The Great Train Robbery is a 1903 American silent film made by Edwin S. Porter for the Edison Manufacturing Company. It follows a gang of outlaws who hold up and rob a steam train at a station in the American West, flee across mountainous terrain, and are finally defeated by a posse of locals. The short film draws on many sources, including a robust existing tradition of Western films, recent European innovations in film technique, the play of the same name by Scott Marble, the popularity of train-themed films, and possibly real-life incidents involving outlaws such as Butch Cassidy.
Edwin Stanton Porter was an American film pioneer, most famous as a producer, director, studio manager and cinematographer with the Edison Manufacturing Company and the Famous Players Film Company. Of over 250 films created by Porter, his most important include What Happened on Twenty-third Street, New York City (1901), Jack and the Beanstalk (1902), Life of an American Fireman (1903), The Great Train Robbery (1903), The European Rest Cure (1904), The Kleptomaniac (1905), Life of a Cowboy (1906), Rescued from an Eagle's Nest (1908), and The Prisoner of Zenda (1913).
Frederick S. Armitage was an early American motion picture cinematographer and director, working primarily for the American Mutoscope and Biograph Company. Often identified as "F.S. Armitage" in AM&B paperwork, Armitage had a hand in creating more than 400 often very short subjects for AM&B in the days where its films were made as much for the hand-crank operated Mutoscope device as for projection. Several of Armitage's subjects stand out from the company's regular routine of actualities and comic skits in their innovative use of camerawork, superimpositions, time-lapse photography and other effects then new to the art of film-making.
The Little Train Robbery is a 1905 American silent Western film directed by Edwin S. Porter. It is a parodic sequel/remake to Porter's 1903 film The Great Train Robbery with an all-child "cast as the robbers, and a miniature railroad and playhouse as sets."
Charles John Musser is a film historian, documentary filmmaker, and a film editor. Since 1992, he has taught at Yale University, where he is currently a professor of Film and Media Studies as well as American Studies and Theater Studies. His research has primarily focused on early cinema, and topics such as Edwin S. Porter, Oscar Micheaux, race cinema of the silent era, Paul Robeson, film performance, as well as a variety of issues and individuals in documentary. His films include An American Potter (1976), Before the Nickelodeon: The Early Cinema of Edwin S. Porter (1982) and Errol Morris: A Lightning Sketch (2014).
Terrible Teddy, the Grizzly King is a 1901 American silent film directed by Edwin S. Porter. Produced by the Edison Manufacturing Company, it is the earliest known political satire in American film. It features three actors, all of whom are unknown.
Wallace McCutcheon Sr. was a pioneer cinematographer and director in the early American motion picture industry, working with the American Mutoscope & Biograph, Edison and American Star Film companies. McCutcheon's wealth of credits are often mixed up with the small handful of films directed by his son, Wallace McCutcheon Jr. (1884–1928).
Jack and the Beanstalk is a 1902 American silent trick film directed by Edwin S. Porter. With ten sequential shots, Jack and the Beanstalk was twice as long as any previous studio film. According to Porter, "It took in the neighborhood of six weeks in the spring of 1902 to successfully make this photograph."
George S. Fleming was an American actor, director, and scenic designer whose short films were influential early projects in the medium.
Execution of Czolgosz with Panorama of Auburn Prison is a 1901 silent film produced by the Edison Studios arms of Edison Manufacturing Company. The film is a dramatic reenactment of the execution of Leon Czolgosz by electric chair at Auburn Correctional Facility following his 1901 conviction for the assassination of William McKinley. It is considered an important film in the history of cinema.
Faust and Marguerite is a 1900 American silent trick film produced and distributed by Edison Manufacturing Company. It was directed by Edwin S. Porter and based on the Michel Carré play Faust et Marguerite and the 1859 opera Faust adapted from the play by Charles Gounod.
Parsifal is a 1904 American silent film produced by the Edison Manufacturing Company and directed by Edwin S. Porter. It is based on the 1882 opera Parsifal by Richard Wagner, and stars Adelaide Fitz-Allen as Kundry and Robert Whittier as Parsifal.
The Miller's Daughter is a 1905 American silent film produced by Edison Manufacturing Company. Edison employees Wallace McCutcheon and Edwin S. Porter are generally credited as directors. The film is based on the melodrama Hazel Kirke by Steele MacKaye.
Dream of a Rarebit Fiend is a 1906 silent trick film directed by Edwin S. Porter for Edison Manufacturing Company. It is a seven-minute live-action film adaptation of the comic strip Dream of the Rarebit Fiend by American cartoonist Winsor McCay. The film was marketed as using several special effects in which "some of the photographic 'stunts' have never been seen or attempted before."
Daniel Boone; or, Pioneer Days in America is a 1907 American silent film directed by Wallace McCutcheon and Edwin S. Porter for the Edison Manufacturing Company. It starred Florence Lawrence, often called "the first movie star."
The Count of Monte Cristo is a 1913 silent film adventure directed by Joseph A. Golden and Edwin S. Porter, based on the adapted play of Alexandre Dumas' 1844 novel of the same name by Charles Fechter, adapted on screen by Hampton Del Ruth. It starred James O'Neill, a stage actor and father of playwright Eugene O'Neill. James O'Neill had been playing Edmond Dantès most of his adult life and was famous in the role. Daniel Frohman and Adolph Zukor produced together. Edwin S. Porter co-directed with Joseph Golden, though this was probably necessary as Porter also served as the film's cinematographer. The film was released on November 1, 1913.
"Weary Willie" Kisses the Bride is a surviving 1904 silent comedy short film produced by Thomas Edison and directed by Edwin S. Porter and preserved from a paper print in the Library of Congress. The film was copyrighted as Nervy Nat Kisses the Bride, but sold as "Weary Willie". Another 1904 Porter short was released called "Weary Willie" Kidnaps a Child.
Rube and Mandy at Coney Island was produced, directed, shot and edited by Edwin S. Porter Copyrighted on August 13, 1903, the 725 ft., 35mm film lasted roughly 10 minutes if projected at 20 frames per second.
The 'Teddy' Bears is an American silent film directed by Edwin S. Porter and Wallace McCutcheon, and produced by the Edison Manufacturing Company starting as the fairy tale Goldilocks and ending as a political satire of United States President Theodore Roosevelt.
Laura Comstock's Bag-Punching Dog is a 1901 silent short film directed by Edwin S. Porter. The film depicts a vaudeville act featuring Laura Comstock and her trained dog, a pit bull named Mannie. Comstock's act was currently appearing at Keith's Union Square Theatre.
