrative films, it depicts the rescue of a woman and child from a burning building. It bears notable similarities to the 1901 British short film Fire!, directed by James Williamson.
Electrocuting an Elephant is a 1903 American black-and-white silent actuality short depicting the killing of the elephant Topsy by electrocution at a Coney Island amusement park. It was produced by the Edison film company and is believed to have been shot by Edwin S. Porter or Jacob Blair Smith.
Another Job for the Undertaker is a 1901 silent comic trick film made at Edison's recently opened studio at 41 East 21st Street in Manhattan. It was photographed by Edwin S. Porter and co-directed by Porter and George S. Fleming. The two-shot film was copyrighted on May 15, 1901 and is approximately two minutes in length. It lacks a head title, which would have been supplied by projecting a separate lantern slide before screening the film.
The Edison Manufacturing Company, originally registered as the United Edison Manufacturing Company and often known as simply the Edison Company, was organized by inventor and entrepreneur Thomas Edison and incorporated in New York City in May 1889. It succeeded the Edison United Manufacturing Company, founded in 1886 as a sales agency for the Edison Lamp Company, Edison Machine Works, and Bergmann & Company, which made electric lighting fixtures, sockets, and other accessories. In April 1894, the Edison laboratory's Kinetoscope operation, which was about to be commercialized, was brought under the Edison Company umbrella. In 1900, the United Edison Manufacturing Company was evidently succeeded by the New Jersey–incorporated Edison Manufacturing Company. The company's assets and operations were transferred to Thomas A. Edison, Inc. in 1911.
Frederick S. Armitage was an early American motion picture cinematographer and director, working primarily for the American Mutoscope and Biograph Company. Often identified as "F.S. Armitage" in AM&B paperwork, Armitage had a hand in creating more than 400 often very short subjects for AM&B in the days where its films were made as much for the hand-crank operated Mutoscope device as for projection. Several of Armitage's subjects stand out from the company's regular routine of actualities and comic skits in their innovative use of camerawork, superimpositions, time-lapse photography and other effects then new to the art of film-making.
What Happened on Twenty-third Street, New York City is a 1901 American short film starring A. C. Abadie and Florence Georgie in which a woman's undergarments are accidentally exposed. A similar 1901 film, Soubrette's Troubles on a Fifth Avenue Stage, also starred Abadie and Georgie.
Justus D. Barnes, named George Barnes in some sources, was an American stage and film actor. He is best known for his role in the 1903 silent short The Great Train Robbery, which the American Film Institute and many film historians and critics recognize as the production that first established the Western genre, setting a new "narrative standard" in the motion picture industry. Kim Newman says it is "probably the first Western film with a storyline".
Terrible Teddy, the Grizzly King is a 1901 American silent film directed by Edwin S. Porter. Produced by the Edison Manufacturing Company, it is the earliest known political satire in American film. It features three actors, all of whom are unknown.
Wallace McCutcheon Sr. was a pioneer cinematographer and director in the early American motion picture industry, working with the American Mutoscope & Biograph, Edison and American Star Film companies. McCutcheon's wealth of credits are often mixed up with the small handful of films directed by his son, Wallace McCutcheon Jr. (1884–1928).
Jack and the Beanstalk is a 1902 American silent trick film directed by George S. Fleming and Edwin S. Porter. With ten sequential shots, Jack and the Beanstalk was twice as long as any previous studio film. According to Porter, "It took in the neighborhood of six weeks in the spring of 1902 to successfully make this photograph."
Faust and Marguerite is a 1900 American silent trick film produced and distributed by Edison Manufacturing Company. It was directed by Edwin S. Porter and based on the Michel Carré play Faust et Marguerite and the 1859 opera Faust adapted from the play by Charles Gounod.
Parsifal is a 1904 American silent film produced by the Edison Manufacturing Company and directed by Edwin S. Porter. It is based on the 1882 opera Parsifal by Richard Wagner, and stars Adelaide Fitz-Allen as Kundry and Robert Whittier as Parsifal.
Kansas Saloon Smashers is a 1901 comedy short film produced and distributed by Edison Studios. Directed by Edwin S. Porter, it is a satire of American activist Carrie Nation. The film portrays Nation and her followers entering and destroying a saloon. After the bartender retaliates by spraying Nation with water, policemen order them out; the identities of the actors are not known. Inspiration for the film was provided by an editorial cartoon which appeared in the New York Evening Journal.
Éruption volcanique à la Martinique, released in the United States as The Eruption of Mount Pelee and in Britain as The Terrible Eruption of Mount Pelée and Destruction of St. Pierre, Martinique, is a 1902 French short silent film directed by Georges Méliès. The film is a short reconstruction, using miniature models, of a recent historical event: the eruption on 8 May 1902 of Mount Pelée, which destroyed the town of Saint-Pierre, Martinique.