Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film which increasingly involves the use of digital technology. When putting together some sort of video composition, typically, you would need a collection of shots and footages that vary from one another. The act of adjusting the shots you have already taken, and turning them into something new is known as film editing.
The Kinetoscope is an early motion picture exhibition device, designed for films to be viewed by one person at a time through a peephole viewer window. The Kinetoscope was not a movie projector, but it introduced the basic approach that would become the standard for all cinematic projection before the advent of video: it created the illusion of movement by conveying a strip of perforated film bearing sequential images over a light source with a high-speed shutter. First described in conceptual terms by U.S. inventor Thomas Edison in 1888, it was largely developed by his employee William Kennedy Laurie Dickson between 1889 and 1892. Dickson and his team at the Edison lab in New Jersey also devised the Kinetograph, an innovative motion picture camera with rapid intermittent, or stop-and-go, film movement, to photograph movies for in-house experiments and, eventually, commercial Kinetoscope presentations.
This is a list of notable Western films and TV series, ordered by year and decade of release. For a long-running TV series, the year is its first in production.
Cross-cutting is an editing technique most often used in films to establish action occurring at the same time, and often in the same place. In a cross-cut, the camera will cut away from one action to another action, which can suggest the simultaneity of these two actions but this is not always the case. Cross-cutting can also be used for characters in a film with the same goals but different ways of achieving them.
Edwin Stanton Porter was an American film pioneer, most famous as a producer, director, studio manager and cinematographer with the Edison Manufacturing Company and the Famous Players Film Company. Of over 250 films created by Porter, his most important include What Happened on Twenty-third Street, New York City (1901), Jack and the Beanstalk (1902), Life of an American Fireman (1903), The Great Train Robbery (1903), The European Rest Cure (1904), The Kleptomaniac (1905), Life of a Cowboy (1906), Rescued from an Eagle's Nest (1908), and The Prisoner of Zenda (1913).
Edison Studios was an American film production organization, owned by companies controlled by inventor and entrepreneur, Thomas Edison. The studio made close to 1,200 films, as part of the Edison Manufacturing Company (1894–1911) and then Thomas A. Edison, Inc. (1911–1918), until the studio's closing in 1918. Of that number, 54 were feature length, and the remainder were shorts. All of the company's films have fallen into the public domain because they were released before 1928.
Actuality film is a non-fiction film genre that uses footage of real events, places, and things, in a similar way to documentary film. Unlike documentaries, actuality films are not structured into a larger narrative or coherent whole. In practice, actuality films preceded the emergence of the documentary. During the era of early cinema, actualities—usually lasting no more than a minute or two and usually assembled together into a program by an exhibitor—were just as popular and prominent as their fictional counterparts. The line between "fact" and "fiction" was not as prominent in early cinema as it would become once documentaries became the predominant non-fiction filmmaking form. Actuality as a film genre is related to still photography.
Life of an American Fireman is a short, silent film Edwin S. Porter made for the Edison Manufacturing Company. It was shot late in 1902 and distributed early in 1903. One of the earliest American narrative films, it depicts the rescue of a woman and child from a burning building. It bears notable similarities to the 1901 British short film Fire!, directed by James Williamson.
Sherlock Holmes Baffled is an American silent trick film created in 1900 with cinematography by Arthur Marvin. It is the earliest known film to feature Arthur Conan Doyle's detective character Sherlock Holmes, albeit in a form unlike that of later screen incarnations. In the film, a thief who can appear and disappear at will steals a sack of items from Sherlock Holmes. At each point, Holmes's attempts to thwart the intruder end in failure.
Justus D. Barnes, named George Barnes in some sources, was an American stage and film actor. He is best known for his role in the 1903 silent short The Great Train Robbery, which the American Film Institute and many film historians and critics recognize as the production that first established the Western genre, setting a new "narrative standard" in the motion picture industry. Kim Newman says it is "probably the first Western film with a storyline".
The Little Train Robbery is a 1905 American silent Western film directed by Edwin S. Porter. It is a parodic sequel/remake to Porter's 1903 film The Great Train Robbery with an all-child "cast as the robbers, and a miniature railroad and playhouse as sets."
Charles John Musser is a film historian, documentary filmmaker, and a film editor. Since 1992, he has taught at Yale University, where he is currently a professor of Film and Media Studies as well as American Studies and Theater Studies. His research has primarily focused on early cinema, and topics such as Edwin S. Porter, Oscar Micheaux, race cinema of the silent era, Paul Robeson, film performance, as well as a variety of issues and individuals in documentary. His films include An American Potter (1976), Before the Nickelodeon: The Early Cinema of Edwin S. Porter (1982) and Errol Morris: A Lightning Sketch (2014).
Desperate Poaching Affray is a 1903 British chase film by Wales-based film producer William Haggar. Three minutes long, the film is recognised as an early influence on narrative drama in American film, especially in the chase genre. The film used a number of innovative techniques including on-location shooting, panning shots, and unconventional use of screen edges. The film, along with Frank Mottershaw's film A Daring Daylight Burglary, is considered to have helped launch the chase subgenre and influenced Edwin S. Porter's The Great Train Robbery.
Wallace McCutcheon Sr. was a pioneer cinematographer and director in the early American motion picture industry, working with the American Mutoscope & Biograph, Edison and American Star Film companies. McCutcheon's wealth of credits are often mixed up with the small handful of films directed by his son, Wallace McCutcheon Jr. (1884–1928).
Kathleen Mavourneen is a 1906 silent short film by Edwin S. Porter, produced and distributed by Edison Manufacturing Company. It is based on the song “Kathleen Mavourneen” by Annie Crawford and Frederick Williams Nichols Crouch, which inspired the play by Dion Boucicault.
The Bold Bank Robbery is a 1904 short crime film produced and distributed by the Lubin Manufacturing Company. The silent film depicts a group of burglars who plan and execute a successful bank heist. Company employee Jack Frawley was the film's director, also coming up with the story and serving as cinematographer; the cast's identities are unknown. The silent film was the first Lubin Manufacturing Company release to feature an original narrative.
Uncle Tom's Cabin is a 1903 American silent short drama directed by Edwin S. Porter and produced by the Edison Manufacturing Company. The film was adapted from the 1852 novel Uncle Tom's Cabin by Harriet Beecher Stowe. The plot streamlined the actual story to portray the film over the course of 19 minutes. The film was released on 3 August 1903 at the Huber's Fourteenth Street Museum in New-York.
The Train Wreckers is a 1905 American silent drama film, directed by Edwin S. Porter showing how the daughter of a railway switchman and lover of a locomotive engineer is defeating outlaws trying to derail a train.
The 'Teddy' Bears is an American silent film directed by Edwin S. Porter and Wallace McCutcheon, and produced by the Edison Manufacturing Company starting as the fairy tale Goldilocks and ending as a political satire of United States President Theodore Roosevelt.