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Charlie and his Orchestra were a Nazi-sponsored German propaganda swing band. Jazz music styles were seen by Nazi authorities as rebellious but, ironically, propaganda minister Joseph Goebbels conceived of using the style in shortwave radio broadcasts aimed initially at the United Kingdom, and later the United States, after the German declaration of war on 11 December 1941.
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An overview of the evolution of Jazz music in Germany reveals that the development of jazz in Germany and its public notice differ from the "motherland" of jazz, the US, in several respects.
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Music in Nazi Germany, like all cultural activities in the regime, was controlled and "co-ordinated" (Gleichschaltung) by various entities of the state and the Nazi Party, with Propaganda Minister Joseph Goebbels and the prominent Nazi theorist Alfred Rosenberg playing leading – and competing – roles. The primary concerns of these organizations was to exclude Jewish composers and musicians from publishing and performing music, and to prevent the public exhibition of music considered to be "Jewish", "anti-German", or otherwise "degenerate", while at the same time promoting the work of favored "Germanic" composers, such as Richard Wagner, Ludwig van Beethoven and Anton Bruckner. These works were believed to be positive contributions to the Volksgemeinschaft, or German folk community.
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References
- 1 2 Kater, Michael H. (1992). Different Drummers: Jazz in the Culture of Nazi Germany. Oxford University Press. p. 127.
- 1 2 Lusane, Clarence (2002). Hitler's Black Victims: the Historical Experiences of Afro-Germans, European Blacks, Africans, and African Americans in the Nazi Era. Routledge. p. 203.
- 1 2 Cuomo, Glenn R. (1995). "The diaries of Joseph Goebbels as a source for the understanding of National Socialist cultural politics". National Socialist Cultural Policy. Palgrave Macmillan: 210.
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