Ghetto Music | ||||
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Studio album by | ||||
Released | 1968 | |||
Recorded | September 20, 1968 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Avant-garde jazz, soul jazz, free jazz, folk jazz | |||
Length | 40:48 | |||
Label | Blue Note | |||
Producer | Francis Wolff | |||
Eddie Gale chronology | ||||
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Ghetto Music is the debut album by American trumpeter Eddie Gale recorded in 1968 and released on the Blue Note label. [1]
The Allmusic review by Thom Jurek awarded the album 5 stars and stated "The aesthetic and cultural merits of Eddie Gale's Ghetto Music cannot be overstated... This is an apocryphal album, one that seamlessly blends the new jazz of the '60s with gospel, soul, and the blues... This is some of the most spiritually engaged, forward-thinking, and finely wrought music of 1968". [2] In 2022, in a contemporary review, Pitchfork (website) called the album 'a spiritually charged masterpiece .., a controlled and chaotic blend of free jazz, meditative soul, and gospel' and awarded it a 9.4 out of 10. [3]
Peaceful World is the eighth studio album by rock band The Rascals, released on May 5, 1971. It peaked at number 122 on the Billboard 200 chart. The single "Love Me" reached number 95 on the Billboard Hot 100.
Hi Voltage is an album by jazz tenor saxophonist Hank Mobley recorded on October 9, 1967 and released on the Blue Note label the following year. It features performances by Mobley with alto saxophonist Jackie McLean, trumpeter Blue Mitchell, pianist John Hicks, drummer Billy Higgins, and bassist Bob Cranshaw.
The Flip is an album by the jazz saxophonist Hank Mobley recorded on July 12, 1969 in Paris, France, and released on the Blue Note label. It features performances by Mobley with four European-based musicians: trumpeter Dizzy Reece, trombonist Slide Hampton, pianist Vince Benedetti, bassist Alby Cullaz, and drummer Philly Joe Jones.
The Cry of My People is an album by avant-garde jazz saxophonist Archie Shepp released in 1972 on the Impulse! label. The album features performances by Shepp with gospel singers, big bands, quintets, sextets, and chamber orchestras. The AllMusic review by Thom Jurek states: "Shepp worked with many larger ensembles as a leader, but never did he achieve such a perfect balance as he did on The Cry of My People".
Serenade to a Soul Sister is an album by jazz pianist Horace Silver released on the Blue Note label in 1968, featuring performances by Silver with Charles Tolliver, Stanley Turrentine, Bennie Maupin, Bob Cranshaw, John Williams, Mickey Roker and Billy Cobham.
The United States of Mind is a compilation album by jazz pianist Horace Silver, released on the Blue Note label in 2004 compiling the three separate 'Phases' previously released as That Healin' Feelin' (1970), Total Response (1971) and All (1972). It features performances by Silver with Randy Brecker, George Coleman, Houston Person, Cecil Bridgewater, Harold Vick, Richie Resnicoff, Bob Cranshaw, Jimmy Lewis, Mickey Roker and Idris Muhammad, with vocals by Andy Bey, Salome Bey, Gail Nelson and Jackie Verdell.
A Man With a Horn is an album by jazz saxophonist Lou Donaldson featuring 1961 & 1963 sessions recorded for the Blue Note label, one performed by Donaldson with organist Brother Jack McDuff, guitarist Grant Green and drummer Joe Dukes, and the other with Grant Green, trumpeter Irvin Stokes, Big John Patton and drummer Ben Dixon.
Passing Ships is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1969 for the Blue Note label but not released until 2003. The album features Hill with a six piece horn section performing seven original compositions.
Lift Every Voice is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1969 and released on the Blue Note label in 1970. The original album features Hill with a large choir performing five original compositions and the 2001 CD reissue added six additional compositions recorded in 1970 as bonus tracks.
Dance with Death is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1968 but not released on the Blue Note label until 1980. The album features Hill with saxophonist Joe Farrell, trumpeter Charles Tolliver, bassist Victor Sproles and drummer Billy Higgins performing six originals with an alternate take added to the 2004 CD reissue.
Consequence is an album by American saxophonist Jackie McLean recorded in 1965, but not released on Blue Note until 1979 as LT-994. In 1993, it was released as part of the four-disc Mosaic compilation The Complete Blue Note 1964-66 Jackie McLean Sessions, which was limited to 5,000 copies. In 2005, it was finally released on a limited edition CD as Blue Note 11428.
New and Old Gospel is an album by American saxophonist Jackie McLean recorded in 1967 and released on the Blue Note label. It features McLean in a quintet with saxophonist Ornette Coleman, pianist LaMont Johnson, bassist Scotty Holt and drummer Billy Higgins.
New York Is Now! is an album by the American jazz saxophonist and composer Ornette Coleman released on the Blue Note label in 1968.
Love Call is an album by the American jazz saxophonist and composer Ornette Coleman recorded in 1968 and released on the Blue Note label.
Bossa Nova Bacchanal is an album by American saxophonist Charlie Rouse recorded in 1962 and released in 1963 on the Blue Note label. It was the only album Rouse recorded as a leader for Blue Note. The CD reissue includes a bonus track recorded in 1965.
Black Rhythm Happening is the second album by American trumpeter Eddie Gale recorded in 1969 and released on the Blue Note label.
Fancy Dancer is the fifth studio album by American jazz flautist Bobbi Humphrey, recorded in 1975 and released on the Blue Note label.
Montara is an album by American jazz vibraphonist Bobby Hutcherson recorded in 1975 and released on the Blue Note label.
Heritage is an album by American jazz trumpeter Eddie Henderson recorded in 1976 and released on the Blue Note label.
Tex Book Tenor is an album by American jazz saxophonist Booker Ervin featuring the last performances Ervin recorded as a leader in 1968 for the Blue Note label. The session was first released in 1976 as a double LP Back from the Gig combined with a 1964 session recorded under Horace Parlan's leadership and finally released in 2005 on CD.